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I've always been interested in recording Chicago's history, particularly its offbeat and unofficial aspects. In a way, I consider myself a renegade home movie maker for the city. This piece focuses on Sox Park and my memories of it, which go way back. I've been documenting these moments for at least 25, maybe even 30 years—longer than I initially realized. I'm not entirely sure why I feel compelled to record these events, but I believe they represent an intriguing and unique history of the city. It's a history you wouldn't typically hear about or know unless someone like me took the time to document it.

In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder captures revealing moments in Warhol's public and private life: the opening of the 1970 Whitney Museum retrospective, a party held at John Lennon and Yoko Ono's home, a heated telephone conversation between Warhol, Viva and Brigid Berlin, and an illuminating interview conducted with Larry Rivers, the grandfather of Pop Art, following the publication of The Philosophy of Andy Warhol in 1975. The issue of money is a consistent topic of conversation with Viva, who after departing the Factory in 1969 sent Warhol a series of threatening letters demanding money.

Set in and around E. 77th St., New Yorkers follows inhabitants of the neighborhood, documenting their small businesses, daily encounters and commentary on New York in the 1970s. With the neighborhood experiencing changes in culture, cost and character we get to know a wide range of residence each vastly different from the last.

A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.

The Spirit of Banking shows Arthur Scrooge the error of his ways.

Images, Joel Singer; Sounds, James Broughton. "The film is shot both through and at a window, superimposing and conjoining, thereby elaborating events on both sides of the glass. Broughton's accompanying poem sings the same song as the images, sounding from an Eden of the golden passing of days: "They were seeing the light every day then ... / They were looking and they were seeing / They were living there in the light at that time." - Robert Lipman, On the Films of Joel Singer

hong kong film

The Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people – along with some drawings – to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat – washing up dead, stranded in the desolate landscape – as they are a threat – appearing suddenly and making people vanish.

Experimental short contrasting the grey interior of a house with the vibrant colour of its garden. Sunlight shines through leafy trees. The camera zooms in until the image is out of focus. When it zooms out again, it reveals sunlight through leaves reflected in the window of a house. From inside the house, we see a woman, in colour and fully dressed, walk by a window. Outside, the camera and photographer are seen in a mirror. The woman, in black & white now and inside the house nude, walks around a large room, trapped. Further images of the naked woman are interspersed with colour images of the garden outside: pond, lilies, etc. Eventually, the image of the cameraman and his mirror returns and the reflection in the window and the sunshine through trees are repeated.

“Early in the morning on Thursday Feb 26, 1976, a young First Nations man named Eugene Lloyd Pelly was fatally stabbed in an apartment at 4272 Watson Street, east of Main near 28th. After escaping out a window Pelly collapsed in the middle of the road and, as snow fell, succumbed to his injuries. That same morning Jeanette Reinhardt noticed Pelly’s bloody body from her window. Paul Wong, whom she was living with at the time, shot a roll of 35mm film documenting the scene – first from their window, and later at roadside. The quiet violence of the scene captivated Wong, and together with collaborator Kenneth Fletcher, the two embarked on a project to research the crime in full detail." – Allison Collins & Michael Turner, Mainstreeters: Taking Advantage 1972-1982

Bridge of Heaven is a playful combination of several types of abstract imagery. Everything flows naturally from one image to the next, uniting several different elements into a critical composition.

A series of Mondrian painting animated to Boogie Woogie music and assembled by an animated version of the artist himself.

Orphan girl has a secret benefactor. When she's old enough to leave the orphanage and enter the real world, she's determined to track him down. Also: having a first boyfriend, yippee!

Ironic short interviewing the creators and minds behind Muzak

Bill Etra's "Abstractions on a Bedsheet" was made with the Rutt/Etra Video Synthesizer under PDP11-10 computer control. Bill said that the climax took as long as the rest of the piece to compose and program.

An old tree sits on a mound in an Ohio farm field. The filming of the tree and the metrical editing of the film is organized around the tree's natural elements: water, earth, root ends, roots, trunk, limbs, branches, leaves and sun.

Sharits produced Color Sound Frames by rephotographing strips of his previous films. He moved the strips, singly and in pairs, across a light table in front of the camera at various speeds. Sprocket holes of the original strips are visible at the edges of the frame, and the soundtrack of this film replicates the rat-a-tat of silent film sprocket holes played with the sound on. - CMOA

The films are of two patients, extracted from a medical film study of brain wave activity during seizures.

Planet Ocean is a 1974 short documentary. It takes us on a beautiful adventure into the strangest domains of our planet – the oceans. The documentary pivots around the relationship between the Earth’s oceans and the entire planet’s ecosystem. The film was nominated for an Oscar for Best Live Action Short Film.

