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Rohfilm

One of the most important structural films of the period, Rohfilm demonstrates a radical anti-representational approach, destroying the figurative image and bringing attention back to the ‘raw’ photographic material, particularly its physical form. Resisting a stable reference point, the film is a multi-layered onslaught of blurred impressions, shifting surfaces and grating sounds that activates a form of sensuous viewing. In the making of the film, the Heins employed just about every technique of defamiliarization, including direct intervention on the surface of the film strip, rephotography, remediation, and different kinds of mechanical interruption and destruction. It is a striking example of a truly handmade approach. (Kim Knowles)

Rohfilm

5.9 1968
Munich, or Peace in Our Time

A television documentary directed by Marcel Ophüls examining the Munich Conference of September 28, 1938, when European leaders met to avert the outbreak of war. Through archival documents and interviews, the film reconstructs the political atmosphere surrounding negotiations between Britain and France on one side and Nazi Germany and Fascist Italy on the other, situating the agreement within the broader context of European appeasement in the face of fascism.

Munich, or Peace in Our Time

8.0 1967
Il male di San Donato

In Montesano, Salento, during the festivities held in August in honour of Saint Donatus, patron saint of epileptics and the mentally ill, the power of collective suggestion causes strange phenomena and rituals to occur. Luigi Di Gianni, master of anthropological documentary, films the worshippers with Dionysian force as they writhe and scream as if in a pagan rite, showing how the content of the Catholic liturgy succumbs to the primitive passion of popular religiosity.

Il male di San Donato

NR 1965
Alvorada: Brazil's Changing Face

Documentary film about Brazil around the year 1960 and how it is shaped by industrial and social upheavals. The film portrays people and landscapes, modern cities as well as the art and culture of the fifth largest country in the world, which encompasses numerous nations and cultures. The focus is on the structural changes, particularly in the capital Brasilia, which was rebuilt and inaugurated in 1960. From the perspective of a European observer, a picture of the country gradually emerges from a wide variety of impressions.

Alvorada: Brazil's Changing Face

10.0 1962
Everyone Dies Alone

In wartime Berlin, a factory foreman, Otto Quangel and his wife, Anna learn that their only son, Paul, has been killed in action in France. In their grief, the couple decide to take action against the Nazi regime. They create their own form of resistance, writing postcards urging people to resist Hitler and the Nazis and quietly distributing the postcards around Berlin. Various people enter the picture, showing the fear and distrust of the times. People, such as the actor Harteisen, find the cards and race to turn them in, lest they be found with them and come under suspicion. The police and the Gestapo are baffled for over a year, but finally find the source of the cards. The Volksgerichtshof sentences the Quangels to death.

Everyone Dies Alone

7.0 1962