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Der Neger Erwin

A filmmaker (Achternbusch) is just released from prison and has to make a living with his craft again. He is followed by a reporter who wants an interview and winds up at an inn called "Zum Neger Erwin," run by a woman whom he convinces to be the leading lady in his planned production. As the story continues, the filmmaker finds ample excuses to pan the financial powers that be and to paint the benighted and talented seekers after funds as slaves to the funding process.

Der Neger Erwin

9.0 1981
Bolero

Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.

Bolero

4.3 1983
The Actress

The year 1933: Successful actress Maria Rheine is in love with her Jewish colleague Mark Löwenthal. When the Nazis implement the racist Nuremberg Laws, their relationship is severely endangered. Defiant Maria decides to stay together with Mark and ends her promising career: She assumes a Jewish identity and continues to work under the name Manja Löwenthal. She and Mark perform at the Jewish Theatre in Berlin, until they become victims of an intrigue: Their colleague Judith, who has a crush on Mark, denounces them to the secret police.

The Actress

7.0 1988
Dani, Michi, Renato & Max

A three-part documentary about four young men who were active members of the Zurich youth movement in the early 1980s and died tragically as a result of “accidents” with the involvement of the police. The exuberant Dani and Michi stole a motorbike to go on a joyride; a police car gave chase and caused their fatal crash. Renato, a young junkie raised in orphanages, was shot by the police while driving a stolen car. Max, an innocent bystander at a youth demonstration, was clubbed on the head by a police officer, and later died of complications caused by his head injuries. Taken together, these three incidents reflect the tense and violent atmosphere of the time and the conflict between repressive authority and a young generation desperate for freedom

Dani, Michi, Renato & Max

7.0 1988
Mama Mia - Nur keine Panik

Because her husband, crime novel author Bert, prefers to spend the evenings with milieu and girl studies in the pubs, Conny files for divorce and moves with the two children from Berlin to Munich. There, she mistakes the new teacher of her daughter with the renovating carpenter, which is quite alright with the teacher as this gives him plenty of opportunity to enjoy Conny’s company. Meanwhile, however, Bert as well has started to understand how good it is to have a cosy home. He comes to Munich in order to win Conny back.

Mama Mia - Nur keine Panik

5.8 1984
A German Revolution

In the first half of the 19th century there was a revolt in the central state of Hesse, led by Georg Büchner (Gregor Hansen), the well-known German writer, and a fellow rebel, Pastor Weidig (Franz Wittich). Büchner wrote a kind of declaration of peasant rights against the tyranny of the landholders of the time, and once that declaration ("Der Hessische Landbote") was made public, Büchner escaped to Strasbourg, and then to Zurich where he was killed in 1937, at the age of 23. Pastor Weidig was captured, sent to prison, tortured, and killed in prison. The revolution the two men had hoped for died on the vine due to an informer -- a planned uprising was brutally squelched -- and the peasants had to bide their time for another 12 years before the 1848 Revolution would bring them some of the rights demanded in Büchner's pamphlet.

A German Revolution

NR 1982
Schloß Königswald

In Königswald Castle, eight noble old ladies and their maid are waiting for the end of World War II. Princess Ursela has made arrangements with her grandmother, the Countesses Hohenlohe, Dohna, Posadowsky, and Woronzoff, as well as Baroness Schweinitz and Baroness von Boehme. The Americans are advancing on the castle from one side, while the Russians are approaching from the other. Suddenly, however, Wehrmacht soldiers barricade themselves in the castle to defend it. But the old ladies do not want to be defended, lest they risk the destruction of their beloved castle. So they hatch a crazy plan to get rid of the German soldiers...

Schloß Königswald

5.5 1988
A Man Like Eva

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

A Man Like Eva

4.9 1984
Jenatsch

A journalist is assigned to interview an eccentric anthropologist who has exhumed the skeleton of Jörg Jenatsch, a revered freedom fighter who was mysteriously murdered in 1639. Initially disinterested, the journalist begins to uncover unflattering truths about the national hero and experiences visions in which he seems to be witnessing events that transpired over 300 years ago. As he obsessively pursues the investigation, his personal life and his grip on reality disintegrate, drawing him relentlessly toward the fatal carnival at which Jenatsch was killed.

Jenatsch

5.2 1987
Angels of Iron

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

Angels of Iron

6.4 1981
Forbidden to Forbid

Eight short episodes about the psychological and sexual hardships and joys of people in West Berlin at the time: two old-school bourgeois women chat with each other on the street, between the Theater des Westens and a peep show. A woman's session with her psychotherapist takes an unexpected turn. Two men spontaneously arrange to meet for a tête-à-tête, but are in for a surprise. A vagrant tells of her recent experiences and longings. Two young women become unprofessional while watching a porn movie. Two foreigners make a discovery while having sex with each other. A painter finds new inspiration in an unconventional way. Dieter Schidor and Ingrid Caven chat with each other on the street, between the Theater des Westens and a (former) peep show about sex in the age of AIDS.

Forbidden to Forbid

7.0 1988