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Free Show

A film in three acts, each act prefaced by a short circus act. Act 1 – Cutting liver, Act II – Ironing, Act III – Plucking Eyebrows. Three potentially violent domestic activities performed by a woman. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. The images in these early films were both literal and metaphoric, depicting exact events but also creating physical and personal associations for the viewer. Ideas are evoked in images rather than words; ordinary actions are also enigmas.

Free Show

NR 1979
L'anno dei gatti

Ciro Varelli is a Don Juan who works in a bookshop, a job to which he dedicates himself without too much effort while he spends his days in the company of his friends Leopoldo, a student outside the course, Flavio - who has a conflicted relationship with the opposite sex - and Pippo . Instead he has a great rival, Luca, and in an attempt to win the heart of the beautiful Beatrice he decides to make a bet with him. The rescue of a dog named Mazzarino will allow him to impress the wealthy Goldoni family, but not everything will go as planned.

L'anno dei gatti

9.0 1979
Medea, un maggio di Pietro Frediani

In the village of Buti, on Monte Pisano, oral tradition preserves the memory of a type of popular theater known as Maggio, which died out around 1952, the year of the death of one of its last directors, Angiòlo Bernardini, who passed away at the age of 82. The director, with the help of the old prompter, handwritten notes on the scripts, and the actors of yesteryear, now elderly, attempts to stage this theater again, recited and sung in octosyllabic quatrains.

Medea, un maggio di Pietro Frediani

7.0 1972