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Dance Craze

Rocksteady to both a visual and musical documentary of the big shots of the English 2-Tone movement of the late 1970s that has the exhaustive, high-energy performances exploding onto stage. Jump, shout, twist and crawl and dance to the tunes of Ska and its anthems of its rough riders and three-minute heroes captivated in the moment of a generation of England's concrete jungles and razor blade alleys. No longer on your radio but now on stage, together, with the likes of Madness, The Specials and The Beat et al, this concert footage of an era is a must-see, rare and fascinating look into a once vibrant youth culture of working-class England and its musical dance craze.

Dance Craze

7.8 1981
Der Lumpenmann

Peter, medical student and son of old materials dealer Richard Müller, wants to get engaged to the daughter of the director of a local construction company. The profession of his father has so far only vaguely hinted out of shame. And so his future in-laws think Richard is working in ministry. When he learns about it, he is initially offended. After all, he lives his profession with body and soul. But then Richard takes advantage of the misunderstanding and pays the bride parents a visit.

Der Lumpenmann

8.0 1982
Evelyn and the Men

In this quirky romantic comedy, Evelyn, a charming yet independent woman, finds herself entangled in a series of absurd relationships with eccentric men. As she navigates the chaos of romantic misunderstandings and social expectations, Evelyn seeks a meaningful connection, learning that true love is not about pleasing others, but finding herself. Directed by Loriot, the film combines sharp social satire with his signature dry humor, offering a witty exploration of love, gender roles, and the absurdities of romance.

Evelyn and the Men

7.0 1987
Filmfinish

This film was constructed using the so-called “photo-finish” technique employed in sporting events. The same principle was applied, precisely, to the motion picture camera. The subjects are explored and self-explored using a thin slit arranged horizontally halfway along the aperture plate as they enter the motion picture camera itself. The images then are formed as an extremely dense series of lines as in a primitive video screen, such as the Nipkow. The cinematic rhythms of the film vary with the accelerations and decelerations imposed beyond the synchronism between movie camera and subject: with motion from top to bottom, or else with the movie camera lying sideways, (in that case the line is vertical) then, from left to right and vice versa. Of course without a shutter or claw [in the camera]. This filmic technique is well known in scientific cinematography, and it is this very combination that I most urgently desired to encompass in my graphic compositional concerns.

Filmfinish

5.0 1986
Der Leutnant Yorck von Wartenburg

The young officer Count Yorck von Wartenburg - he bears one of the most famous names of the German past - awaits his execution as a participant in the conspiracy of July 20, 1944. Von Wartenburg, together with his comrades, suffers infinitely long days of terrible torture, disrespect and humiliation as a death candidate. In a dream, he experiences his escape and the real continuation of his fight against fascist barbarism, for which he must detach himself from his class and is involved in the anti-Hitler front by communists and the Soviet army.

Der Leutnant Yorck von Wartenburg

9.0 1981