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Willigan's Fitzroy

WILLIGAN'S FITZROY takes us to the small Aboriginal community of Fitzroy Crossing in Western Australia. Through the eyes of the local Aboriginal Employment Coordinator, Joe Ross, we take an informal journey into the world of the Bunaba tribe, their lives, their culture and the modern infrastructures they are developing to make their community both financially and culturally viable. One thing that has long united the Bunuba people is the fight to stop their beloved Fitzroy River from becoming a massive dam project. We gain an inkling into the enormous spiritual and economic losses at stake for this remote Kimberley town.

Willigan's Fitzroy

NR 2000
White Revenge

The murder of South African white supremacist Eugene Terreblanche has reignited divisions between white and black in a reminder of the country’s bitter struggle over apartheid. Zoé de Bussierre reports from Terreblanche's home town of Ventersdorp in the aftermath of the killing, as two black men appear in court charged with his murder. She sees first-hand the hatred between the two communities, which frequently threatens to turn violent. See this very different side to South Africa from that portrayed at the recent World Cup.

White Revenge

NR 2010
Sydney Harbour Bridge

“Tourists, postcards, different views of the same icon. The Bridge is a piece of geometry so I figured the film had to be geometric, too. The matte box allowed me to create postcards within postcards within postcards. It was all done in-camera…very demanding, it took all winter! The matting had to be carefully calculated and each image rewound by hand, then rephotographed, in the right position and at the right exposure. I surrounded the Bridge with a mass of water…vertically and horizontally. The water is by turns soft and then metallic as it reflects in the low winter sun. The movement, the steel and the water create an interplay as harbour sounds, wind chimes, boats…tinkle.” (Paul Winkler)

Sydney Harbour Bridge

NR 1977
Thunderlust and The Middle Beast

Long-haired, loud, and a real long way from home. The hip thrusting glam metal band with an image problem has come to a part of the world that suffers the same. The Middle East. Their mission: make music videos, and get out alive. The band are furious though when they learn that management has given the job of directing their videos to a relatively inexperienced Jordanian film maker by the name of Anas. Dealing with the band's egos, tantrums and paranoia, Anas struggles to help the band create the right image for their new songs. It all makes for a volatile but hilarious mix. The band soon falls apart though and Anas faces even greater pressure to pull the video clips off. For as he knows too well; in a world that rocks, image makes the difference.

Thunderlust and The Middle Beast

NR 2015
The Long Walk

Set on the isolated coast of Robe, South Australia, “The Long Walk” pays homage to the 16,000 Chinese miners who landed there in the 1850s and walked 500 kms across an alien landscape to the goldfields, in search of a better life. Devised as a live performance and film-making event, a mutually responsive collage of movement, music, and arresting visuals tells their story of grit, tenacity, and perseverance through harsh social and environmental conditions. The film’s experimental design explores the tensions between liveness, mediatization, and the ability of technology to reveal novel performance experiences.

The Long Walk

NR 2023
Revealed: Reefshot

The end of talking. The age of doing. A stirring testament to 21st century conservationism and people power in action, Reefshot is more than just a call to arms to save the Great Barrier Reef. It is the story of some of the Reef’s most loyal citizens racing against time to turn the tide on the danger facing the world’s largest living organism. Led by Andy Ridley the creator of Earth Hour, a small group of scientists, volunteers and Indigenous rangers set out to help protect and conserve the Reef by uploading data to one of the largest natural census undertaken in human history. Cutting edge technology meets 60,000 years of first-peoples know-how as the flotilla trade skills and intelligence in this herculean effort for conservation. The clock is ticking. The world is watching. But rather than getting that sinking feeling about the Reef and its fate, seeing this armada in action will inspire and empower all of us to take part in their plight.

Revealed: Reefshot

NR 2023
Matri Linear B: Surfacing Earth

Matri Linear B takes the expressive powers of the Earth’s surface as “speaking landscapes” as its starting point, as agencies of a statement, while exploring how we can learn to see them. Central for the project’s second part, Surfacing Earth, are the cosmologies and land rights politics of indigenous Australians in Yuendumu and Tijikala in the Northern Territories. They appear as a horizon and boundary in a transmitted cosmology that is over 40,000 years old. They require a way of thinking about the relativity of space, which, according to astrophysicist Arturo Escobar, “is not to be thought about with universal concepts, but with several universes at the same time that can be interconnected…”

Matri Linear B: Surfacing Earth

NR N/A
Releasing the Spirits: A Village Cremation in Bali

Cremation rites are the most elaborate rites of passage performed by Balinese householders. Poor families may wait years before accumulating enough resources to cremate their dead, who are buried in the meantime. In 1978 many more cremations than usual were carried out because of the great purification cermony, Eka Dasa Rudra, held at Bali's main temple, Besakih, in 1979. Religious officials recommended that all Balinese cleanse the island by cremating their dead, as part of the preparations for the great Besakih ceremony. Villagers of limited means pooled their resources to perform group cremations which greatly reduced the cost for each family. This film is about a group of villagers in Central Bali who cooperated to carry out a group cremation.

Releasing the Spirits: A Village Cremation in Bali

NR 1991
Breaking Bows and Arrows

On the island of Bougainville in Papua New Guinea, victims and perpetrators are coming together in traditionally based reconciliation ceremonies after a decade long civil war left the community bitterly divided. In the largest reconciliation ceremony yet to take, BBA follows fighters who have killed each others families as they come together to break bows and arrows in a traditional gesture of peace. On a more personal journey Francis Boisivere retrieves the bones of a chief he killed, ceremonially returning them to the bereaved wife, Immaculate Atorevi . He seeks forgiveness , she a release from the hatred she harbours.

Breaking Bows and Arrows

NR 2001
Peter Brock The Legend: 35 Years On The Mountain

After three decades in motor racing, no other Australian driver commands such broad public appeal as Peter Brock. Peter is an Australian motor sports phenomenon. Widely regarded as one of the most gifted drivers of his generation and an icon in Australian sports, he resisted going overseas to create a spectacularly successful careen in the one country he wished to call home. Peter's record-breaking achievements at Australia's premier race, the Bathurst 1000, are unlikely to be surpassed. Nine wins, seven poles and 12 podiums. Peter truly is "King Of The Mountain". Touring car racing has always been his passion, the ultimate challenge. Taking a car originally intended for road use and pushing to the absolute limit in competition. On bitumen or dirt, Brock has proved a master of the art and it's all detailed in this documentary.

Peter Brock The Legend: 35 Years On The Mountain

NR 2005
A Walbiri Fire Ceremony: Ngatjakula

Originally filmed as an archival record of a Warlpiri (Walbiri) ceremony in 1967 by Roger Sandall, the film footage was re-worked 10 years later by anthropologist Nicolas Peterson and filmmaker, Kim McKenzie, to make this short version for public viewing. Involving large numbers of both men and women, Ngatjakula is one of the most spectacular ceremonies of central Australia, employing fire, and several days of singing and dance, to resolve conflicts and re-affirm social order among the Warlpiri (Walbiri) people. One of Sandall’s many films about ceremonial life, including several of Warlpiri rituals, the film was part of the program of the Australian Institute of Aboriginal Studies to record traditional aspects of Aboriginal life and culture. McKenzie’s collaboration with Peterson (who had been present at the time of the original filming) to edit this public version, is a meticulous representation of the fire ceremony, much of which took place at night.

A Walbiri Fire Ceremony: Ngatjakula

10.0 1977