An experimental short by Hollis Frampton who films the female form during various activities.

Yes, totally bored with their husbands in bed, horny Hollywood-Hills housewives Linda Devlin and Pat Chandler have become Matinee Wives. For some time now, they’ve been turning "matinee tricks" with the horny hubbies of other frigid suburban housewives by housewife-turned-madam Kay Gavin, a supersexed entrepreneurial vixen who likes to "curl up with a warm vibrator" each morning to jump-start her day. So, of course, when Paul and Tom make plans for some "outside stud," who do you suppose they call? That’s right: the vibrant Madam Kay herself! And who do you suppose she sets them up with? Right again: each other’s wives! But the kicker is: no one knows this, neither the husbands nor the wives, as they’re all chipping under false names and no one has met the other’s spouse before! So all four are swapping partners and no one’s the wiser.

This anti-drug film from 1972 uses abstract and modernist animation styles and techniques to depict the effects of different drugs (both legal and illegal) on the human brain and body. Set to eerie music and inter-spliced with live action footage shot in and around Los Angeles, California, you’ll be shown unnerving and psychedelic imagery designed to make you think twice about abusing drugs.

Recorded at London's Kilburn State Theater, Rod Stewart takes the stage along with guitarist Ron Wood, drummer Kenney Jones and the rest of the Faces for this electric farewell concert. In this classic live performance, the Faces are joined by the Rolling Stones' Keith Richards -- and their unique pub sound is complimented with a full-string orchestra. A set list of memorable hits includes "You Can Make Me Dance, Sing or Anything" and "Sweet Little Rock and Roller."

"An archival companion to My American Cousin, Wilson's Growing up at Paradise fashions a charming flashback of a family and an era from her father's home movies." -- Festival of Festivals

A young African American man drives through South Central thinking about revolution, Malcolm X, racism, capitalism, and war in Vietnam. Midway through, the film switches over to the thoughts of a young African American woman who is thinking about revolution and Angela Davis.

The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The images are an artistic rendering of this soundtrack.

Exhibited at the fourth edition of the Salón Atenas in Bogotá, In pulso was one of the first video installations in Colombia. To make it, Llano-Mejía visited the Universidad Autónoma Metropolitana's physics department to undergo an electrocardiogram, a procedure in which electrodes attached to the body send signals to a machine known as an electrocardiograph, which records the heartbeat. The artist recalls, "A doctor provided me with an electrocardiograph, which I placed on a small table next to a chair adjacent to the wall where my work was. The idea was for viewers to take their emotions with them in the form of those cardiac images." In this work and in others in which she used brain scans, Llano-Mejía interrogated the subtlest, and the most basic, signals that science and technology use to capture signs of life. Rather than presenting a traditional self-portrait, she instead proposed a subjective approximation of her persona through scientific means.

Unsold pilot for Carol Lawrence's talk show

Carla has a birthday party for her pimp Troy and invites Brenda, Chi-Chi, Wild Willie and Big John. They all have softcore sex.

Set in 1914, lodger Sam and his married landlady, Ann (10 lears his senior), fall in love. He marries a tart who falsely claims to be pregnant. But, when he returns from the war that killed his landlady's husband, he finds his wife with another man. He returns to his first love, Ann. But the widow has remarried.

Sequences of war footage and artwork set to comical background music. Preserved by the Academy Film Archive in 2012.

One of many Queen concerts recorded. This one being recorded in the UK in 1977, before the release of their "News of the World" album.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Film based on the 1952 short story by Ray Bradbury.

Shows how common rocks and minerals can be identified by color, texture, hardness, streak and other standard procedures.

Dustin Hoffman’s most challenging physical transformation occurred early in his career, when he undertook the role of Jack Crabb in the big screen adaptation of Thomas Berger’s novel, Little Big Man (directed by Arthur Penn). The role required Hoffman to portray a character who lives well past the age of 100. In The Many Faces of Dustin Hoffman, director Elliott Erwitt is providing a rare behind-the-scenes look into the process of movie-making. In this brief film, Hoffman discusses the craft of acting in general, but also talks specifically about his approach to the Jack Crabb character. This insider's glimpse into the mind of one of our greatest actors is a rare treat for both fans of Hoffman and anyone interested in the process of acting.

A series of still images follows master Líl̓wat basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.

An hour long documentary looking at the life of the Sugiura family, fish merchants and caterers living in Tokyo.

Program of biographical character on Eça de Queiroz, writer, with emphasis on his literary work and respective themes, illustrated with interpretations of actors.

