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It's a beautiful sunny day, and Pimpa meets the little duck Alì, who tells her he has lost his mother. The two friends hop onto the little cloud Teresa and set off to search for the missing duck. The cloud takes them to Africa, where they meet many funny characters and have unforgettable adventures, until they finally find Maria Rosa the duck, the mother of the little duckling.

After constant arguments with his parents and after being left by the girl who dumped him for an engineer, Mike leaves university and starts managing a laundry hoping to find himself and escape from his life. But what he tries to distance himself from will present itself to him in the form of other people, the laundry customers, who like him struggle to be in this world. Among these he meets Laura, the client in the diving suit, who after isolating herself from the rest of the world is trying to reopen herself to people and life...

Two stories of Italians abroad: in Dubai, a truck driver who smuggles Ferraris for a living teaches the tricks of the trade to his young disciple; in Russia, a clumsy dentist experiences the consequences of sex tourism.

A group of middle-aged time-share investors get ripped off and their desire for revenge is well-timed for them to be recruited by a bank clerk who feels the same about his employers.

Ficarra & Picone return to the scene with a new work entitled I'm These things happen and directed by Giambattista Avellino. The center is the man and the phases of its most salient life: love lost or regain, the love that makes us suffer because "the difficulty is not engaged but let ...", love of which we do not notice, "I love her, but I look around and there are hundreds of females, and I am the hunter"; the death of a relative who becomes a spectacle, because the funeral in Sicily can only be representation. But Ficarra & Picone go further, they discover that there is another kind of love, another kind of death and another rebirth. She teaches him a mysterious relative, Uncle Pino.

While trying to plant a bomb in a high-rise building to destroy incriminating files, a man gets stuck in the elevator with two unaware employees—and a ticking bomb.

Barbara and Matteo are two Italians who live in Miami, managing a small restaurant overlooking the sea. Barbara is pregnant and the happy event brings their respective parents together in Miami: Massimo, Matteo's father, who has recently become a widower and has a hotel in Cortina, and Angela, Barbara's mother, who instead has a chain of restaurants and is separated from her husband. At first, the incompatibility between the two is sky-high. Then, while events, misunderstandings and plots of various kinds revolve around them, the ice slowly begins to break and affinities emerge when the two find themselves busy restoring peace between their children, who have entered into a crisis due to the birth of the little girl.

A documentary about the making of "Buongiorno, notte" and the films and politics of director Marco Bellocchio.

A biopic about the life of Umberto Boccioni, an italian futurist painter (1882-1916).

Promiscuous teenager Chiara gets herself and her equally debauched peers embroiled in a drug ring run by a dirty cop.

Immediately preceding INTERVISTA, director Federico Fellini made GINGER AND FRED (1986). For that film, Fellini created a number of comically exaggerated television advertisements, but most ultimately went unused and unseen until they were presented in this 2003 collection for Italian television.

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, discovering a part of himself he had never known.

An inexperienced journalist tries to discover who murdered her friend.

An aimless college graduate jumping from one job interview to another — killing time in between with his wisecracking and deadbeat room-mate — falls in love with an actress.

LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.

Oddball characters, weird mishaps, fates intertwining: the search for the meaning of life goes on. A college student falls for her philosophy lecturer; a disabled man seeks recovery; a popstar meets a spiritual guru; and the arrival of a mysterious luminescent man, perhaps real or perhaps not.

Following the death of his wife, Thomas, a cynical executive at a multinational corporation, travels to India to join his daughter Beatrice, who is there on a volunteer mission, to inform her of her mother's passing. During his stay, confronted with the shocking reality of the place, Thomas will rethink his company's market strategies.

Luca is a famous actor working on his new film as both its star and director. One day he gets extremely sick and, while at the hospital, rethinks his life.

Nina, daughter of a Greek woman who left Egypt in 1956, goes for the first time to Alexandria, discovers the city and the longing of her mother to tell her an old love story that she had years ago with a French. but the mother doesn't tell her the truth, who knows why.

At 30, Zeno's father dies, and he realizes that his youth is almost over. Meeting Giovanni Malfenti, a succesful gallery owner with four daughters, he's impressed by Malfenti's energy, and falls in love with one of his daughters. This relationship helps Zeno find peace and direction.

When a love story ends and ones does not know how to say goodbye, here comes the classic excuse: "I'm leaving you because I love you too much." With this exact sentence Daniela says goodbye to Mariano and disappears from his life. His friends try to help him, but Daniela is always in his thoughts. Finally seems to portend the nail that will drive the nail in the guise of a beautiful Brazilian. But winning does not show up at all easy.

Four Neapolitan and a Tunisian fishermen risk their lives by fishing in waters not far from Sicily. Before long, the camorra learns of their actions, and their licenses to fish the local waters are revoked. With nowhere to turn, they head back to North African waters, but the behavior of one member of the crew starts to endanger the others on board. The partially improvised dialogue by the cast of mostly untrained actors is delivered in the local Neapolitan dialect, which lends great authenticity to the story.

Set on an August afternoon in the Lombardy countryside, a family lingers around the table after a long summer meal. As the day stretches on, each member moves off to their own activities, quietly passing the hours.

