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The Last Round

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

The Last Round

NR 1964
Despedida de soltero

A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.

Despedida de soltero

8.0 1961
Comment épouser un premier ministre

Philippe Lambert, an attractive young attaché to the Prime Minister's office, is a man of many female conquests. One of them, Madame Grandbourg, wife of a very influential man, sent him a passionate letter, which he lost at the theater. Marion, the usherette who found it, contacts him to ask him for a "favor" in exchange for its return: to avoid eviction from the family apartment, because of the father, who gardens in every room and constantly floods the downstairs neighbors. At first, Lambert refuses to give in to the "blackmail" and calls in the police to unmask the indelicate woman, but love soon gets in the way...

Comment épouser un premier ministre

5.5 1964
Prohibido suicidarse en primavera

Doctor Ariel comes from a family that for several generations, once they reach old age, have decided to commit suicide because they lose the will to live. This situation affects the doctor greatly and therefore he decides to study the psychology of the fatalistic subject and invest the monetary fortune he has to create a clinic called "El Hogar del Suicida" with the purpose of providing help and rehabilitation to those who need it and, in case of failure, provide the individual with the necessary means to fulfill its purpose. With the passage of time, the home is home to sorrowful characters with a vocation to end their lives.

Prohibido suicidarse en primavera

NR 1967
Stairs, Tunnels and Mirrors

"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors. A model in a black leotard is painted white, turned into art. Another is filmed as she ascends to a rooftop, then confronts herself in a mirror in a corner of a room. As Alice went through the glass, so in the last section there are two women reflecting each other instead of just the one." - Penny Slinger

Stairs, Tunnels and Mirrors

NR 1969
Good Morning, Michelangelo

The film challenges the aura of the artwork, pushing it towards performance in urban space. During the exhibition Con-temp-l’azione (1967–68), at the three galleries Stein, Sperone and Il punto, two works by Michelangelo Pistoletto are taken out into the street. The film marks the beginning of a more militant and performative phase in Pistoletto’s career, opening up possible references to Situationism, Fluxus and nouveau réalisme. The film starts with Pistoletto shaving in front of one of his ‘mirrors’: the codes of everyday life and advertising burst into the scene. The large ball of newspapers roams Turin in a convertible automobile. The music of The Beatles accompanies the exploration of different filming and editing techniques. Intense, amused and brilliant, Buongiorno Michelangelo suggests a performative, cooperative and perhaps also playful aspect of the attitude of this short and intense period. —Tate Modern

Good Morning, Michelangelo

NR 1968
1969 Exhibit

"A film featuring my work as shown in my 1969 diploma exhibit at Chelsea College of Art. It explores my Mummy Case, then the series of works that are based on a model’s image reflected in a series of mirrors. It shows the game I created where the pieces are glass and mirror geometric forms, moved in relation to each other on three layers. Finally the film passes through some of the Headbox sculptures and Face prints I made, using lifecasts and photographs of my face." - Penny Slinger

1969 Exhibit

NR 1969
The Runaway Cart

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

The Runaway Cart

NR 1964