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Mourning For Mangatopi

Because of work commitments and the influence of Christian Missions, traditional mourning ceremonies among the Tiwi people of Melville Island were becoming rare at the time of making this film (1974). The full, elaborate ceremony, called the Pukumani ceremony, lasted several days and involved large numbers of people in ritual roles. It was performed here with full awareness that this may be one of the last times such a ceremony would be staged in the traditional way. The ceremony was prepared by the Mangatopi family of Snake Bay after the death of a 35-year old family member killed by his wife. The dead man’s father, Geoffrey Mangatopi, and his family requested this film to be made as a public record of a disappearing tradition. Unique to the Tiwi people of Melville and Bathurst islands, the Pukumani ceremony was not only performed to safe-guard the passage of the dead person into the spirit world, but to re-affirm kinship relationships and traditional Tiwi culture.

Mourning For Mangatopi

NR 1974
Isolated

“An impressionistic documentary. Black and white, alcoholics, blind people, wheelchairs...the down and out in Sydney. I was greatly influenced by documentary films I saw at the Workers’ Education Association Film Group. Real images were cut together with footage I’d shot in Waverley Cemetery—a cemetery here in Sydney—in a sort of symbolising where I suppose we all finish up, whether we’re handicapped or not! The film has no narration. Someone said I ought to have a composer write a soundtrack, so I went to great lengths...working with musicians in a studio. It was completely new to me, and I wasn’t really comfortable with it.” (Paul Winkler)

Isolated

NR 1967
Bakala

Anindilyakwa man, Steve 'Bakala' Wurramara is afflicted with a profound hereditary neurodegenerative disorder. While modern medicine looks for answers, the stories of an ancient curse and black magic still permeate this remote Aboriginal community in far northern Australia. Bakala enlists the help of his daughter to search for a cure from the traditional bush medicines in the land, desperate to find an answer before she too is diagnosed. As his desperation grows and his disorder takes an ever greater hold, Bakala realises he must fight this ancient curse to unlock the secrets of his Ancestors.

Bakala

NR 2017
Plan Bea

Bea has always known she was born to perform. But when a pandemic shuts down her school's music program and bans singing altogether, even her boundless ambition hits a wall. Undeterred, she convinces her friends to form an underground show choir — and what starts as an act of rebellion slowly becomes something much bigger: a reminder that music isn't a privilege, it's a lifeline. Funny, heartfelt, and packed with original songs, Plan Bea is an Australian musical feature film that proves you can't stop joy.

Plan Bea

NR N/A
What Remains of Us

What Remains of Us is a poignant exploration of grief, connection, and missed opportunities. Luke, a young man weighed down by personal struggles and family expectations, revisits a close but strained relationship with Cam, a friend who moved away. Through a series of text messages, flashbacks, and video calls, the film reveals Luke’s guilt and regret over losing touch, culminating in the devastating realization of Cam’s tragic fate. As Luke grapples with his emotions, he reflects on the impact of their bond and the unspoken struggles both carried, emphasizing the importance of reaching out and cherishing meaningful connections.

What Remains of Us

NR N/A
The Incised Image

Charles Lloyd is an Australian artist whom we met in Sydney. He began working with printmaking when he moved to London around 1960. The film showcases his drypoint etching technique, then moves on to printing with a multicolor plate. Lloyd discusses the endless possibilities of plate engraving and then shows how he develops a color philosophy for each plate during the grading and printing process. The film ends with an overview of his prints as he discusses the ideas behind his work, many of which come from the Australian landscape. The film takes us from these images to a final sequence of animated printed details interspersed with a composition of electronic, musical, and natural sounds. The film is essentially a documentary, but we felt the need to include a more experimental coda that would free us from the confines of documentary. (Arthur Cantrill & Corinne Cantrill)

The Incised Image

NR 1966
Shakespeare Rocks! Live

Aubrey, The Rough Shakespeare Company's pretentious director, obtains what appears to be William Shakespeare's lost diary. Along with Al, his down to earth assistant, the pair decide to embark on an exclusive adaption of the flamboyant Bard's personal journal. "Shakespeare Rocks!" is a fresh, funny and up to date look at the life and times of William Shakespeare, with a cast of hilarious historical characters, amusing glimpses into some of his works and how he came 'To Be'. The seven superb songs are exciting, modern and full of energy. They include everything you would want children to know about Shakespeare and the Elizabethan era but, are so 'cool' that they are not only informative, they are guaranteed to enthuse pupils, parents and teachers alike! Spread the word... Shakespeare didn't just write... he rocked!

Shakespeare Rocks! Live

NR 2014
Succulent Chinese Movie

In 1991 an incredulous, middle aged, Caucasian man with a bushy moustache was arrested – he alleged – for simply eating a Chinese meal in Brisbane’s Fortitude Valley. A “succulent” Chinese meal to be exact. In what would prove to be a case of mistaken identity, the enigmatic man put on a performance of Shakespearian proportions for the arresting police and swarm of awaiting news cameras on the scene. Fascinating, hilarious and truly bizarre, that video would go on to be immortalized as a YouTube viral sensation decades later; clocking up millions of views across the globe, making the man named Jack Karlson (or is that Paul Charles Dozsa? Cecil Edwards?) a modern folklore legend. This is the madcap and tragic true-ish life story about Jack: con man, master of disguise, safe cracker, prison escapee, father, husband, widower, actor – and the real truth behind that infamous video.

Succulent Chinese Movie

NR N/A
Border Farce

Border Farce, by Safdar Ahmed, Kazem Kazemi, Alia Ardon was made collaboratively between Safdar Ahmed, Kurdish-Iranian heavy metal guitarist Kazem Kazemi and filmmaker Alia Ardon. The video alternates between documentary storytelling, conveying Kazem’s experiences of refugee detention, and footage of musical collaboration between him and the band Hazeen (featuring Safdar Ahmed on guitar, Can Yalcinkaya on drums and Kian Dayani on bass), in convulsions of sound, performance and feeling. The film mounts a powerful critique of Australia’s border policies whilst playfully exploring an affective theory of witnessing, which is too often discarded in accounts of trauma and human rights abuses.

Border Farce

NR N/A
Analects of Kung Phu: Book 1, The 69 Dialogues between the Lamp and the Shadow

Reclaiming wise sayings from movies and TV shows like Drunken Master (1978) and Avatar the Last Airbender (2005–08), Analects of Kung Phu presents a moving image philosophy for surviving contemporary life. Taught by action stars but inspired by classic Chinese texts like Lao Zi’s Dao De Jing, the work questions whether these life lessons are genuinely useful. The film explores how wisdom can be oversimplified and misused, how film subtitles miss the mark or even present a completely different narrative, and how we are guided in our day-to-day life by the movies we watch.

Analects of Kung Phu: Book 1, The 69 Dialogues between the Lamp and the Shadow

NR 2021
Here's My Hand

The 1988 Australian bicentenary prompted many artistic events and contemporary expressions of Australia's living cultures. One of the most remarkable of these was the first memorial ever created by Aborigines for Aborigines - two hundred bone burial poles were carved and painted by Arnhem land artists to honour the deceased of the past - lost people, lost tribes, lost languages. This unique Aboriginal Memorial captures this spiritual event. This collection seeks to reassure surviving Aboriginal Australians that there is a living continuity of traditions. -Ronin Films

Here's My Hand

NR 1988