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Bonding Humanity

“Bonding Humanity (Perhaps Manifesto)” is created by deliberately rearranging, reorganising and juxtaposing fragments from New Yugoslav Film* ("Yugoslav Black Wave") and its cinematic heritage related to the interplay between collective spaces and their uses. Personal, social and political contexts intersect into a dialogic narrative form that advances possibilities for new interpretations. The voiceover manifesto is manoeuvred to evoke personal trajectories and collective memories. By involving the essay film as a tool for creative exploring, one is able to discover and question the borders of an uncertain past, present and future. Having in mind that it’s subject - a patchwork of decontextualised memories - be they artificial or authentic, personal or historical, is something to be nursed.

Bonding Humanity

NR 2022
The Billboard Squad

Dave Meslin, a 47-year-old Canadian activist, is known for his campaigns to defend public space from commercial interests. For 15 years, he has been lobbying Toronto to remove illegal billboards from neighbourhoods across the city. He assembles a team of volunteers, including his 11-year-old niece, to gather intelligence and strategise on how to bring down the billboards. They are prepared to do whatever it takes to reclaim a local green space. As the Billboard Squad clashes with power, bureaucracy and inertia, Dave grapples with the emotional complexities of activism.

The Billboard Squad

NR 2022
Nada tiene el color

We weren't seeking salt, but something less controversial—a culture exemplary in many senses, with its myths and the representations made by travelers. Dictionaries, documentaries, sociology books about the first humans. However, what we found was a series of poorly disguised lies throughout a system of audiovisual representation of the last government, but also of all governments. This film is about our precarious system of lies and our questions about what might be underneath or in front. In this case, in relation to salt, lithium, myths, mythologies, and mystifications.

Nada tiene el color

NR 2022
Lost Angeles

Yosef Khoury has been sitting in his messy and chaotic store in Kiryat Malachi for thirty years, repairing watches. Yoseph was a wunderkind, but the development town where he was born is not a place for genius children. Today, he's sixty years old, debts are piling up and the local elections are starting he decides it's time. Against all odds, he decides to run for office and try to right the wrongs in his city and breathe new life into it and his life. But there is one hurdle that Joseph wants to cross: to receive the blessing of his father Victor.

Lost Angeles

10.0 2022
Kiss/Crash

Kiss/Crash uses AI technology to turn a car crash into a kiss, over and over again. As the minute long video progresses, the crashes increase in speed and the preceding images become more pornographic, violent and chaotic. Me Kissing Me transforms from a video of the artist kissing himself, into cinematic lovers, religious idols, political celebrities and uncanny creatures performing the same act while the artist's own image fades in and out. Finally, Crash Me, Gently allows the viewer to control the pace and intensity of the crash to kiss. Viewed on an old-school TV set, the viewer controls the piece using a foot pedal. The harder the pedal is pressed, the more dramatic, disjointed and extreme the ‘kiss’ images become.

Kiss/Crash

6.0 2022
Off The Streets

This fast paced documentary goes behind the scenes of a series of urban bike races across the UK. Influenced by street culture, ‘Off The Streets’ is run by a group of riders out of the mainstream, introducing some of the first races of their kind in the world. Wheelie races, a no front wheel race, and an 'any bike' race, all taking place on go kart tracks and cycle parks. The ethos behind the organisers of ‘Off the Streets’ is to put on races and events to break down barriers and encourage a wider, more diverse group of people into the sport of cycling. We meet Jake 100 who is part of ‘Off The Streets’, and is encouraging kids to leave the streets and come onto the tracks to race. He wants to use the joy of cycling to a new generation of Londoners.

Off The Streets

NR 2022
Utopia Portals

Utopia Portals explores utopian concepts of belonging and ‘unbelonging’. Inspired by the Ashman’s first trip to her ancestral homeland of Jamaica, Utopia Portals uses a mix of animated loops, mobile phone footage and soundscapes recorded during her time on the island to create a series of short filmic ‘glitches’ of reality that reveal various forms of surreal hidden worlds. The piece is inspired by the idea of ‘heterotopia’: a concept put forward by the French philosopher Michel Foucault to describe certain cultural spaces that are somehow ‘other’: contradictory or transforming in nature. Utopia Portals delves into the dreams, desires, nightmares and reality of a “homecoming” to a home you are not connected to.

Utopia Portals

NR 2022
The Third Part of the Third Measure

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

The Third Part of the Third Measure

6.0 2022