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After loosing all the money he borrowed from a mobster on a poker table, Tobias decides to rob an illegal casino. However soon he has a finger pointed at the vault of the casino for a much bigger price.

Brazilan writer Jorge Amado and his everyday life.

Power Metal lovers also had their place in the past "Rock In Rio" held in Brazil. That's why we leave the presentation of HELLOWEEN Germans, who also had the pleasure to invite on stage to an old friend, Kai Hansen. Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. The setlist that evening was:   01. Eagle Fly Free 02. Where the Sinners Go 03. Waiting for the Thunder 04. I'm Alive 05. Live Now! 06. If I Could Fly 07. Power 08. Are You Metal? 09. Dr. Stein (with Kai Hansen) 10. Future World (with Kai Hansen) 11. I Want Out (with Kai Hansen)

Among grand mal seizures and geomagnetic storms in São Paulo, André looks for his mother and his lost affections.

Featuring four outstanding films "Desires of the Flesh", "Girls", "The Love Letter", "A Family Affair".

In Porto Alegre (Brazil), a group of homeless people makes and sells their own newspaper, the “Boca de Rua”. More than a source of income, it is an essential organization tool and reporting channel to be heard and seen by society.

The film recreates the Roosevelt-Rondon Scientific Expedition (1913-1914), commanded by the Brazilian colonel Cândido Mariano da Silva Rondon and former US president Theodore Roosevelt. Together, they crossed the Pantanal and Amazon Rainforest to explore the mysterious Doubt River.

A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.

André is a broken man, who lives isolated in a forest. The forces of nature embrace his body as he drowns in his effervescent inner world. Between the insomnia and the dreams, André is haunted by his past. He wishes to deconstruct himself, heal his sorrow and take the responsibility from his acts. He puts himself before the abyss where he must embrace his ghosts and change his skin in order to survive.

The film surrounds a misunderstood event that ends up changing completely the lives of the characters.

A journalist is placed upon the management of a large broadcasting company to the capital of Brazil at the time of local elections. She must now face ideological and ethical questions, brought back by a left-wing former boyfriend and her own colleagues. At the same time, a free-lancer spy is sent by an obscure figure in politics to manipulate the elections and its media coverage.

After years of not seeing each other, they meet again on an ordinary day.

An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.

A boy finds himself trapped in an empty space and tries, in vain, to communicate with the world around him. But his only form of communication is his flute, that seems to be unheard by anyone. Life passes through him in the midst of sadness and loneliness, where the empty space mirrors the feelings of a confused and angry being for not understanding the reason why he lost his freedom to live.

Young woman needs money to pay her mother's medical treatment. She gets a work in a bar that is, in fact, a cover for a prostitution net. She is drugged and raped while some photographs are taken, to be presently used as blackmail, to force her to work as a hooker. She accepts her fate but starts a serious relationship with a reporter, to whom she doesn't dare tell the truth. She wants to leave that life behind and get married, but the gangsters won't allow it. Until one of the girls decides to tell the reporter about the underground activities going on, and he calls the police.

When humans become animals and animals become humans.

Maria Bethânia takes her poetic narrative to Mozambique for the first time. The interpreter presents excerpts of works connected by different forms of expression in the Portuguese language. With testimonies from Mia Couto, José Agualusa and several Mozambican and Angolan writers and literary critics, the documentary shows the development of literature in these countries, delving on its importance during the anti-colonial resistance, the connection with native languages, the oral traditions and the influence of Brazilian writers.

Documentary about UFF on the occasion of the 15th anniversary of its foundation.

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

Mari Leila, a seventeen-year-old girl, lives a life of agony, contempt and loneliness. Her unrequited passion for Jadson, a young man who is also seventeen years old, gives rise to a feeling of frustration and resentment. In addition to being bullied at the school where she studies, she lives in an entirely dysfunctional family. After great humiliation, she decides to take revenge on all those who belittled her. Devastating feelings motivate her to commit a series of barbaric crimes.

Roberto Carlos, a 20 year old black man, runs fast down the street to not miss the bus. This is his version of the story. Isabella, a white woman, claims that he had stolen her purse. The main question is: who speaks the truth? This realistic short film reflects a little bit of the Brazilian racist scene.

In Vitória, the middle-age piano teacher Gertrudes sublets her apartment to two younger women, the unstable Lúcia and the nurse Madalena. Gertrudes misses and daydreams her former love and has a motherhood relationship with Lúcia; Madalena has a promiscuous life, having one night stand with the most different men every day and her behavior is criticized by Gertreudes; and Lúcia is dreamer that manipulates Gertrudes and expects that the handyman Alfredo becomes her prince charming. Their conflictive relationship ends when Madalena discloses their inner feelings and secrets to each other.

Based on the short story by Hovhannes Tumanian, Aziz is a film that follows a son of questionable character who makes a promise to his father on his deathbed.

A film that addresses family influence in the construction of social concepts

In São Paulo, the black part of the elite, while whites take over the periphery. In this scenario, a lawyer has to deliver cell in a prison, but on the way he is robbed. Without the devices, the man begins to be threatened by the leaders of the prison, which still planning an attack in the city.

Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!

Boy meets girl.

A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.

Director Will Nogueira seeks to revisit his history with his mother, Cleusa. Using archive images of the family, he proposes an essay on what changes and what survives time, in them and in this relationship.

A story of love and power on a farm in the interior of São Paulo. The plot focuses on the conflict between a small farmer and a powerful industry, which has an interest in his property.

Metro station. The tracks creak before we hear the sound of the train arriving. The wagons introduce themselves, one by one, as the train starts to brake. Amongst the hundreds of people it brings, there’s a boy with a backpack. Following his trajectory, we witness an initiation.

An emotional dive into the music and life of Erasmo Carlos, from his years as a young rock-and-roller looking for gigs through his enduring musical partnership with Roberto Carlos.

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

Can one person really make a difference? This documentary explores the work of two non profits started by women in Recife, Brazil. Through their grassroots efforts, they help kids get off the streets and women break the cycle of domestic violence, to find a second chance.

In 2095, amidst a future ravaged by the effects of climate change and excessive resource exploitation, Estela, a Afro-Indigenous heroine is plagued by flashbacks of a past which refuses to fade away. In her pursuit of justice, she senses that some ancient and mysterious force seeks to communicate with her.

Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.

A black hole devours its star.

An avant-garde film crafted from archival footage of Brazilian writer Monteiro Lobato.

On his eighth birthday, Feijão longs to visit the home of the grandmother he's never met. Guided by a familiar scent, he encounters a girl in the woods. What begins as a game unfolds into a suspended time where inherited wounds finally find rest.