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Me & Stella

Geri Ashur’s Me & Stella traces the life of blues musician, folk singer, and composer Elizabeth Cotten—and her guitar, Stella—who is best known for writing the folk standard “Freight Train.” After spending her early teenage years writing songs and playing the guitar, Cotten put her musical career on hold for three decades. Encouraged by the very musical Seeger family, for whom she worked as a maid, Cotten started recording and became a star in the 1960s burgeoning folk revival at an age when most people are contemplating retirement.

Me & Stella

NR 1976
Rick Wakeman - Journey To The Centre Of The Earth

Richard Christopher "Rick" Wakeman (born 18 May 1949) is an English keyboardist, songwriter, television and radio presenter, and author. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s. Rick Wakeman - Journey To The Centre Of The Earth movie Recorded in Melbourne Australia with that city's Philharmonic Orchestra in 1975, a sell-out crowd of 30,000 saw Wakeman perform at the height of his career. Rick Wakeman - Journey To The Centre Of The Earth video It contains songs from his concept albums THE SIX WIVES OF HENRY VIII, KING ARTHUR AND THE KNIGHTS OF THE ROUND TABLE, and of course the record from which the concert takes its title. Rick Wakeman - Journey To The Centre Of The Earth film JOURNEY TO THE CENTER OF THE EARTH captures a seminal moment in the live performances of progressive rock.

Rick Wakeman - Journey To The Centre Of The Earth

8.1 1975
Moment

In a 2.5 minute sequence, a simple series of ordinary gas station events is seen intermittently through the opening display. This sequence is then divided and rearranged 7 times in reverse order. Each time the divisions are greater in number (smaller in size) until finally the film appears to move smoothly backwards, divided by a single frame. The inspiration for the film as well as the title is derived from information theory where a 'moment' is defined as the shortest duration at which no distinction can be made between units of information. This work is a demonstration and exploration of the line between human information and machine information. It dynamically reveals film's basic unit, the frame.

Moment

NR 1972
Undercurrents

In the clear waters of the Gulf of Mexico, the undulant beauty and violent potential of underwater life are carefully balanced within the reef community. The coral, the fish, the crabs all live within the balance of a delicate web of life connecting all creatures of the deep, from tiny microscopic plankton to the 2000-pound manta ray and the mighty sailfish. This web of life connects all sea creatures and man by his presence beneath the sea, threatens the very existence of life within the oceans.

Undercurrents

NR 1973
It Is Necessary to Be Among the Peoples of the World to Know Them

The use of any language other than French in Quebec, particularly when separatist fervor is high, often serves to incite protests and even legal action. This French language documentary examines separatist feeling in parts of Quebec, and reviews language grievances. Among the conflicts examined is one with General Motors. It must be stated that the documentarian are clearly in favor of the separatist cause, and are also in favor of Quebec's "encouraging" companies doing business in Quebec to do it (at least officially) in French. From the evidence of this documentary, the attempts of Canadians outside of Quebec to pacify the Quebecois with "bilingualism" seems unlikely to succeed.

It Is Necessary to Be Among the Peoples of the World to Know Them

10.0 1971
Episodic Generation

The visual "degeneration" of the image ... through successive rephotography is paralleled by the compression of verbal information to the point of its loss of legibility; yet, both the "degenerated" sound and image are perceptually engaging, even in the most advanced stages of "degeneration". It is obvious why the film has its title, because of the strategies of its coming into being, but, paradoxically, at the level of effect, its dynamics arise from its "Episodic Degeneration".

Episodic Generation

NR 1978
The Feast

Yanomamo feasts are ceremonial, social, economic, and political events. They are occasions for men to adorn their bodies with paint and feathers, to display their strength in dance and ritualized aggression; for trading partnerships to be established or affirmed; and for the creation or testing of alliances. In the feast filmed in 1968, the Patanowa-teri had invited the Mahekodo-teri to their village. The two groups had been allies until a few years before this event, when they had fought over the abduction of a woman. They now hoped to renew their broken alliance, which they did successfully. Soon after the filmed feast, the two villages together raided a common enemy. A detailed discussion of this feast, and of the significance of feasting among the Yanomamo, is found in chapter 4 of Chagnon's Yanomamo: The Fierce People. The film's graphic representation of reciprocity and exchange may enrich (and be enriched by) a reading of Marcel Mauss' The Gift.

The Feast

NR 1970