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"EJM QUI EST-IL ?" is a documentary directed by Mehdi BARA and released in 2011. It features numerous testimonies from fellow rappers such as Akhenaton, Oxmo Puccino, Disiz La Peste, Kery James, Rohff, among others. In an interview, Mehdi BARA explains his motivations for creating this documentary. Through this film, he expresses his desire to introduce himself, showcase 10 to 20 years of his career, highlight his evolution, and narrate the history and foundation of French rap to give it value.

Ben, a twenty-year-old depressive and quiet boy, passionate about music and art in general, wants to write songs. Stuck between a brother who is his only friend and an absent father, he is searching for his source of inspiration.

Throughout his time as head of the Nazi party, Adolph Hitler evaded numerous attempts to assassinate him. However the secret Operation Foxely came the closest to succeeding. Based on declassified World War II documents from the British secret service, this award-winning film reconstructs the detailed plan that nearly resulted in the murder of the notorious German Fuhrer, and why it failed.

Even though Sam's father is hardly ever home because he is often away on business trips, he is able to connect with his son by teaching him how to pack a suitcase.

A small town in northern France, Alex, a young skinhead, enters Malik's grocery store.

The 3 lives of Agnès Varda: photographer, filmmaker and visual artist.

One morning in August, André is thrown out by his girlfriend with for only luggage his immense cannabis plant. Impossible to cross Paris alone with this illegal and cumbersome burden. Thus André asks Joël for help, a frivolous childhood friend.

In the depth of winter, two rabbits discover that their store of carrots jam is empty. But nobody has ever said that carrots can only be found in gardens! Certainly not their uncle Robert who has left them a precious treasure map...

This man is Xavier, the director's father. She films the man who, after having had three children with his wife, Dominique, leaves her for a man, François, whom he then leaves for a (much) younger man, Guillaume. In reality, the final combination is not so simple because this man leaves no one and no one leaves him either. This is the story of a family break-up that did not happen, that has been commuted into cohabitations that sometimes defy common sense, sometimes the imagination. The story of a contemporary family: when bonds that were at first unimaginable gradually become inseparable.

Two young men - a dancer and a pizza delivery man - inadvertently become trapped on the rooftop of an apartment building.

By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.

The film tells the story of a gentleman of a certain age, a distinguished homeless, who becomes the mentor of a young girl of 20. He will keep out of trouble, especially when she’s about to marry a fool. He will try to change her life by making it more beautiful in the manner of a guardian angel.

When Muslims are shown in the media, they are often portrayed as the bad guys. And yet every year, over a hundred Swiss people convert to Islam. «I testify that there is no God but Allah and that Mohammad is His prophet.« The heroes of Shalom Allah study the new religion and begin their journey into Islam.

Laura, a heartbroken teenager from Santiago is on holiday in the southern Chilean archipelago of Chiloé with friends. As she wanders the lonely island seascapes she encounters a group of local seaweed collector women, with whom she shares places and stories.

Without knowing why he has come back here, to this place in a foreign country, Ulysse, still a young man, withdraws to a solitary house on the mountainside. One morning, he goes up to the spring that supplies water to his house. On the way, he discovers a clearing entirely overgrown with bramble bushes, and he thinks he might have had a garden there at one time. But why has this place been abandoned by humankind? Circling around the clearing without being able to penetrate the tangle of briars, he decides to enlist the help of an Italian from the area. Together they attack the unruly, impenetrable hedge. But soon, his Italian friend gets discouraged. Alone, Ulysse finally manages to make his way into the middle of the garden. That same evening, Ulysse hears a voice, that of a young woman. She’s warning him ...

Rituels brings together five channels of video moving from a pro-Palestinian demonstration in the Paris streets to a private S&M soirée in the same city, to its suburbs and a Kurdish community gathering, then far away to a Mexican hilltop, and to Turkish Kurdistan.

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

French documentary showing the making of the iranian oscar-winning film A Separation

Mónica Calle is fighting with her theatre company to remain an actress, a woman, in a society where the place of art is constantly challenged. She draws this strength from Zona J, a district in the periphery of Lisbon, where she has set up her new place of creation, surrounded by former prisoners.

