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A young "incel" man embarks on a futuristic jerk-off session.

Call girl Ruby dates men for pay. Arrested, she seeks help from a lawyer client. He advises her to seek letters of mitigation from people with high social status, and to play along with the probation officer. By performing an act of penitence, Ruby may be given a more lenient sentence. The lies she tells the officer, initially mere tales to solicit sympathy, slowly reveal a heartbreaking story of someone let down by adults all her life.

Miriam Yeung lit up the stage of the Hong Kong Coliseum from January 24 to 31, 2015 for her Let's Begin concert series. Besides her most recent songs "Finally Found Love" and "The Best Debt," the diva performed many of her most classic songs from the last 20 years including "Wolf Is Coming," "Big Story in a Small City," "Maiden's Prayer," "Too Bad I'm an Aquarius," "Wild Child," "Sisters," "I Will Lift My Head" and "Hot-Blooded Youth."

One fatal decision leads to a cascade of errors and misjudgments that send the story of “Lust & Found” into a crazy chase through Hong Kong to its comedic denouement where everyone gets what they deserve, though not necessarily what they want.

Seated in the front row of a funeral hall are a boy and a teenager, the picture of the deceased yet to be placed. A florist, Tung (Ai Wai), is consumed by grief but puts on a front for others. The boy drops by at the florist and orders a custom floral arrangement - a teddy bear-shaped wreath with his favourite yellow flowers — to be readied in three days' time and paid with money saved up in his piggy bank. Tung forges an unlikely friendship with his young customer, an encounter that releases bottled-up emotions so that healing process can begin.

In the aftermath of 2014's Umbrella Revolution, five Hong Kong activists are confronted with the question of what it means to be Hong Kongers.

Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?

A 20mins short film commissioned by Hong Kong International Film Festival 2012. Starring Francis Ng and Jade Leung - about a pre-op transsexual woman nervously waiting for her operation.

No matter how quickly or far the times move forward, some people and some events will always be remembered by someone. June Fourth has yet to be redressed, rights activists have disappeared, and justice for indigenous peoples remains convoluted and slow. All these injustices bring sorrow. Yet, they refuse to give up; they keep thinking, acting, connecting with like-minded people, and creating alternative spaces in the land where they live. A one-party wall stands before them, making each step difficult; even with party alternation, nothing is guaranteed. They all know this. In these dark times, they join hands and move forward together, often very slowly, very slowly. Perhaps, one day, they will meet each other.

Filmmakers love making films about filmmaking, but not many of those films can truly explain where the passion comes from. Who are more qualified to answer this question than the new Master of Fine Arts graduates from the Hong Kong Academy for Performing Arts’ School of Film and Television? In their graduation thesis, award-winning director Man is sentenced to community service for drunken behavior. Assigned to a youth center, Man has to guide a group of eight-to-twelve-year-olds to make a short film. At first, Man feels he’s too good for such an assignment. However, the kids’ enthusiasm and unique perspective of life eventually inspire him to rediscover why he loved filmmaking in the first place.

Married secondary school teacher Hei Man appears to have a happy marriage which merely is a broken dream. Being a victim of domestic and sexual violence, her emotions are reaching their tipping point with nowhere to explode. One day she encounters Chun Heng, a student whose only indulgence is making his own art pieces. Attracted by his passion for art, Hei Man seduces him to develop a sexual relationship with her. He completely falls for Hei Man, while she is only replaying all torture tricks which she suffers in her marriage on him. Chun Heng is desperate for her love, so he makes a decision that would change both their lives.

The pendulum of life swings both ways, relentlessly and callously and the only certainty is its evanescence. A bonesetter treats patients from all walks afflicted with bone ailments and returns home at night to a hoarding attic and an unresponsive partner. His orderly world is thrown into disarray one day by a bizarre vision of the skeletal variety. A health freak receives a sudden call in his exquisitely furnished harbour-view bachelor’s pad that will send his life into turmoil. Inside a swanky apartment on the peak, a woman savours the slow passing of solitary time at the breakfast table, nursing a fateful idea between contemplative bites. Depicted apart though it could as well be superimposed or intertwined, these characters delve into a multiplicity of experiences, whether lived or imagined, in which every element perpetuates the cyclical motion of being.

