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Deutsche Schuld – Namibia und der Völkermord

Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?

Deutsche Schuld – Namibia und der Völkermord

NR 2023
Mama Micra

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.

Mama Micra

NR 2024
Vatersland

An emotional journey back to the 50s and 60s: Through photos and film footage from her childhood, the 48-year-old filmmaker Marie remembers growing up in bourgeois post-war Germany. Marie is once again confronted with the early death of her mother and the excessive demands of her conservative father. He has no understanding for her and deports her to a Catholic girls' boarding school. A youth characterized by constant rebellion against the mustiness of the post-war years and against a society that expects one thing above all from girls: to smile nicely into the camera and under no circumstances direct the film themselves!

Vatersland

5.2 2020
The Revenants

The filmmaker travels to the mysterious land of the “poor souls.” He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.

The Revenants

NR 2011
The Weight Of My Name

2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.

The Weight Of My Name

NR 2025
Mogadischu

The incredible true story of Lufthansa Flight 181, which was hijacked by the Popular Front for the Liberation of Palestine in October of 1977, and the noble efforts of stewardess Gabriele Dillmann (Nadja Uhl) to ensure the safety of the terrified passengers throughout the harrowing ordeal. When terrorists sympathetic to the cause of the German Red Army Faction seize control of the flight, German chancellor Helmut Schmidt refuses to negotiate. Meanwhile, terrorist leader "Captain Martyr Mahmud" grows increasingly agitated, and the Yemeni government refuses to let the plane land on their soil. After Captain Schumann (Thomas Kretschmann) makes an emergency landing in the sand, he is brutally executed in front of the passengers by "Captain Martyr Mahmud" (Said Taghmaoui), who then forces the co-pilot to fly the plane to Somolia. Once there, counter terrorism measures quickly get underway as the passengers brace themselves for the worst.

Mogadischu

6.5 2008
Ohnsorg Theater - Die Kartenlegerin

Widow Lührs only receives a meagre pension and is therefore reliant on supplementary income, so she plays commercial cards without permission! One day, farmer Henck from Schandeloh appears at her house, who wants to scare his bossy wife with the help of the cards. Wilhelmine Lührs hesitates, but ham, sausage and money finally persuade her to change her mind. She lays out the cards for Mrs. Henck just as her husband had wished. But the fraud is discovered and Mrs. Lührs has to appear before the public prosecutor. But even in court, the ludicrous Wilhelmine manages to use her wisdom to cleverly get out of the affair.

Ohnsorg Theater - Die Kartenlegerin

NR 1968
Der kostbare Gast

Satire by Dominik Graf. An unsuspecting man is hired as a surrogate father. The income is good, the apartment is fully furnished, only the children's room is empty. A middle-class couple (Donata Höffner and “Tatort” detective Charles Brauer) desperately want a child. But the doctors say the potential father is infertile. With her husband's consent, the woman hits on a former lover (Dietrich Mattausch). He doesn't need to be asked twice and is soon in bed with her... Dominik Graf received the Young Director Award at the Bavarian Film Festival for his original final project at the Munich University.

Der kostbare Gast

8.0 1979
Lamento

Sensuous Eva keeps quite a few of the villagers on the go and likes to stir up trouble. But what else can she do in such a sleepy village where even her best friend Katharina no longer has any time for her. When Eva is found dead, the whole village is in turmoil. The presumed killer is quickly arrested: Clemens, the sexton of the local community and a peeping-tom. Katharina becomes more and more suspicious when she finds one of Eva's earrings in the church. Does Christoph - her father - have something to do with the murder of her friend?

Lamento

5.2 2007
Star mit fremden Federn

A striking resemblance between the hairdresser Franz Blume and the famous actor Günther Kolmin leads to a curious mix-up during a vacation in Feuerstein. Blume's initially shy attempts to defend himself are unsuccessful. It is believed that the star wants to maintain his incognito. And the hairdresser soon takes a liking to the role of the adored one, especially as Miss Petri never leaves his side. When the real Kolmin finally arrives on the scene, the embarrassment is almost unbearable. In the end, Blume is happy to be himself again and returns home to his fiancée in remorse.

Star mit fremden Federn

8.0 1955
Scent of Oranges

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

Scent of Oranges

4.2 2019