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Fred Hampton talks eloquently and passionately about the Free Breakfast for Children Program and Free Health Clinic set up by the Black Panthers to feed and tend to the poor and hungry. In response to a specific question about events in Chicago and the conspiracy trial, he talks about how those running the city are "crazy with power," about racism, fascism and imperialism, and the need to educate, organise and lead by example.

Wise began experimenting with animation and live-action film at the age of seven, under the tutelage of several artists and experimental filmmakers, including Len Lye, Francis Lee, and Stan VanDerBeek. Wise created dozens of brief animations using cut-outs, scratch-on-film techniques, as well as conventional cel animation. In 1963, at the age of eight, Wise released a compilation of his experiments, titled "Short Circuit". Distributed by the Filmmakers' Cooperative, "Short Circuit" was shown throughout the world, won several awards, and was the U.S. entry in the "Child & the World" festival in Czechoslovakia. Writing in the Village Voice, filmmaker and critic Jonas Mekas called Wise "the Mozart of Cinema."

SONG 16: A flowering of sex as in the mind’s eye, a joy (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

The adventures of three tourists in a nudist camp in Corsica.

Super 8 reel with highlights leading up to and from the race.

Animation Workshop Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. A hand-drawn animation made during the start of the anti-Vietnam War and anti-Cold War movement in the United States.

A fantastic documentary about winter survival and camping, in the Canadian wilderness. Gets right to the heart of the matter, and doesn't waste time. Great for showing Scouts the basics!

Bill (Bill Morgan) and George (George Tibbits) are still photographers, struggling to make a living any way they can. They decide they need a woman to pose for them so they can sell pornographic photos. While setting up yet another baby photo shoot, a couple of evangelists turn up, and Bill finds the younger one (Bernice Murphy) strangely attractive. When his new girlfriend discovers the business, she leaves him in disgust. Bill eventually betrays George to the vice squad, and then is consumed by guilt, heading off to the cinema, and a photographic exhibition The Family of Man …

An American karate student in Japan searches for the sister of his friend and mentor.

Featured in Jonas Mekas' "Summing up the Year 1968." A collection of short experiments from 1963 to 1967.

A man going through his Rolodex file begins to reminisce about the various women in the file that he's been with.

A woman in prison relates her downfall from precocious thief of her mother's boyfriends to murderess. Plus, stripping! And a dude in an ape costume!

In this educational film, laboratory demonstrations show the effects of moisture and temperature on the growth of molds. Photomicrography reveals the structure of molds: hyphae, mycelium, spore balls, spores. Beginning with spores on a rice culture, time-lapse photography shows the formation of a new colony.

Impressions of a typical weekend in Blackburn in the early 1960s.

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.

This is a film about the work of the young French Vorticist sculptor who died in World War I and his ties to London and to Jacob Epstein, Wyndham Lewis and Ezra Pound. Much of the commentary comes from Gaudier's letters, his manifestos, and other writings by him. As with the Klippel films, the challenge was to bring the works in 3 dimensions to the film in 2 dimensions. If viewed in the context of a time when we were starting to specialize in art movies (we were trying to make a movie about the Vorticist movement), we noticed that we got bored with the documentary form, realizing that we didn't want to continue making movies this way. It was also around this time that we discovered the large amount of avant-garde cinema being made in America and Europe, at the 1967-68 edition of the Knokke Festival in Belgium, which confirmed our true interest.

Pictures made from an 1800-foot panorama painted in 1848 and authentic songs of the period sung and played by Peggy Seeger and Ewan MacCall are used in portraying a whaling voyage around the world. Includes views of New Bedford, Mass., the Azores, Hawaii, Tahiti, the Alaskan whaling grounds, the Horn, and the harbors of Typee and Rio.

The scenario for what might have been quite a beautiful films is projected as a text. In between the blocks of text, two small girls romp, as if from another movie altogether. –D. H.

Sam the Snake talks about all the things that begin with S.

