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Ty-Peupe

The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.

Ty-Peupe

7.2 1971
Aces High

The first World War is in its third year and aerial combat above the Western Front is consuming the nation's favored children at an appalling rate. By early 1917, the average life-span of a British pilot is less than a fortnight. Such losses place a fearsome strain on Gresham, commanding officer of the squadron. Aces High recreates the early days of the Royal Flying Corps with some magnificently staged aerial battles, and sensitive direction presents a moving portrayal of the futilities of war.

Aces High

5.9 1976
The Killing of a Chinese Bookie

Cosmo Vittelli, the proprietor of a sleazy, low-rent Hollywood cabaret, has a real affection for the women who strip in his peepshows and the staff who keep up his dingy establishment. He also has a major gambling problem that has gotten him in trouble before. When Cosmo loses big-time at an underground casino run by mobster Mort, he isn't able to pay up. Mort then offers Cosmo the chance to pay back his debt by knocking off a pesky, Mafia-protected bookie.

The Killing of a Chinese Bookie

7.1 1976
Hit Lady

At a Texas barbecue, a pretty woman chats up a wealthy rancher, and soon they're off on a horseback ride. Before she shoots him on an isolated road, she gives him a minute to reflect on who he might have offended on his rise to the top. She's Angela de Vries, a contract killer based in L.A. She wants this to have been her last job; her contractor wants one more death, a national union leader, made to look like an accident. She starts her homework on this mark. Meanwhile, in her private life, she's in love with a budding photographer. Is there any way that she can get out of the game and have a full love life?

Hit Lady

3.7 1974
Future Shock

“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)

Future Shock

4.7 1972
And Then They Forgot God

"And Then They Forgot God" is set in a dystopian future, one in which the environment has suffered (people carry around breathing gear) and people must navigate extremely bureaucratic and rigid rules and procedures. Food is only available through the government, and only to those holding a monthly-issued card. Joe Campanella plays a husband who finds himself in desperate straits when his ration card is rejected because it was in poor condition when received. Despite an official policy that no one in that society goes hungry, Campanella's character receives no help.

And Then They Forgot God

NR 1971
Warlock Moon

Young lovers John and Jenny decide to go for a drive in the countryside one day when they happen upon the remains of a long-abandoned resort spa. After doing some exploring, they find that an elderly woman, Agnes Abercrombie, is living in the crumbling building. As they learn the gruesome history of the place, involving cannibalism and a ghost bride, Jenny becomes the victim of violent attacks and supernatural visions. But no one will believe her and now she's stuck in the dilapidated resort overnight. Will she survive until morning?

Warlock Moon

5.4 1973