The story is told from the point of view of a high school girl called Jessie (Jessica Wong) whose talent for the Chinese board game Go has earned her the nickname ‘Queen Chess’. She balances her time between practising Go and hanging out with her boyfriend (Yau Hawk-sau Neo). The former seems to win for this studious girl, but it is clear she’s also seeking something to pull her out of this lonely life of late-night computer games.

A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.

Mr. Lee, a senior social worker, has been fed up with all sorts of social problems that cannot be resolved. He wants to resign after passing his expertise to the new comer, Candy. However, because of lack of manpower, he is asked to handle multiple special cases before he leaves, including mildly retarded Ha, Po with Down syndrome, schizophrenic Ming, Chung with serious autism and Keung with hyperactivity disorder. While Lee and Candy engage themselves in handling those difficult cases, Mrs. Lee, who has been suffering from serious mood disorder, commits suicide. Heavily blown, Lee abandons himself and decides to give up all cases. Two preachers from the church and two radio anchors are also involved indirectly into the resolving process. They have different levels of devotion and expectation on those cases. They hope to help those people in trouble to build up new understanding on the front-line social workers as well as on themselves.

Beauty in the eyes of 4 filmmakers. Kurosawa Kiyoshi's Beautiful New Bay Area Project finds it in a kung-fu fighting young woman with a particular sense of honor. From China, Lu Yue's 1 Dimension reinvents a childlike Buddhist fable about good and evil. For Taiwan's Wu Nien-Jen and Hong Kong's Mabel Cheung, beauty resides in reconciliation and new hope. Wu's A New Year, the Same Days happens over New Year when a retired old man leaves home, while Cheung's Indigo takes place during Christmas, with Elaine Jin playing an aging dance teacher with two troublesome children.

A retiring primary school teacher and her three teenage grandchildren of different cultural backgrounds cope with the outbreak of the deadly SARS virus in Hong Kong in 2003.

A young Chinese teacher, Wu Yu, searches for the hit-and-run driver responsible for her mother’s death. As she tries to understand her mother’s faith, Buddhist principles slowly grow in Wu Yu and start appeasing her pain. But her quest for justice soon isolates her from the rest of the world: her husband wants to negotiate a cash compensation, and Buddhist beliefs require her to let go of her demand since destiny should bring justice in the next life. All Wu Yu asks for is to meet the driver face to face. If only she could find him…

On the eve of his record breaking 444th on-screen death, veteran Hong Kong actor Richard Ng, forsakes a long lasting Chinese superstition - challenging the Chinese demon Sui to come and devour his soul. (Screamfest)

Yee-tou cannot recover from her sorrow at her fiancé’s death. Her admirer Heem with a quiet and introverted character is kind enough to take care of her. Deeply depressed, she resists taking her medication and suffers from frequent hallucinations. Eventually she kills herself in front of Heem, who is consequently infected by her depression, and keeps a tank of goldfishes at home. From a glass fish tank to our world, are we living in a true world or is life an illusion? “The Glass City” is a love story with sad sentiments mentioning the limitations in life as if goldfishes living in a glass tank.

The film tells the story of five urban women with different personalities who support each other through various social problems such as the emotional confusion of contemporary men and women, the internal embarrassment of the girlfriends group and the plight of working women.

In 1989, there were rumors saying money became joss papers when a delivery guy returned to his restaurant after delivering food order to Room 4E of Sau Lai Building which was to be disassembled. Such rumors horrified restaurant staff members nearby as they all afraid that they would receive call from the ghost someday. Shui, who was a staff member from Chiu Fat Restaurant, however, manipulated people’s superstition, claiming that he received order from the ghost. He stole all the money after delivering food orders while replacing the money with joss papers. His boss and colleagues were shocked as they had never thought that their restaurant was chosen and cursed! Shui found that his trick succeed and thus decided to cheat money using the same tactics again and again...

Stuntman, action director, and martial arts legend Mark Houghton tells his story of breaking into the Hong Kong film industry, his struggle with injuries and depression, and the promise he made his teacher, the legendary filmmaker Lau Kar Leung.

Joyce and Lily have a different class background but stealing unites their friendship. Joyce is the poor one who cannot afford a smart phone whereas Lily is the posh one who turns into a kleptomaniac due to a detached relationship with her family. When Lily spots Joyce stealing a phone from their classmates, Lily helps her out. They even join hands to be partners in crime. Lily teaches Joyce the art of stealing while Joyce appreciates her company. However, too many successes make them go further and further. While starting from shoplifting, they decide to pickpocket on streets. Will their ambition beat them down and have them arrested? Throughout Speaking Low, Joyce and Lily’s friendship also entails an ambiguity of their sexuality.

