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Max and his friends, Pedro and Bruna, discover a time machine and decide to test it. What begins as an adventure quickly turns into a nightmare when Pedro inexplicably tries to kill Max, who must repeatedly travel back a few seconds in time to survive and uncover the truth. Caught in an unstable timeline, the three friends confront dark truths about themselves, the weight of their choices, and the unpredictable consequences of trying to rewrite destiny.
Documentary-manifest in defense of the inclusion of the Brazilian short film in the national cinema circuit, accompanying each foreign feature film as a market reserve
An obsessed nun is accused of setting fire to an orphanage and killing more than 50 children in the late 1960s. Some time later, the macabre past returns, bringing to light the last of the secrets.
The creation of the Xingu Indigenous Park is reassessed by indigenous peoples and anthropologists. Almost 50 years after the initiative, which had the decisive participation of the indigenist brothers Cláudio and Orlando Villas-Bôas, the older indigenous people still have not forgotten the original lands they left behind. Some want to go back to their old origins.
Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.
A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.
The filme relates how a victory - winning a scholarship to an elite private school - may become an obstacle race for an impoverished young person.
Transvestite, black, peripheral and adept at candomblé: this is Mãe Dorinha!
Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.
On a Sunday, two photographers walk around São Paulo trying to connect with the city, and slowly fall in love with each other.
At the heart of Rio de Janeiro's downtown, an empty square with a dry fountain and an underground parking. There was located the Monroe Palace, that once housed the Senate, and was mysteriously demolished forty years ago. A history of sabers and lions, military and architects, past and future.
Gafanhoto is a smuggler who tries to take a hit by stealing a valuable stone. He awakens the fury of the old boss of the gang, and ends up involving in the plot a former colleague, Poeta and his girlfriend Cris, a beautiful woman who brings in the eyes the mark of the tragedy.
A motorcycle courier transports his past self to the future to show the consequences of the profession and warn him of the risks. The short film criticizes the precarious conditions of informal workers and advocates for greater recognition and labor rights.
Journal de Bord d'un Bateau fantôme is a silent science-fiction movie. Traveling to discover a new planet, a new world. It's like if for the first time a (human?) being makes the first footstep on a new orb. The new planet is The Earth, Amazonian Region. Their inhabitants appear to us in their daily life, without any possibility for us to really understand what they are doing, because they look like aliens.
Virgílio’s quiet, predictable life unravels with one message: a breakup from a woman he doesn’t remember. As he searches for her, he’s swept into a journey of memory, longing, and the unexpected chance to find the love of his life.
Produced as the final project of the Journalism course at PUC-SP, the film exceeded expectations and was shown on TV Cultura and at various festivals and exhibitions. The directors interviewed and followed musicians such as Milton Nascimento, Lô Borges, Beto Guedes, Wagner Tiso, Toninho Horta, and others throughout the year. In addition to the stories told by the movement's protagonists, the documentary is filled with a rich research material of historical images.
Four students live in an urban community, where, in principle, everything can be discussed, divided, shared: each one's allowance, personal objects, relationships, political commitments. But things start to change with the arrival of a fifth resident, older and disillusioned, who puts in check the capacity of each one to live according to their ideas.
Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.
Antônio Justa neighborhood, in Maracanaú (CE), arises from a colony founded in 1942 for the isolation of people with leprosy. Today the new residents and the descendants of the first patients live in a territory marked by irregular occupation and real estate speculation, crossed by the stigma of the disease in the past and the precarious current reality.
Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.
Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".
Miracles still happen—or so they say… What is the place of the sacred in the contemporary world? Looking again at a myth that haunts us, that of Saint Anthony of Lisbon (and also of Padua), through the timeless painting of Goya, 13 Alfinetes is a story of love, revenge, and blood. It begins with a reenactment of an episode supposedly occurring in medieval Lisbon, filtered through the cosmopolitan 18th-century Madrid, and returning to Lisbon today, where miracles, in truth, no longer happen.
Anxious and desperate for answers, Jéssica visits a fortune teller to confirm her suspicions of infidelity, but what the cards reveal might be just the tip of a much deeper secret.
The film showcases an unusual night in Fabio's life, a writer married to the beautiful Paula. He leaves his home for a walk and ends up boarding on a 'trip' through the sullen streets of a big city. His encounters with the strange characters of the night mix with flashbacks of the couple's life.
"É Dez" is the tenth studio album by Brazilian singer and presenter Eliana, released on August 30, 2002 by BMG, and produced by Guto Graça Mello. It was Eliana's first album to be released on DVD and VHS kit. It presents a story called "Eliana.com alegria", where Eliana is transported inside a computer and stay stuck there until the end of the story. There she meets several people, and also a Robot called "Ajuda".
The five youngsters must prevent Nefasto from possessing the mythical Vulcan's hammer who grants an immeasurable power to its owner.
An UFO that could be the Russian satellite Sputnik falls on a hillbilly's hencoop.
A couple argues about their careers.
Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.
Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.
In 2040, at the abandoned Messejana Lake, a pair of egrets struggles to find a safe place to nest and protect their eggs as a large-scale construction project brings workers and heavy machinery dangerously close.
The lives of two countryside couples changes as soon as a mysterious young woman appears on their property.
The film tells the story of Márcio, a young victim of an express kidnapping. For a mistake in a telephone call, the bad guys negotiate with Bruno, a crossword addicted. Thinking that it is just a joke, he decides to enter the "joke" and ends up surprising the kidnappers.
In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.
Short documentary about the ideology of publicity and mass medias.
Adapted from the theatrical play "A festa" by Italian playwright Spiro Scimone, the short film portrays the misconnections and unsatisfied affections of an ordinary, less affluent family consisting of a father, a mother, and a son, isolated within a kitchen. The dramatic situation revolves around the preparations for the parents' wedding anniversary. In an atmosphere that blends comedy, melancholy, suggestive silences, and mundane phrases filled with double meanings, they react in various ways to the celebration of the marriage.
The extermination of the last indigenous from the reserve of Mangueirinha, at the southeastern of Paraná, with the connivance from those who should protect them. With a biting irony, those questions develop with a structure of a multiple choice test.
After a traumatic night, a wounded man receives an unexpected visit. As he recounts what he has lived through, he plunges into a psychological game where desire, violence, and memory intertwine. In this space, eroticism, laughter, and discomfort intersect, revealing that intimacy carries the shadow of social norms. More than telling a story, it exposes an intimate territory where politics, pain, and pleasure become inseparable.
Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."