A montage of watercolour images of the work and occasional play of a farm family.

Les Rose directs this endearing independent film about a con man named Busher (Richard Gabourie) who travels from town to town. He ups his ante when he takes under his wing and joins forces with a 13-year-old runaway foster boy, Toby (Chris Langevin). Along the way, they add a third member, a very bright woman, to their team and together plan a risky con that will set them up for the rest of their lives.

Life on a plot of land in Petralona in three seasons of the year. An amusement park is set up in an alana in the fall, the plot is deserted in the winter, and in the spring it serves as a stadium where the school's gymnastics demonstrations take place, which during the Junta become another tool of disorientation from the regime. A composition of moments of life as it flows in one of the then less glittering corners of the capital, where a space acquires its own essence. The passage of time sculpts the character of a piece of land, leaving its marks on it, just as it would on a person. Moments of joy and vitality give way to a rainy melancholy, like mood swings at the change of seasons. Until interest, an external force, dissolves everything during the construction of a building. The end is inexorable and inevitable.

The action is set in a deserted contemporary village in which a handful of old men while away their time lost in memories of their carefree youth. Every evening in the village pub old Toshe spins a yarn about his feats of arms and love affairs, while his old friends prefer to believe him. It seems that he himself begun to believe his stories. However, the idyllic existence comes to an abrupt end. On her deathbed Toshe's wife Granny Petrushka confesses that she has been unfaithful to him. He is shocked into seeing his whole life in a different light. As luck would have it, the ailing Petrushka gets better, while Toshe, previously always healthy, self-confident and levelheaded, is taken ill. He is reviewing his life, passing stern judgment on his own actions. Confined to his room, in his thoughts he is taking his farewell of the people among his life has passed.

Seven Days invites the viewer to contemplate the complex relationship between the structures we invent in order to observe the natural world and the structure we perceive as a result of those observations. The resulting sequences of images suggest a relationship between technology and nature based on principles other than exploitation and domination.

Short film by James Herbert.

Debbie and Fran are roommates. Bill has sex with them and another girl to help out his buddy Wayne who has dates with 3 girls. Meanwhile Debbie has lesbian sex with the dean.

Nearly continuous colour changes rotating around a spectrum, occurring at varying speeds of rotation and in varying values of light. Colours are seen on the scraped area starting nearly white and rotating very slowly. As the film progresses the colour values become darker and the speed of rotation increases until by the end of the film, the colour is nearly black and is rotating around the spectrum about once per second. On the right the opposite occurs, starting nearly black, rotating very slowly. The moment to moment combination of colours and values is a function of the varying rate of rotation.

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

An animated retelling of a Pueblo tale, in which a mysterious boy seeks his father.

Secret muna.

An experimental and humorous rainy day romp involving director Wakefield Poole's beloved Warhol Marilyns, his boyfriend Peter Fisk, Julia Child and the kitchen sink (literally and figuratively). The film creates whimsy by incorporating household film footage, pop culture references from TV, and Poole's eclectic and sometimes campy use of music.

Documentary about the early British films by director Alfred Hitchcock.

A shot-on-video look at three impoverished Black communities in rural Georgia in 1976 - America's bicentennial, interspersing photos with footage and voices of those in their communities.

Documentation of an evening of three simultaneous performances (Terry Fox, Dennis Oppenheim, Vito Acconci), in January 1971. In each alcove a light bulb hangs from the ceiling above a canvas that covers the ground. In Acconci's alcove, a clock is hung on the back wall; staring at the second hand, the artist repeats its movement around the light bulb.1971, 2:47 min, color, silent, Super 8mm film on video

Sepia toning lends a romantic (even wistful) quality to Larry Jordan's film Visions of a City, which he shot in San Francisco in 1957 and edited in 1978. The pace is un-irritating, in contrast to the San Francisco of today; but unlike the equal weight Helen Levill gives to all her subjects, there is an internal evolutionary development in the Jordan film that ultimately delivers a story. Until the introduction of the human protagonist, poet Michael McClure, we are treated to an extravagant display of visual delights.

Teenagers Glen and Randa are members of a tribe that lives in a rural area, several decades after nuclear war has devastated the planet. They know nothing of the outside world, except that Glen has read about and seen pictures of a great city in some old comic books. He and Randa set out to find this city.

Consists of a fragment from an off the air recording an interview with President Richard Nixon that is looped by a very physical rewinding, forwarding , and rewinding via the control knob of a ½ inch video tape player.

A witch shows up at the local supermarket and doles out advice on the cost of prepackaged and frozen food versus fresh. Shoppers learn their lesson and agree to save money by making their own oatmeal and pudding.