Hong Kong as seen through a cab window. Inhabitants discuss their lives, problems and dreams as they are driven to their destination through the chaotic streets of Hong Kong.

In 2015, an actress is casting for a sci-fi disaster film set in 2003. Dialogues in the audition jolted her memories when she recalled being a stand-in actress on one fateful night in 2003. “Were such memories once real? Or is it just a story?” she doubted. People in front of her looked oddly familiar, overlapping with people she encountered from the past. In this short, the actress experiences the mystical passage of time, but no one is sure if it is forward or backward. At this very moment, could she be simply playing a role from the past?

* Not to be confused with the 1979 version. Shot in Sucuo Village, in Tainan, Taiwan, by Chang Chao-Tang and Christopher Doyle, “The Boat Burning Festival” (1979) captures a ritual that takes place every two years. In 2019 a new, alternative version titled “The Boat Burning Festival+” featuring original music by Lim Giong was commissioned by M+ museum in Hong Kong.

The director spent her childhood living apart from her family and knew very little about its history. This changed when she graduated from college and decided to face her parents with her camera in a search for answers to questions about her past.

A violent criminals, led the 2 men planned to speed time robbery in industrial buildings jewelry company, when all over the hostages, including a security guard to fight against bandits escaped, strayed into the company next to a unit, three bandits broke into the hostage unit a mysterious man with a mysterious girl, originally is a mad doctor.

In a hotel room, a man is waiting for a mysterious woman, with whom he would watch the sunset. However, as he is stood up, the sun never goes down, scorching the earth day after day.

The film follows a cab driver who must endure a number of awkward passengers as he attempts to earn a living during a single night.

Mainland student Yi Yao comes to study in this busy city. Before her roommate arrives, she is all alone staying in a rented apartment of an old tenement building. Unfamiliar with everything, she tries hard to explore around only finding that the neighbours are noisy, weird and unhelpful; especially after the man living opposite to her getting killed. Being hungry and helpless, she locks up herself in the flat and acts strangely. Can anyone help her? Through a series of mysteries, social issues like Mainland students flocking to Hong Kong, overcrowding living area and indifferent neighbours are covered in the short film.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

Bill Wong works on a wide variety of films, some of modern setting, some with historical backgrounds; some are award winners, some lesser known. As a cinematographer, he does not strive for personal style. Instead, he concentrates on fulfilling the potential of the film and realizing his director’s designs. He is a consummate team player. This documentary features interviews with Wong and five directors with whom he has worked – Patrick Tam, Ann Hui, Tony Au, Lee Chi-ngai and Shu Kei, tracing the paths on which they have travelled together.

This film mainly tells the story of a young girl who is being chased and beaten by two big men in the noisy and flickering corner of Lan Kwai Fong. When the girl finally fainted from exhaustion, the mysterious and handsome Bartender rescued the girl. The girl woke up in a bar called "Bar.tender" with a tasteful decoration. Bartender with a smile on the corner of her mouth was elegantly mixing drinks in front of the bar. The girl walked to the bar and sat down. At this time, the first customer entered the bar...

To the group of homeless people living under a bridge in Sham Shui Po, daily life involves coping with strange stares cast by passersby and dodging the frequent raids by the government. Fortunately, a group of volunteers led by a local pastor show them there are still some who care and are willing to lend a helping hand.

Motion creation, energy transmission and kinetic combustion. An audiovisual collaboration.

Footage of the investigation documentary telling about the extermination of African elephants lasted almost three years. The film crew traveled throughout 30 countries to make a route of ivory smuggling and to find out the true culprit of these crimes against elephants.

