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Lost Children

In the middle of the eighteenth century, at the time of the Prusso-Austrian War, a cuirassier, a hussar and an infantryman meet by chance and hide together in a secluded place. The war has left different marks on each of them, but they all long for normal human happiness. Although they initially have different attitudes towards military service, they are changed by their stay in seclusion and the atmosphere of life in a peasant cottage and refuse to return to the Austrian army. But all three Theresian "misfits" take up arms again, which they no longer want to touch, when the solitude is overrun by the Prussians. They manage to cover the escape of the family and their child, but pay with their lives.

Lost Children

7.7 1957
Hell Squad

During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper's debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo's debut film, as well as script supervisor Joyce King's.

Hell Squad

6.0 1958
Clan Revival

After the Onin War ended in 1477, Kyoto was left in ashes and the nation was in complete disorder. Bands of roving samurai called the "nobushi" terrorized the country under the leadership of Akagaki Genba and overthrew Mangetsu Castle in Tanba Province scattering the few survivors. Lord Niwa's two sons have been studying in China and return to Japan upon hearing of the tragedy in an attempt to restore the clan. On Mt. Oe they meet magician Kiri no Kojiro and try to enlist his aid. With touches of the supernatural and rousing sword-play can they succeed against the evil villains whose symbol is the skull mask?

Clan Revival

NR 1954
Maa

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Maa

7.0 1952
The Extraordinary Child

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.

The Extraordinary Child

5.9 1954
Cape Horn

The whaling captain, Antonio Grez, meets in a bar in the port of Valparaiso a very beautiful woman who lives haunted by the tragic premonition that fate will give her a violent death. Grez takes command of a whaler bound for Cape Horn and Antarctica. In Punta Arenas, the owner of the whaling company embarks on together with his fiancee, who is none other than the mysterious woman with whom Grez has fallen in love. The final route of the ship is the 'Land of Desolation', a place on which there is a curse and everyone knows that, for centuries, is has been fulfilled inexorably.

Cape Horn

6.3 1956
Femmes de Paris

Professor Charles Buisson, astronomer and Nobel Prize winner, has just discovered a nova. He informs the other observatories by telephone. Just as he thinks one of them is calling back, he finds himself on the line with a young woman threatening suicide at the Ruban Bleu cabaret, if her lover hasn't joined her by midnight. Intrigued, the professor decides to go and prevent the unfortunate woman from committing suicide. One of his students, who earns her living as an understudy in a knife act, helps him in his investigation, while the school principal and a policeman suspect him of being a prankster or even of selling drugs. For the scientist, it's an opportunity to discover a world of music-hall that he'd never known before: "I thought I knew the sky chart by heart, but there's one planet that was totally unknown to me: Earth. I'll be back!

Femmes de Paris

7.0 1953