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An ambitious French girl who moved to Italy to be an actress cannot break through and then opts for a normal life.

An inexperienced journalist tries to discover who murdered her friend.

Romantic entanglements develop between three young Italians frustrated by their current economic and social status.

A story about Mr. Rossi and his dog who go on vacation and all the adventures they have, from leading an animal revolt to climbing the Andes, or heading to the beach and being serenaded by strange fish.

The life of 6th Century Orthodox saint and Byzantine empress Theodora.

The story of a newly married couple intersecting with three more stories.

In Rome, Gianclaudio Lopez, a retired teacher, sets off in search of his former students who are now approaching their thirties. A Class Story mixes sequences of the video diary that the teenagers had filmed at the time and sequences shot now in which the protagonists, adults, remember this period and speak of their dreams, illusions and regrets.

The documentary film "Ȋuventa" relates the events of a crucial year in the lives of a group of young Europeans all involved in different ways in the Jugend Rettet humanitarian project, starting from the first voyage of the "Ȋuventa" ship in the Mediterranean Sea to the heavy accusations that led to the seizure of the vessel more than a year later.

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

A luckless young teacher it's suspected of committing two murders. When his lover begins to have doubt about his innocence, he seems to be doomed.

An aimless college graduate jumping from one job interview to another — killing time in between with his wisecracking and deadbeat room-mate — falls in love with an actress.

A lesbian and vicious countess seduces the wife of an English writer in a creative crisis, during the couple's stay at her luxurious villa.

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

Based loosely on Shakespeare's play, Plutarch's "Life of Antony", and Pietro Cossa's dramatic poem, "Cleopatra", this movie was spectacular for its time. It offers location shots made in Italy and Egypt, large crowd scenes (e.g., the Roman army embarking in Alexandria), lots of emotional drama (Marc Antony & Cleopatra, his wife Octavia, sister of Antony's rival Octavian, unhistorically coming to Alexandria to beg him to return to her, and some mean, mean looks exchanged between Octavia and Cleopatra.

New York Solo Andata tells the story of the American Dream from the first Italian migratory flows to nowadays through the voices of all those who truly believed and fulfilled it with determination. Davide Ippolito leaves Italy to meet Italians and important personalities living in New York to tell the most unusual aspects of the city to remind "if you can dream it, you can do it."

Pee is a cute little worker bear. Pupù, on the other hand, is a greedy and chubby little bird while Rosmarina is an affectionate bunny. The three little heroes find themselves having to look for the perpetrator of a theft of musical scores. To identify the culprit, they will have to deal with some great operas, transforming them into tasty and brilliant parodies.

Oddball characters, weird mishaps, fates intertwining: the search for the meaning of life goes on. A college student falls for her philosophy lecturer; a disabled man seeks recovery; a popstar meets a spiritual guru; and the arrival of a mysterious luminescent man, perhaps real or perhaps not.

March 1945: an air raid destroys a fishing village. The homeless are hosted by Brother Angelo in the convent of San Fruttuoso in Camogli: years pass but the houses are not rebuilt and when the prior dies, the convent is sold to the rich engineer Milone, determined to transform it into a holiday complex. To prevent the homeless from ending up on the streets, Brother Angelo devises every possible expedient, even a fake miracle while waiting for San Fruttuoso to perform a real one.

In a parallel universe, live people’s precious consciences. They all feel disheartened, demotivated, and unheard, except for Otto (Francesco Scianna). He is the top-ranked conscience, because his human Filippo (Filippo Scicchitano) follows him blindly, guaranteeing him happiness.

Following the death of his wife, Thomas, a cynical executive at a multinational corporation, travels to India to join his daughter Beatrice, who is there on a volunteer mission, to inform her of her mother's passing. During his stay, confronted with the shocking reality of the place, Thomas will rethink his company's market strategies.

La Cieca Di Sorrento (also known as Revenge of the Black Knight is a 1963 cloak and dagger film directed by Nick Nostro and based on the novel of the same name by Francesco Mastriani. Masked knights fight the cruel Tyrant Amedeo, tutor of the beautiful, rich and blind orphan Isabella. The knights are led by a young doctor who in the end will defeat Isabella's evil oppressor, give her her sight and marry her.

A number of sketches based on the songs from the Uccelli d'Italia album

A group of Italian people go to Cuba, for various different reasons. One of them would like to remake Vittorio De Sica's The Bicycle Thief. But it won't be easy.

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.

A mild-mannered man is mistaken for a subversive.

A Mozart opera at La Scala in Milan.

A man, after being accused of a robbery and escaping from jail with a bandit leader, seeks revenge for his brother and his family.

Luca is a famous actor working on his new film as both its star and director. One day he gets extremely sick and, while at the hospital, rethinks his life.

A young writer seeks answers into her parents’ dark past.

Maria, a young belle, expertly juggles three suitors at once by posing as her airline-hostess roommate, Silvana. Using fake flight schedules and carefully crafted lies, she keeps each man convinced he has her to himself. But when unexpected news about the real Silvana surfaces, Maria's carefully balanced double life spirals into a whirlwind of increasingly outrageous schemes to keep the truth from coming out.

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

A seventeen-year-old girl hasn’t left her room in an indefinite amount of time. Those like her call them hikikomori, they are teenagers who decide to build themselves a little prison, leaving the outside world outside the door. Her routine is broken when, online, she meets Dev, a boy ten years older. The two fall in love immediately.For her it is the first love. In order to meet Dev, she must leave that cage. But there is someone willing to do anything to prevent her from getting out of there.

The intervention of a student at the "counter convention" at the Fabbrica della Comunicazione di Brera, against the convention on anti-psychiatry by A. Vermiglione.

The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.

The daughter of Sir Donovan is believed dead with her mother and other relatives in a plane crash in the African jungle. Fifteen years later, vague reports arrive in Europe that a Kenyan tribe has elected a white woman as their queen, Tarzana (meaning 'strange woman' in Bantu), and Sir Donovan wants to believe she is his daughter.

Gigi is a rural policeman who works in a place where nothing ever happens… until a young woman commits suicide by throwing herself onto the tracks as a train passes.

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Documentary on the life and work of legendary director Bernardo Bertolucci, using filmed interviews he has given over the last 50 years.

Nina, daughter of a Greek woman who left Egypt in 1956, goes for the first time to Alexandria, discovers the city and the longing of her mother to tell her an old love story that she had years ago with a French. but the mother doesn't tell her the truth, who knows why.

A story of a group of friends and a couple in crisis, exposing the hypocrisy of the bourgeoisie.

An actor fails to find success in the film world but falls in love with a theatre manager's daughter.

E.C.H.O., a secret organization with a strange name masterminds a bizarre plot to take over the world by dosing important `nerve centers' with super potent LSD. The only man who can stop them is Rex, a secret agent working for an undisclosed organization.

At 30, Zeno's father dies, and he realizes that his youth is almost over. Meeting Giovanni Malfenti, a succesful gallery owner with four daughters, he's impressed by Malfenti's energy, and falls in love with one of his daughters. This relationship helps Zeno find peace and direction.

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

On their first day of work as dog sitters, Rana and Marti suffer the theft of the French bulldog who was entrusted to their care by a wealthy lady. A fast-paced comedy full of hair-raising situations with cult potential that has plenty of surprises in store. The very own world of the Roman suburbs, which is rarely honored in cinemas, is also captured convincingly.