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Nee illa Tum Ninne Nuvvu

Ashoksaravanan's Nee Illa Tum Ninne Nuvvu is a groundbreaking multilingual breakup anthem that transcends linguistic boundaries, weaving together Tamil, English, Hindi, Malayalam, and Telugu into a soul-stirring musical tapestry. The song explores the raw, universal pain of lost love-capturing the emptiness, betrayal, and lingering sorrow that follows a shattered relationship. A rare fusion of South Indian melodies, Western grooves, and contemporary rhythms, the track blends Tamil soul, Hindi emotional depth, Telugu passion, Malayalam melancholy, and English lyrical vulnerability. Entirely self-created, Ashoksaravanan composes, produces, performs, and even handles the technical aspects-making it a true one-man musical revolution.—IMDb

Nee illa Tum Ninne Nuvvu

10.0 2025
Vembu

Vembu follows the journey of a bold village girl passionate about martial arts. Raised by her supportive father, she dreams of excelling in martial arts while preparing for government exams. Pressured by society, she agrees to marry her cousin Vetri. Understanding her inner conflict, Vetri promises to support her dreams. As financial struggles arise, Vembu steps up to take care of the family. The film portrays her resilience and determination to rise above challenges and pursue her passion.

Vembu

NR 2025
Beach

Karthick, an orphan raised by a church father, lives in a ladies' hostel under his guardian’s care and works as a bank executive. Amrita, raised by her handicapped brother, struggles with her family’s past debt while working as a salesgirl in Chennai. A misunderstanding brings Karthick and Amrita together, leading to a blossoming romance. As Amrita gradually overcomes her fears and confesses her love, their lives take a dark turn. A gang of ruthless teenagers lurking on the beach targets them, attacking Karthick and abducting Amrita. Can Karthick save Amrita? What unfolds next is a gripping tale of survival, courage, and fate.

Beach

NR 2025
Raas

Once, the Chakrabortys of Manikpur were a thriving family of 34, united in laughter, meals, and the grand celebration of Raas. In the 90s, Rajat left for Kolkata to chase his ambitions, leaving behind his wife Annapurna and son Somnath. Raised among his cousins, Somnath grew closer to his grandmother than his mother. When he was twelve, Annapurna succumbed to a terminal illness. Rajat, unaware until his return, was consumed by anger and left Manikpur with his son, vowing never to return.

Raas

NR 2025
We Should Make Movies About Love

A Russian film crew is coming to Varanasi to shoot an arthouse film. The whole atmosphere of the ancient city encourages us to think about the meaning of what is happening, about the essence of cinema, about values that are usually considered obvious and not discussed. Soon, the filming process begins to collapse, and the film begins to shoot itself. This movie is a parable about the crumbling of the world and correction, about love as the only force capable of healing the world.

We Should Make Movies About Love

4.3 2025
Life of a Phallus

Nari Monchan, from a secluded tribe, grapples with dwindling female presence, possessiveness in marriage, and revelations about his father that unravel his beliefs. As he confronts ancestral traditions and the legacy of the Indian Emergency, his journey becomes a search for identity, shaped by personal fears and buried truths. The film explores the fragile balance between tradition, desire, and self-discovery. This is the first film in Cholanaikka language spoken by the eponymous cave people.

Life of a Phallus

NR 2025