“In Robert Klippel – Junk Sculpture No. 3, 1963 (1965), a spiky Klippel creation resonates almost visibly with the high, piercing tones of Larry Sitsky’s music. (Here the “voice” belongs to a harpsichord; another film in the same series creates a similar effect by electronically altering recordings of human song.)” —Jake Wilson, Senses of Cinema

A dance film, photographed in a modern playground, with a documentary sequences of NASA astronauts. Part I-'Moonplays'. Part II-'Sunspace'. –M. H.

"Dawn to dusk with a commune of young people on the Lower East Side, searching fulfilment through sex and drugs."–A.M. "...one of those remarkable films incensed with the values which man forgets, caught in the sedge flats which he calls his streets. It is these disowned values that [Meyer] obstinately and with the greatest of poise works with and surprises his film spectator...The world of SHADES AND DRUMBEATS has no need for sound; for the film frames speak and contain the word, the sentence which reveals to the engrossed spectator the spirit of Meyer's work."–Gregory Markopoulos, in a lecture at Idaho State University, 1964

Black and white UCLA Student Film, preserved by the UCLA Film and Television Archive. A narrative short of one woman's existential crisis over her love for French and classic Hollywood cinema. She goes to the movies, cries off her eyeliner, and smokes cigarettes, leading her life in the spirit of Lauren Bacall. Yet her romantic life falls short of the cinematic arc.

Characterized as a "fictionalized documentary" by the producer, this bizarre experimental drama is the story of three days in the life of a highly charged and successful Long Island insurance salesman who takes a filmmaker to Las Vegas. Though the protagonists really are a salesman and a director, the line between reality and fiction is hopelessly blurred as the story unfolds. . . The brash, loud and supremely confidant salesman shmoozes his clients in a way that is a game for him. He uses his powers of persuasion to acquire more and more sales. He and his cronies drink and feast over their success before embarking on the Las Vegas convention. The company even goes so far as to provide women for the married men, rewarding their career successes with amoral excesses in this film that concludes with a dream sequence on a beach.

Astronut was a kind, zany guy from outer space who always seemed to get into trouble. Oscar was his human friend.

October 19, 1967. Roland Kirk (multiple reeds), Ron Burton (p), Steve Novosel (b) and Jimmy Hopps (d) share the stage at Fourth Mezinarodni Jazz Festival, Prague

From Mauricio Kagel, a short follow-up to his previous effort Solo.

Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is unsympathetic, sometimes funny, and more often frightening.

Film starring Biswajeet, Sandhya Roy and Shashikala

Water functions as a willing worker, shaping the land, shifting earth or rock, carrying the food by which plants survive, and so supporting other forms of life. This film is designed primarily to show the astonishing utility of this common substance, but it also shows the beauty of water in movement, from raindrops pelting the earth to the mighty cataract of Niagara.

Experimental composer John Cage tours Europe with The Merce Cunningham Dance Company in 1966.

Speranza, a female company cashier, organizes two young men with a motorcycle a snatching for stage a steal with money of customers. However, the bills are counterfeit because they have been changed out by Linzalone another bank's employee.

An aching joke about a boy's plight to get a fallout shelter for Christmas. Winner of the Screen Directors Guild Award 1962; just released, after the passing away of bureaucratic restrictions. –E. E.

An animated film, based on an Indigenous comic-strip character created by Duke Redbird, telling the story of a young man who leaves the reserve to make his way in the city. Eventually he returns to the reserve and the ways of his people.

The Gang engage Marvo the Magician for Peewee's birthday party, but unfortunately all his magic misfires, and he loses Stodger in his special cabinet. Still searching for Stodger, Marvo makes himself disappear.

1968 film by Ward Kimball protesting LBJ's escalation of the war in Vietnam.

A screen test by Andy Warhol, of Kipp Stagg (Bima Stagg). ST326.

A featurette that shows director Gordon Parks on location for the film The Learning Tree.

Lonesome Honey Halfwitch draws a friend and bewitches the paper so that her drawing comes to life.