Based on unpublished interviews with the family, Jean-Claude Carrière, his writer and biographer, family archives, mini-fictions that dramatize the memories evoked and in constant echo with the upcoming films whose images seem to crystallize over the narrative, we wish to reinterpret Luis Buñuel's work through these decisive years, revealing hidden coherence, originality and beauty.

Shut inside their cars, two women face off in a silent duel that is fought out in the intimate violence of their stares. A wholly female duel punctuated by the refusal to drink, eat and sleep; more obstinate than the sun of Palermo and more stubborn than the ferocity of the men who surround them. For, as in every duel, it is a question of life or death... It’s a Sunday afternoon. The sirocco is blowing pitilessly in Palermo when Rosa and Clara lose their way in the streets of the city and end up in a sort of alley: Via Castellana Bandiera. At the same moment, another car driven by Samira, crammed with members of the Calafiore family, arrives from the opposite direction and enters the same street.

This film is an audio interview of Louis Skorecki, filmmaker and film critic for Cahiers du cinéma, by Patrice Kirchhofer and Gérard Courant. This interview, later put into images by Gérard Courant, is centred around the feature film Eugénie de Franval, based on Sade's novella, which Louis Skorecki shot in 1974 and which was awarded the prize of "la porte entrouverte" at the festival of young cinema in Toulon in 1975 by the jury composed of Marguerite Duras, Shuji Terayama and Dominique Noguez.

A group of friends are stranded in the desert until they are rescued by legendary truck driver Big Bear.

In the suburb of Lille, Stéphane holds a tobacco shop with his father, Maurice, a retired military officer. Although feeling trapped in his marriage, Stéphane doesn't want to leave his wife, Elise, a lawyer, and is currently having an affair with Leila, a physiotherapist and mother of two. Together they hope for a better life, but everything changes when Sofiane, Leila's 15 year old son, holds up the store at gunpoint, without any knowledge of his mother's affair with Stéphane. Maurice-violently hit-pulls out a gun and shoots him.

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

"Stolen Childhood - Chronicle of Denial" - built on the testimonies of victims, magistrates, psychiatrists, and archives showing the decisive role of television in this matter, the film tells 50 years of society's responses to pedophilia.

20 years later, Hugues Delatte is back! Falling from a cupboard, 15 totally new interviews on DVD, funnier than the others, resurface. This time, he attacks American celebrities who do not yet know the apprentice journalist and even less his great qualities as a speaker in English. approximate ! Discover or also rediscover a selection of interviews with French personalities who have now become cult, for the first time in long or full versions.

Julie and her parents, Loïc and Louison, make their living fishing on a small island off the coast of Brittany. In order to escape their debts, they are forced to part with their boat in exchange for a scrappage bonus. The family struggles to cope with this new life without a boat, and Julie takes refuge in her passion for the saxophone to overcome the strange feeling of being overwhelmed that gradually takes hold of her...

Le Ciné-Club Universitaire de Dijon is the recording of this radio programme - a first for Gérard Courant - which allows him to talk about some of the films that are close to his heart: The Death of Maria Malibran by Werner Schroeter, La Cicatrice intérieure by Philippe Garrel, Hotel Monterey and Jeanne Dielman 23 quai du Commerce 1080 Bruxelles by Chantal Akerman, La Chinoise (The Chinese) by Jean-Luc Godard, Né by Jacques Richard.

At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.

In a filthy bayou, a "redneck" tries to get out of his daily life through creation. A process that turns out to be dangerous and uncontrollable.

An isolated house, a young couple, a perverted videographer, a mute. All of which leads to normal activities... but not quite! A parody of Paranormal Activity.

Paul is a young man of West Indian origin living in London. Brilliant financial in the City, he gradually self-destructs by denying his origins, his family, and scoffing at his wife and daughter. Everyone suspects that a terrible family drama is the cause of the change in his behavior. But only Paul can get out of his silence by confronting his past and the secrets it holds .