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On his ninth birthday, young Gwyn (Osian Roberts), who lives on a remote hill farm in Wales, receives five strange gifts from his grandmother (Siân Phillips): a piece of seaweed, a yellow scarf, a tin whistle, a metal brooch and a small broken horse. Gwyn offers the brooch to the wind and receives back a tiny silvery spider - Arianwen, the snow spider - confirming that, as his grandmother had already guessed, he has inherited magical powers from his Celtic ancestor Gwydyon, a powerful magician whose exploits are described in the fourth book ("Math Son of Mathonwy") of the Mabinogion. With the help of the snow spider, Gwyn embarks on adventures involving other worlds of snow and silver, as he attempts to solve the five-year-old mystery of his sister Beth's disappearance in a snow storm.

Against the backdrop of the bombing campaign in Britain and the Northern Ireland Hunger Strike, a young woman joins a terrorist operation which takes three people hostage. Over the days of their captivity, she questions her own involvement and the history of Ireland which has brought her to this point.

Based on the short story by Michel Tournier

Tired of the daily life she leads, a young woman decides to leave everything and run away from civilization. When she reaches the heart of an abandoned island that she thought was deserted, she is suddenly disturbed in her flight by the only inhabitant of the place, a strange and young man, entrenched in his memories and his melancholy, who gradually sees in her the incarnation of the love he has never stopped waiting for. Thinking that everything can bring them together, he starts to follow her insistently in the hope, soon admitted, of making himself loved by her. A strange pursuit begins between these two people with passionate feelings, where each of them finally wants to go to the end of their desires.

Mentally unstable, nightmare-plagued recluse Carlos becomes obsessed with his beautiful neighbor Berta. He also has a seemingly normal greenhouse where strange things happen inside.

A young bank clerk is transferred, in view of his special way of being, to a branch for misfits, where he will meet a whole series of very strange characters.

British Public Information Film detailing what to do when one has been exposed to rabies.

Shows how underground water has carried out the caves, their features, extension, entrances, and more. On exploration visit of the caves of the Sistema de Cuevas del Río Camuy, Camuy, Puerto Rico.

The Lady (or Signora) of the title is a mysterious matron who lives in a crumbling mansion. Six catering trainees are brought to the castle upon its conversion into a resort hotel. They are ordered to prepare a special meal for the old lady, whom none of them have ever seen for more than an instant. As the caterers grow in wisdom and sophistication, we learn that the lady may very well be an urbane ghost rather than a flesh-and-blood entity.

Lucinda Lambton conjures up curiosities from the dark corners of museums and collections throughout the land.

In 1930, workers and their children founded a club on Helmholtzplatz in Berlin. A store was rented and converted, giving the children a home where they could hang out during the day and pursue their interests. As young pioneers, they also made posters and banners there to support their fathers' strike.

Once upon a time, there was an empire where the sun never set. This empire had a court. This court had a king, but this king had no heir. They married the king, who understood that copulation was a duty of state and attempted it with exemplary dedication, but failed. The entire court, from the nobility to the jesters, gets down to work, sparing no means or methods, to produce the desired heir, and they reach a conclusion: the king has been bewitched and needs be exorcised.

To film without looking trough the viewfinder; to emulate a tactile, subconscious vision. This was the intention of "A traves de las ruinas", made during the Falklands War (April-May 1982). The camera is a vacillating gaze that moves about in the darkness or is blinded by flickering. At the beginning, it delves into the sea, later it represents aerial bombardments through urban lights. Silhouettes of human figures appear that never manage to connect with each other. Scarcely lit places, photographed on the "threshold or exposure"; wintry, generalized interaction of spaces, distances and dynamics. A continual present made up of intuitions and imprecise memories.

A girl with a broken heart seeks refuge among friends to overcome her pain. Unfortunately, she fails at the task and then, she decides to undetake a treatment: a detoxification of love.

A ski run in Italy, a supermarket manager in Luton, a sandwich bar in London EC2, Arena opens the bonnet of the Ford Cortina, Britain's most popular, most stolen, and most misunderstood car. 'Dagenham dustbin'? 'Poor man's Rolls-Royce'? In the year that may well see the end of a legend, some of the motoring public, including Sir John Betjeman, Tom Robinson, Alexei Sayle, Sir Terence Beckett and Magnus Magnusson take apart the Ford Cortina: Life and Works 1962-1982.