A 1965 film by Hubert Knapp.

Educational film about deer, moose, antelope and caribou.

For this videotape, Nauman turned the camera sideways and positioned it so that his head is cropped from the frame and his body is presented from neck to ankles. As he stands in the corner, his back to the wall, he appears to be lying down; falling backwards into the corner and then pushing himself off the wall again, he appears to be trying to levitate himself... As he performs these actions, his hands slam into the wall to break his falls, and the sounds become an integral part of the activities filmed. -- EAI

[D]ynamic shapes emitting energy from the living forms created by subtle camera movements combined with compositional awareness.

This film belongs to Higgins' 'hard series', meaning that the formal structure is relatively inflexible. The colors shift from the normal to their complements, producing extraordinary after-images, and this is done to a pulse by means of over 3000 splices to the films. The sound is from a tape recording of the Ray Gun Specs at the Judson Church in 1960, and in which Higgins was one of the featured Happenings artists. –D. H.

Za (24 mins) - An intense and illuminating episode of consciousness unfolding, features projections onto Diane Varsi as poet and alchemist, and costumes by Cameron.

Markopoulos’ first attempt at making a 35mm feature film, clearly inspired by the cinema of Jean Cocteau, was left unfinished and the materials were lost for many years.

A performative variation on "Twice a Man” side by side, one running forward, the other backward. The sound is maintained only on the projector playing the film forward. At the midpoint of the film, for one very brief moment, both screens offer the same image.

Susanne De Maria glances around, tilts her head, leans back, smokes, and occasionally smiles at the camera, revealing her dimples.

n 1964 Robert Smithson made a sculpture called Enantiomorphic Chambers that cleverly exploited our two-eyed nature to haunting metaphysical ends. Stepping between the two chambers, the viewer sees his or her image cancelled out by precisely coordinated mirrors, accomplishing Smithson’s task of “eliminating the consciousness that regulates binary vision.” Curators Kevin Regan and Christopher Howard have teamed up to turn NURTUREart Gallery into an entantiomorphic chamber of their own devising, though with a rather different aesthetic than Smithson’s. Noticing a simple iconographic trend in which a number of contemporary practices make use of reflected images, Regan and Howard have turned this underrecognized phenomenon into a full-scale metaphysical research project, complete with its own blog to document ongoing discoveries.

Nauman, his head cropped from the frame, is shown bouncing in the corner of his studio. Here, however, the images were recorded with a fixed camera that was inverted rather than turned on its side. -- EAI

Short film by G. Fioroni.

This vintage U.S. Army instructional film, made for tank crews in training, demonstrates the proper procedures for identifying and engaging targets with the Sheridan M551 light battle tank.

Pilař made the two surviving reels of animation experiments after his return from the 1963 Paris Biennale. The gestural brush painting over the surface of the originally black and white puppet film which he almost completely removed from the stock falls at the beginning of his programme works of expressive collage and assemblage. He returned to it repeatedly, as he did to the material he later reworked for Pink Floyd (ca. 1984) and Colours 1965 (ca. 1991).

An exploration of the relationship between man and the industrial surroundings of a fishing factory in rural Iceland.

A study of light and real-time transmission.

In-house documentary recording the construction of the then new BBC Television Centre.

Capri, the owner of a motel, arranges for husbands and wives to meet their lovers in privacy. When a woman fails to show up for a tryst, Capri herself substitutes for the woman. She joins in an orgy with two men and two women and watches a young couple make love for the first time.

The Leap is impressive for its mixture of pure video space with representational filmic space. Thus an ordinary man seems to interact physically with videographic apparitions, moving in and out of different time space realities, fluctuating between the physical and metaphysical with each stride of his leap toward freedom. —Gene Youngblood

A safety short which teaches children the proper way to call the police or fire department in a pre-911 world.

Dog Track (1969) : For Dogtrack a deeply unsettling, bestiality-themed found text is read aloud with alarming detachment by Barbara Porte while Niblock intercuts between static location shots of urban and natural locations.