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Motorbikin': Coast To Coast

The Motorbikin' boys are back as Phil and Bill take a shot at the four and a half day record coast to coast across Oz... They gave it a go back in 2008 on KTM 950 SE's but DNFed after melting their tyres at high speed midway at The Rock. They were down but not out and this year (2010) they returned on big tanked DR 650s leaving Byron Bay (Australia's most easterly point) and heading for Steep Point WA, (Australia's most westerly point) via the Simpson Desert and The Gunbarrel. The adventure that unfolded was captured on multiple cameras, including amazing aerial footage shot by Dick and Easo who tailed them in a light plane. Featuring roo strikes in western Queensland, flooding at Birdsville, a crossing of the Simpson in a day and the bone jarring corrugations of The Gunbarrel. See the Simpson and the flooded Red Centre as you've never seen it before in this non stop adrenaline fueled transcontinental blast.

Motorbikin': Coast To Coast

NR 2010
Releasing the Spirits: A Village Cremation in Bali

Cremation rites are the most elaborate rites of passage performed by Balinese householders. Poor families may wait years before accumulating enough resources to cremate their dead, who are buried in the meantime. In 1978 many more cremations than usual were carried out because of the great purification cermony, Eka Dasa Rudra, held at Bali's main temple, Besakih, in 1979. Religious officials recommended that all Balinese cleanse the island by cremating their dead, as part of the preparations for the great Besakih ceremony. Villagers of limited means pooled their resources to perform group cremations which greatly reduced the cost for each family. This film is about a group of villagers in Central Bali who cooperated to carry out a group cremation.

Releasing the Spirits: A Village Cremation in Bali

NR 1991
Since the Company Came

A Solomon Islands community struggles with some unexpected consequences of a logging operation. The men of Rendova Island embrace the chance to be part of the modern economy; but the women are concerned for the forests and traditions that sustain their families. As Rendova's forest rapidly disappears, the loggers set their sights on a deserted island held sacred by the villagers. Through evocative archival images, 'Since the Company Came' questions the ongoing legacy of colonial attitudes to land and people.

Since the Company Came

NR 2000
Faint Echoes

“A friend had given me some old footage shot in Germany pre-WWII...during the ‘30s. Among all the images of sport, and people dancing, were images of Hitler making his early speeches. So this film is about the terrible tension of that period...jitterbugging on top of the volcano, the frentic activity to have a good life in the face of the brewing horror of Nazism. I used all kinds of techniques...travelling mattes, optical printer, rotoscoping and hand colouring, and scratching the film. The physical mutilation of the film frame, of Hitler's image...scratching out his eyes, brought fantastic relief. But I'm still not finished with Hitler, because no-one is. History never will be.” (Paul Winkler)

Faint Echoes

NR 1988
Kama Wosi: Music in the Trobriand Islands

Traditional music of the Trobriand Islands is played on a variety of flutes, from simple curving stems to panpipes. Songs (wosi) are also an important part of Trobriand music, and although everyone may compose and sing, people with special talents are encouraged to develop their skills. A range of songs are filmed and translated here: gardening and sailing songs, kula trading songs, songs of love and enticement, of grief and mourning. The film also reveals glimpses of everyday and ritual life: villages, gardens (and their magic), exchange, harvest dances, children in the rain.

Kama Wosi: Music in the Trobriand Islands

NR 1971
Rear View

Ostensibly a road movie, with all the clichés of the genre, Rear view depicts two women – performed by Randall with actor and artist Linda Chen – on a road trip from Broken Hill to the town of Wilcannia in country New South Wales. Unlike mainstream cinema, Rear view is presented as a lengthy single take: performed in a studio by the actors in real time – bringing a liveness to the performance that belies its cinematic medium – set against previously recorded, rear-projected footage of the view from the tail end of a vehicle travelling between the two towns.

Rear View

NR 2018
Traum A Dream

By Traum a Dream (2002) the unintelligent memories have become distinctly more sinister. Samples of found footage suggesting memory and repression vie chaotically for attention with Dirk’s voice reciting repeated words and phrases, punctuated by splutters and coughs, as though attempting to wrest some meaning. This meaning comes at last with the final sentence dragged out phrase by phrase in the third person: “he began to remember what he didn’t want to remember, what had been taken from when before he knew a secret of before he knew himself”. Steven Ball

Traum A Dream

NR 2002
Between the Devil and the Deep Blue Sea

When she was 9, Zainab’s parents made the heartbreaking decision to leave their home in northern Afghanistan. They set out on a journey across the globe, putting the fate of their family in the hands of strangers. Across borders, behind bars and onto a smuggler’s boat – the family chased freedom. ‘Between the Devil and the Deep Blue Sea’ tells Zainab’s story, and the story of many others who have trodden the same path. Jessie Taylor and Ali Reza Sadiqi travelled across Indonesia and met with 250 asylum seekers in jails, detention centres and hostels. Through candid interviews, hidden camera footage and in the words of asylum seekers themselves, the story of the ‘refugee’ is told. What pushes people to leave home? What do they leave behind? What do they fear? Why did they choose this path? And what does it take to turn someone into a ‘boat person’? Meet the human faces behind the most controversial issue of our time.

Between the Devil and the Deep Blue Sea

5.7 2011
History of Australian Cinema

The Pictures that Moved (1896-1920) - A novel moving picture of Australia early in the 20th century. It moves through ethnographic and actuality films, newsreels and features to the 1920 features Robbery Under Arms and The Sentimental Bloke. The Passionate Industry (1920-1930) - The twenties was a passionate period - a decade of fervent, feverish activity in the film industry in Australia when over 100 feature films were made. Fewer than 30 survive today. This documentary features For the Term of His Natural Life, the husband-and-wife team of Louise Lovely and Wilton Wench and the work of director Raymond Longford among material from 50 newsreels, 16 feature films and still photographs drawn from over 70 collections. Now You're Talking (1930-1940) - The story of the Australian film industry in the thirties, from the pioneering days of "talkies" through to the decline of the industry with the coming of World War Two.

History of Australian Cinema

NR 2004
The Essence of the Game

Channel Seven and former AFL player and football film maker Rob Dickson present an amazing all access look into our unique Australian Game. Hosted and narrated by Nathan Buckley, the Essence of the Game were allowed into the dressing rooms during the entire 2008 season to take a behind the scenes look at what makes football clubs tick, including Hawthorn and Geelong on Grand Final day. The documentary also celebrates the breadth of the game to everything from kids to international teams and what footy means to them. Commissioned by the AFL and Seven to capture the essence of football, this documentary tracks a range of football stories from the elite to the grassroots.

The Essence of the Game

NR 2009