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Este Agosto estuvimos grabando un retrato

In August 2022, my mother and I were shooting a portrait around the family farmhouse. With the intention of facing being looked at at the same time that we were looking, I proposed that we stand in front of a super-8 camera and record, frame by frame, every part of this shared portrait. In the resulting image, both spaces end up being confused. Something similar to the relationship that brings us closer, a reflection in the mirror of what we sense is being.

Este Agosto estuvimos grabando un retrato

NR 2023
We Are What We Eat

A documentary essay balancing between irony over national stereotypes in general and a nostalgic flow of cultural associations from the director's memories: Russian nursery rhyming stories, the only Mordovian words she knows from her mother, school counting rhymes with German verbs, Tatar songs by her mother-in-law, quotes from some soviet poems, scenes from the opera "Eugene Onegin", the old anthem of Kazakhstan, which she memorizing for her district administration, and much more.

We Are What We Eat

NR 2023
Außer Männer hatten wir nichts zu verlieren

Hanna and Leila, two feminist filmmakers, have only read about their pioneers in books. The pair's cinematic quest begins after they find an old VHS tape. In 1975, the first women's bookstore opened in Munich: For the first time, men are not allowed in. Even after all these years, the owners demonstrate their militant stance. We are too prudish and too well-behaved for them - can we learn from each other? What unites and what separates our generations?

Außer Männer hatten wir nichts zu verlieren

NR 2023
Whispering Saucers

Whispering Saucers derives from a sonic transfer experiment on parabolic antennas—in which, by standing at a certain point, the antennas can transfer whispers through their curves and send them further distances. The performers are asked to wander around and make various sounds, but when they face each other, they must mimic one another. Who will mimic who—this enigmatic communication becomes somewhat of a power game. The play of Whispering Saucers suggests that loud and clear communication is not essential to understand each other. What matters is where you’d stand to understand one another.

Whispering Saucers

NR 2023
Zelle

Thomas ends up in a jail cell with Merth of all people. The weird guy who takes care of his little houseplant, reads books and doesn't really care much about himself. With no way of avoiding each other, the only thing left for them to do is confront their differences. Everyday life is characterized by monotony, violence and the search for protection and humanity. The law of the fittest applies, here the genes decide whether and how to survive in the hostile environment. What happens when two men's lives collide with each other, unable to take cover from the ensuing explosion? Will they both burn or will they discover the similarities?

Zelle

NR 2023
Everything Must Change

Cost of living, climate change, food, housing, land: the multiple crises we face are deeply interlinked, which means the solutions are too. “Everything Must Change” explains how all these crises – and the accompanying spiralling price rises – have come about, and shows how a just transition away from a free market extractive system based on exploitation to a renewable energy system based on peoples needs can solve all of them. Drawing on the experience of numerous inspiring social movements, the film shows how climate change driven by profiteering from our global systems has destroyed our planet and increased inequality. We need to transform global infrastructure and services to be people oriented, by building a global mass workers and peasants movement to enact a just transition. For the people, by the people, and never for profit. Because government and big business aren’t going to do it for us.

Everything Must Change

NR 2023
Devenir roi

Cha is Drag King: on stage, hairy, with a big voice and virile gestures, he calls himself PowerBeauTom, plays with the codes of masculinity and plays his character to get as close as possible to what he really is, neither a man nor a woman, but simply a little of both. Assigned female at birth, now identifying himself as non-binary, Cha (23) has come a long way to become King, a life of zig-zagging genders and sexual orientations. Her father followed in her footsteps, without understanding everything, but with kindness. His grandmother supported him, as she had always supported just causes. Another family appeared, that of the Kings. Cha takes flight, at last, and sings it, guitar in hand. But has Cha arrived safely? Will the Drag King stage remain the only space in which he can feel himself on a daily basis?

Devenir roi

8.0 2023