Part 1 In-suk, a former professional ballerina is a professor at the department of dance and having a normal marriage life. However, she feels bored of the present peaceful life, she happened to encounter Jun-ho at the parking lot. She came back to her normal life despite being attracted by Jun-ho’s young and tough charms. He turned out to be a boyfriend of In-suk’s student. In-suk became more attracted to Jun-ho without consciousness and at last she began to shadow him… Part 2 Jin-woo is a pro-gamer and a playboy. He knows nothing but playing and flirting with other chicks. One day, as he was staggering in an alley while drunk as usual, he found an old joystick and brought it home tying to operate it. As time went by, Hitomi, the heroine of a game, whom he felt in love with appeared to him in person and they started spending every day, making love vehemently. But he began to feel something weird…

Edmond Poon, a Hong Kong renowned DJ who hosts psychic programs, supported by the metapsychology masters and warlocks from Southeast Asia who acts as advisors, leads a psychic exploring team to scout for little-known mysterious and supernatural cases or strange customs including Soul-grabbing Witchcraft, Menstruation Witchcraft (Indonesia), Headless Horseman in Prince Hotel, Suicide Curse in Aokigahara Forest (Japan), and MTR Dead Omen, Lone Ghost in Regal Hotel and Secret Organisation Shadow Team (Hong Kong), just to name a few. Many precious clips are uncovered for the first time providing gruesome viewing experience.

One of Cantopop's most respected divas, Priscilla Chan celebrated the 30th anniversary of her debut in 2014 with three days of sold-out concerts at the Hong Kong Coliseum. Commemorate the milestone with concert live recording Back To Priscilla Live! The release features classic tunes such as "Silly Girl," "Red Tea House," "Rebellious" and "Unfulfilled Promise," as well as a rare duet with fellow Canto-pop giant Jacky Cheung.

Hong Kong is called many things, but "musical" is rarely, if ever, among them. Mak's semi-experimental documentary looks at a handful of local musicians who are actively forging creative havens in the city's most unexpected corners, from old dai pai dongs to major tourist hubs to childhood neighbourhoods. As Ah P, Billy and Dejay choose to express themselves wherever, whenever, Mak's latest explores social and political issues in the context of the physical space, contrasts the subjective with the objective, and proves that the city indeed has a vibrant indie music scene.

Told through the point-of-view of the wandering spirit of the last Javan rhino that was poached in the jungles of Vietnam in 2010, the film takes us through a complex structure of narratives and visuals, both gruesome and beautiful, real and mythological, that have built and upheld certain Vietnamese traditions. From Chinese colonialism and its assertion through the practice of medicine, to French colonialism and their obsession with trophy kills, and throughout the Vietnam war, the animals tell a different side to the story.

Feng Shui master Szeto Fat Ching leads the original cast of 2009's The Unbelievable to explore even more shocking and thrilling paranormal phenomenon in Southeast Asia with The Unbelievable Channeling The Spirits. Going deep into the tribes of Thailand, Vietnam, Cambodia and Malaysia, the crew including Rachel Chan, Uny and Pochacco Lee go face to face with some of the oldest supernatural practices and experience first-hand Southeast Asia's paranormal activities.

From March 24 to April 15, 2017, Joey Yung held 17 shows for her My Secret Live tour, her first concert series devoted to side tracks. Instead of the Hong Kong Coliseum, the diva chose the smaller, more intimate venue of the Hong Kong Academy for Performing Arts Lyric Theatre for this rare concert tour spotlighting the secret gems in her discography.

Mystery surrounds a psychiatrist turned artistic photographer when he takes an abused woman on an emotional journey while police investigate two missing women from his recent photographic exhibition.

City life is repetitious and all about work. It always comes with night life and a lot of drinking after work, because people always try to escape from the stress at work, or even from family and relationships. What we call "happy hour" here is the hours we have fun after work - night life. Therefore, if "HAPPY hour" is our night life, then what are those "UNHAPPY hours"?

During a skiing event, Gobie and BeBe get into a hazardous accident with serious injuries. BeBe is one of the twin beloved pet dragons of Gobie, and the other one is Kuma. Believing in the existence of Santa, Gobie thinks he can help him save BeBe's life. Therefore, Gobie decides to set off to Santaland with Kuma. W

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.

In Waziristan, "one of the most dangerous places on earth", Maria Toorpakai defies the Taliban, disguising herself as a boy so she can play sports freely. But when she becomes a rising star, her true identity is revealed and death threats force Maria to leave her country. Undeterred, Maria decides to return facing the danger and to play the sport she loves.

A group of thieves break into an industrial complex to pull off a jewelry heist, but stumble upon a hidden laboratory where unorthodox SARS and Ebola experiments are taking place on stolen cadavers, who soon mutate into blood-thirsty zombies.