The true natures of love, commitment, and reality are called into question in this offbeat drama. One night in bed, Tomas, a magician, begins telling a story to his wife Desirè about Emma and Sal, a married couple whose love life has gone stale. In order to fire up their relationship, Emma and Sal begin playing an increasingly elaborate series of role-playing games, in which they assume different personas -- Sal saves Emma as she is tied to railroad tracks, or Emma must seduce another man to pull her husband out of debt. But the question soon arises -- are Emma and Sal real? And who really holds the power in their lives? Chimera also features Franco Nero as one of the participants in Emma and Sal's sexual fantasies.

The '60s. Achille and Giovanni Judica-Cordiglia, two amateur radio enthusiasts, listened to sound from space with home-built equipment in their hometown of Turin. But one night, they recorded something quite different from the usual static that would change their lives forever...

A man recruits the help of his gangster brother-in-law to retrieve his stolen car.

It all begins in 1919 in the countryside surrounding Bari, Apulia. From a rich farmer and his three concubines(two of them the sisters of his handyman and the third his maid) a complicated family is formed, in which paternity and maternity is occasionally uncertain. Twenty years later, the eldest of the group weds and flees to Bari. The rest of the relatives move - not only to the same city - but into the same building. Furthermore, the "tribe" expands with the addition of the in-laws of the first-born.

We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

Mohammed lives with his wife and five children in a house located between a Palestinian village and an Israeli settlement. The house becomes a highly strategic location and is occupied by the army. But despite the invasion of Israeli soldiers, Mohammed refuses to leave.

A disenchanted young shepherd's world is torn apart when his father is unjustly incarcerated for a murder he didn't commit.

A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.

A free and imaginary portrait of Piero Ciampi (1934-1980), singer-songwriter and poet from Livorno, which takes its name from one of his last texts. Through the evocation of illusory spaces, real places, interventions of those who were his friends and knew him, we proceed by flashes and suggestions to the staging of an artistic parable, nourished by tumultuous love, contempt for life, alcohol and genius, which has left an indelible mark in the history of songwriting.

Lorenzo and Sandro are friends and partners of Agostino, director of a real estate agency, a great lover of Africa. During a lunch they accidentally meet Giovanni, known in Kenya. The man, having become familiar, proposes a real estate deal in the dark continent. This is a project for the construction in Malindi of a resort with villas and swimming pools, designed for the western market. Lorenzo is disinterested and skeptical, while Sandro is enthusiastic. However, they discover that the place where the complex will be built is a mission that deals with helping children. Lorenzo recognizes Laura, the girl he was in love with as a young man, among the nuns. Together then, they decide to help out ...

How will the Germans react to the armistice of the 8th of September 1943, due to which Italy betrays them and sides with the allied forces? This is the distressing questions that a group of 16 Italian - Greek Jews evacuated at The Meina Hotel ask themselves.

A man betrayed by his mind.

An American football champion, the idol of crowds, who became a hero in the war against terrorism proclaimed by George Bush. This is the story of Pat Tillman, a young 27-year-old man who used to earn $2 million a season and left the football field in order to volunteer with the U.S. Army and then ended up dying in Afghanistan. But his death during battle is a mystery that upsets Americans and troubles the White House. For weeks the Pentagon affirmed that he had died heroically, killed by an enemy Taliban attack. But then the truth came to light: Pat Tillman was killed by his own fellow soldiers. So, how did he really die? His mother Mary Tillman, during an exclusive interview, states how she is trying to discover the truth behind her son's death.

A wealthy dentist who spends the weekend wargaming with friends provokes a dangerous reaction from his wife, who slips a real gun among the fake ones. An old couple turns to child kidnapping to cover their gambling debts. A young librarian saves the mother of the kidnapped children and confesses her long-standing love for her, expressed through anonymous letters that sustained each other's lives. A college professor who captivates his students with lectures on what is truly important in life finds himself as usual lonely and forgotten on his birthday. A mosaic of souls searching for the meaning of life.

A mentally unstable woman loses her daughter's custody to her mother. Things get even more complicated when her husband has a car accident and befriends a Czech mechanic, bringing the man into their dysfunctional home.

The three days power vacuum in a Sicilian village shortly after the American landing in Sicily in July 1943.

Anna, owner of an electro-mechanical factory, has an affair with her best friend Lisa's husband, hunky Maurizio; realizing she got pregnant, Anna tries to end the affair and, during an argument, Maurizio dies in a car crash—swearing that he'll come back. His promise seems to be fulfilled five years later when, during a wedding, Anna recognizes her lost lover in groom-to-be Tom.

In the 16th century, in Cyprus, at the port of Famagusta, General Otello arrives with his ship after defeating the Turkish navy in the Mediterranean and securing Venetian rule over Cyprus, but jealousy, conspiracy and revenge lead to tragedy. ‘Otello’ is an opera in four acts by Giuseppe Verdi, with a libretto by Arrigo Boito based on William Shakespeare’s ‘Othello, the Moor of Venice’, and premiered on 5 February 1887 at La Scala in Milan. Taken from the ‘Tutto Verdi’ box set of 27 Verdi operas. Recorded live at the Salzburg Festival, 5–10 August 2008.

A brief tribute to the great director, spanning through some insights about his character, his works, his life, through the words of critics, relatives, colleagues, with a collage technique of interviews, archive footage, and brief excerpts and pictures from some of his works.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

Recently discovered and shown only twice before, Incantati is an alternate ending to Danièle Huillet and Jean-Marie Straub’s 2003 film Umiliati — fragment as mini-manifesto.

David works at the zoo, where he meets Giorgia, a girl as beautiful as she's wild. He unsuccessfully asks his brother Libero for advice, then he decides to learn more about her...

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.