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Machine for Living - Montigny-le-Bretonneux

Machine for Living is a project elaborated in the context of a 9 month residency at Château Ephémère (Carrière-sous-Poissy, France). The video series investigates the architecture of the new towns (Villes nouvelles) and brutalist habitation buildings in the surroundings of Paris. Cities such as Noisy-le-Grand, Montigny-le-Bretonneux, Créteil, Grigny, Cergy-Pontoise, Nanterre and Ivry-sur-Seine were at the center of this research. Created using photographs, 3D animation and video synthesizer, Machine for living combines documentation and abstraction and straddles the line between utopia and dystopia.

Machine for Living - Montigny-le-Bretonneux

NR 2018
A Short Film About Tegan & Sara

In this joyful portrait, filmmaker Ann Marie Fleming animates the formative days and musical career of Calgary-born identical twins Tegan and Sara Quin. Their remarkable journey over the past 20 years has often intersected with notions of identity—as artists, as individuals, as sisters, as queer women, and as leading activists in the LGBTQ community. Their musical progression parallels and amplifies their commitment to bringing the marginal to the mainstream.

A Short Film About Tegan & Sara

NR 2018
Drive with Persephone

“On the most basic of levels, Drive with Persephone recasts the ancient myth of Persephone's abduction in the language of YouTube 'drive with me' vlogs. On closer inspection, the work is so much more, perhaps above all in its compassionate register of the perils and exultations of adolescence, and the wisdom and cruelty of old age. A timely, potent rumination on the enduring, immutable cycle of life and death, MilleFeuille's video confronts—with a mixture of stoicism and defiant hope—the unmooring of social life in our apparently hyper-connected world.” description written by Greg Cohen, Festival of (In)Appropriation

Drive with Persephone

NR 2018
Phosphene

A suite in four movements performed with two 16mm projectors. Created with a series of film loops rendered individually with sprayed paint, scraped and abraded softened black emulsion, pin and hole punctures, india ink craquelure and meticulous frame by frame application. By manipulating the image, introducing carefully orchestrated lens interference with colour gels, frame-edge masking, vignetting and glass objects, Phosphene Induces a variation on closed-eye vision and non-light hallucination: a subtly immersive and sublime sculpting of light.

Phosphene

NR 2018
The Resurrection of a Nation

The 20th century was the roughest in history for the Carpatho-Rusyns of Central Europe. After World War II, when they were declared Ukrainians by the new Communist regimes in every country where they live, Carpatho-Rusyns in Czechoslovakia and elsewhere became extinct overnight -- and this was their existence for more than 50 years. But with the 1989 Velvet Revolution, led by the playwright and former dissident Václav Havel, Carpatho-Rusyn ethnicity revived in every country - including the United States. This is the story of that revival.

The Resurrection of a Nation

NR 2018
Listener

Focusing on developing relationships with the computer as a nonhuman entity, Listener is an iterative, site-specific performance artwork which speculates a future through Lakota ontology, narratively and physically manifesting a relationship with metals in electronics, performed via an electronic interface woven into hair (hair is sacred to the Lakota). The sonic landscape includes live police scanners, synthesizers played by the hair, and algorithmically re-arranging poetry with a voice speaking of a future landscape, prophecies, dreams, and the possibilities in listening.

Listener

NR 2018
Leading Edge / Trailing Edge

While filming and sound recording in Scotland (Ailsa Craig, Bass Rock, Isle of May, Outer Hebrides, Troup Head) during a residency at the Centre for Contemporary Arts in Glasgow, and in Eastern Quebec (Parc national de l’Île-Bonaventure-et-du-Rocher-Percé, Parc national Forillon), I became interested in the North Sea and North Atlantic Seabirds. The video Leading Edge / Trailing Edge loosely evokes, through seascapes, portraits of birds and recent scientific data, the actual situation of boreal seabird species, in the era of climate change.

Leading Edge / Trailing Edge

NR 2018
The Coasters

'The Coasters" is a character driven feature documentary that explores the lives of the people living on the Lower-North-Shore of Quebec namely: the Coasters. Anglophone, francophone and first nations innu communities share the isolation of this barren land where there are no roads to the outside world. Every season brings a different challenge for these hardened canadians who live of the land and the sea. They all wait for winter, for when the frozen water and the snow offers the proper conditions for snowmobile travel. Then, the world is theirs. For almost a century, hockey tournaments, carnivals and dancing nights take place every weekend all up "The Coast" in a different village. People that left the region for lack of work comes back for this moment frozen in time, knowing that everytime they come back home, might be the last.

The Coasters

NR 2018
beach

beach is a recreation of a live performance originally presented at Mercer Union in Toronto in June 2018. An expanded prologue for the film Chooka, the performance used a live feed from an iPhone to project images taken while making the film, as well as material from Jacques Madvo’s archive, the original spark for the creation of the work. Paired with writing that was swapped back and forth between the artists, the work meditates on the politics of an archive, the shifting agency of different bodies in a landscape, and the challenge of asking what a complete image could be.

beach

NR 2018