Portrait of a young woman through her relationship to money. The director films her friend for a whole month. The dynamic of the film is based on the bond between the director and Patricia, and on the reactions of this young woman to the financial difficulties, real or imaginary that she meets.

L'empire de medor is a satirical voyage of discovery through the universe of the dog lover. By systematically scrutinising the industry that capitalises on the love for man's best friend, Moullet has made an absurdist film that shows how the love of animals has become a kind of surrogate religion for many people. He takes us to canine beauticians and beauty contests, and explores the field from dried dog food to advanced super-duper pooper-scoopers. By showing in great detail all those gadgets and gimmicks to make the lives of pets as agreeable as possible, Moullet vents his barely concealed criticism of consumer society.

It is slow, succinct and absolutely riveting. With his photojournalist's eye, and simple but inspired camera work, Depardon plunges us into both the sounds and silences of a day and a night in the city.

A little girl runs after a lost ball and ends up in a large, old cemetery. In this strange, strange environment of light and silence, she meets a man, the gravedigger. The man takes her into his hut, an enchanted world where dozens of self-carved puppets give it an eerie life. There he tells her things about sin, purity and preservation that she does not understand and yet to which she reacts with a strange fascination. As he talks and plays with his puppets, the man gets closer and closer to her until his hands gently wrap around her neck...

A man is told of being not of flesh and blood, but the creation of a writer.

Professor Lichtwitz, a successful architect and notorious womanizer, secretly accesses his penthouse via his office. Employee Bodo, assuming Lichtwitz is away, invites dentist’s assistant Stella to the “vacant” penthouse for dinner. Unaware of his boss’s return, Bodo and others, including Lichtwitz’s wife, believe the penthouse is empty, triggering a hectic swirl of mistaken assumptions and visitors.

Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.

Three animators collaborate on a film.

When best-selling author James Fuller Hayes comes to Glasgow to publicise his personal account of the Spanish Civil War, a surprise reunion with two of his old comrades from the International Brigade reveals contradictory & devastating information. Technically, this was the last Play For Today ever made by the BBC, but it wasn't broadcast under the strand.

An old white woman colonial settler staying on in up-country Kenya.

A romantic comedy about teen surfers.

Little Katrinchen the hen is looking for a nesting place. She escapes an encounter with a fox unscathed by convincing him she's still too thin. A little dog helps her find a safe hiding place. Once the chicks have hatched, the fox reappears. This time, the little hens, with long red rushes in their beaks, chase him away, pretending to be fox-eaters. The chicken thief is finally driven off by the little dog, who proudly displays the fox's tail as a trophy of victory.

The encounter between a city, an opera, and a life.

Gölge, which means “shadow” in Turkish, is the name of a teenage girl. Gölge is the daughter of Turkish immigrants and belongs to the so-called “second generation” at the end of the 1970s. She lives with her younger sister and her parents in a small two-room apartment in Berlin-Kreuzberg.

Based on Miguel Meléndez Muñoz's novel.

A documentation about Werner Herzog's motif to do movies.

A summer evening in Edinburgh, 1776. The ailing philosopher David Hume has an unexpected visitor.

The journey of a retired music teacher who witnesses the detention of a former student by the security agencies of dictatorship. This strong experience leads him to give up on a dream trip to Europe and to begin an intense search for the student's relatives and make them know about what has happened to him.

Sarah B. relives her awkward film debut. On a pedestal table, a headline, on the front page of France-Soir, challenges her, she immediately transcends it, then resumes "Phèdre" one last time under the astonished gaze of the kids of Belleville before spending one last summer in Belle-Île.

The history and consequences of the Fatima apparitions in a small Portuguese village, which has since become a prominent place of pilgrimage.

Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.

Gerd Conradt's experimental documentary "Ein-Blick" from 1987 captures the rhythms of daily life along Elsenstraße's border in a time-lapse. Over the course of a day, a camera focuses on a house and watchtower within the border zone, snapping one image per second for twelve hours. What unfolds is a surreal ballet of reality, transforming into a slapstick grotesque, all set to the backdrop of evocative piano melodies.

Filmed in December 1986 the film captures Spandau Ballet in performance during their « Through The Barricades » tour, which at the height of their success saw them play over a million people.

"The Free Orchestra" is a group of young people who have various careers, and get together in their free time to make music. Improvisation and original hand made instruments mark the group's style. The individual members of the band are filmed at their daily work life and at one of their concerts. A collage of sounds arises, which conveys their life feelings and experiences, in a satirical and grotesque language.

This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time.

Documentary about the late-era German Democratic Republic