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Maalamaal

Raj (Naseeruddin Shah) is a slum dweller, who one day comes to know that he has inherited the business and property from his grand-father worth 3.3 billion Indian rupees. Stunned and delighted at the same time, he gleefully arrives at his former grand-father's estate to claim his inheritance, only to be told that there is a clause attached: which is that he must spend 300 Million rupees in 30 days or else risk losing his inheritance altogether. How can a slum dweller who has never held a thousand rupees in his hands on any given day, be expected to spend 10 million a day?

Maalamaal

5.4 1988
4 Artists: Robert Ryman, Eva Hesse, Bruce Nauman, Susan Rothenberg

4 Artists: Robert Ryman, Eva Hesse, Bruce Nauman, Susan Rothenberg acts as a collective portrait of creators linked only by their stated intention of expressing ideas through art. Unconnected to traditional concepts of beauty, storytelling or pictorial representation, the artists discuss the context of their art and how their work and the public's perception of it have changed over time. This film offers the rare opportunity to see a large body of work in their studios.—Michael Blackwood Productions

4 Artists: Robert Ryman, Eva Hesse, Bruce Nauman, Susan Rothenberg

NR 1988
Nocturne Indien

The enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.

Nocturne Indien

6.9 1989
Shake! Otis at Monterey

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving -- until Redding grabs them with his charged rendition of "Shake." Redding's performance also includes "Respect" (which he wrote), "I've Been Loving You Too Long," "Satisfaction," and "Try a Little Tenderness." Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton's 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

Shake! Otis at Monterey

7.3 1987
Treasures of the Titanic

The saga began on a crisp, calm April night in 1912, as the RMS Titanic slipped below the icy waters of the North Atlantic. It became one of the most shocking and mystifying tragedies of all time... Never again would an ocean liner be as glorified; never again would a ship be considered "unsinkable". Join us in a bold and exciting expedition to the Titanic's resting place 12,500 feet below the surface; a mission as technologically challenging and daring as a trip to the Moon! Witness explorations in and around the Titanic: the retrieval of a ship's safe, navigation equipment, china, and more; plus interviews with survivors and renowned experts. It's the complete saga of the Titanic, from construction to catastrophe and finally, discovery... in one compelling home video.

Treasures of the Titanic

NR 1988
Lust

“This video film shows indecency in its modern form. While peddling naked female flesh was considered indecent in the past, we can see by the examples of today´s star athletes that skin full of advertising sells better. The same applies to politicians, of course, though in a more subtle way. Advertising on skin as the new indecency! I consider this film to be a continuation of my previous work with the body as a vehicle for social codes. While in the past it was religion that dictated male and female behaviour, which was also expressed in their physical appearance, business has now assumed this role. Business dictates physical behaviour, physical pressure in its most direct form, and even sets standards for how our bodies are to be represented. Religion no longer prescribes morality, that is now done by the global power of business, with its products and codes. Morality has found a new patron.” – VALIE EXPORT

Lust

NR 1986
Hard to Handle: Bob Dylan in Concert

Admired as one of the best lyricists of pop rock, Bob Dylan has his name recorded in music history. During his four decades career, he has been through many facets: from acoustic to electric guitar; from politicized to religious lyrics; from minimalist to very highly sophisticated arrangements. And his characteristic voice, for some, hoarse and full of style, for others a little out of tune, still influences many musicians. In this presentation filmed at the Sydney Entertainment Centre in Australia over February 24-25 1986, Dylan is accompanied by Tom Petty and the band The Heartbreakers, as well as a very fine selection of new compositions. To close the spectacle, Bob Dylan and Tom Petty perform a vocal duet in "Knockin' on heaven's door", one of the most famous songs of this compositor.

Hard to Handle: Bob Dylan in Concert

9.5 1986
Eugene Atget: Photographer

Meet France’s mysterious master of photography, neglected in his own lifetime but since feted for helping position the medium as an art form, and as an inspiration to surrealists. This meditative Arts Council documentary introduces Eugène Atget, a former actor who began to document the streets of old Paris from the 1890s. Little is known about his early life and the three decades he spent capturing, in eerie tableaux, urban spaces since lost to progress. The film includes dramatised scenes from his life, including his belated ‘discovery’ by American photographers Man Ray and Berenice Abbott, who published many of Atget’s works after his death in 1927.

Eugene Atget: Photographer

NR 1982
Parting Shots from Animals

“Parting Shots from Animals” was inspired by essays by John Berger and developed in collaboration with Chris Rawlence. Shot entirely in the UK, it consists of a diverse series of arresting ‘films within a film’, each presented as if made about us from the perspective of the animals whose lives we may appear to celebrate, but continue to exploit and to destroy. While John Berger doesn’t appear in the film and wasn’t directly involved in it’s making, he narrates to great effect the text he co-wrote to accompany the film’s provocative opening sequence.

Parting Shots from Animals

NR 1980