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The Trojan Women

In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.

The Trojan Women

NR 1967
Omnibus for All

The conflict between the running of an efficient bus service and the increasing motor car traffic in Britain's towns. Describes the traffic problem and some of the measures taken to help overcome it from the point of view of different members of the community; the ways in which the planning of new towns and the rebuilding of town centres can take into account the needs of all road users, and the particular contribution the bus can make as the best user of road space per passenger carried.

Omnibus for All

NR 1963
Incontri 1969 - Roberto Rossellini: i segreti di un mito

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.

Incontri 1969 - Roberto Rossellini: i segreti di un mito

NR 1969
La Piccola Noia

To music by John Coltrane, the film mixes quick shots of common objects or still lifes and the fragments of a filmed diary showing some friends on vacation in Torcello, in the Venetian lagoon, walking around reading the newspaper, chatting during lunch, cutting vegetables, playing chess. The shots, taken without a tripod, have a decidedly impressive visual intensity: backlit silhouettes, bright portraits, fruit and shells reminiscent of still lifes. In a convulsive and irrepressible way, with the flow of visual assonances, The little boredom intertwines the pictorial formalism of the compositions with the scenes of everyday life.

La Piccola Noia

NR 1966
Wilder Reiter GmbH

Georg Maltus wants to make a career as an editor in Munich, but has to make do with a job as publicity manager for pop singer Kim Calder. Kim lives on the outskirts of the city in a wooden house with bum types who are involved in his "Wilder Reiter GmbH". Georg arranges wild gigs for the boss, arranges a rescue operation for a nun who has run away from the convent and a fake kidnapping of Kim, who ends up in hospital. When Kim sells herself to an American producer, Georg escapes the hustle and bustle.

Wilder Reiter GmbH

7.5 1967