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Todo

"Todo" (Everything) gathers the impressions of the filmmaker in her new surroundings, where she watches, classifies, and re-organizes everything that catches her eye. From a place of curiosity and amazement, she organizes an inventory of objects, characters, and situations. A tireless flow of images of the popular, the eccentric, the traditional, the new, the beautiful, and the ugly of the Matta Sur neighborhood of Santiago, Chile. An exercise of reflection on the destiny of images, their accumulation, classification, and order, modes of structuring the material, and the filmmaker's gaze.

Todo

NR 2017
This Is Not an Olive Tree

A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.

This Is Not an Olive Tree

NR 2017
Tarajal: Desmontando la impunidad en la frontera sur

The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.

Tarajal: Desmontando la impunidad en la frontera sur

NR 2017
Walkers of time

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

Walkers of time

7.0 2017
Tal Vez Mañana

Jacobo Muños is a convict who, after an encounter with God, has regained his liberty. Now, he returns to home trying to put his life back together and help his family; however he soon discovers that this is not an easy job. Discriminated against by society and stigmatized by his own church for his delicate past, Jacobo will face an innumerable amount of difficulties and bit by bit his new beliefs will be put to the test.Everything becomes more complicated when Tony Cortés, an old partner in crime, shows up with an offer which could solve all his problems. Will Jacobo succumb to the tension, or will he stand strong in his faith? (Translated from Spanish)

Tal Vez Mañana

NR 2017