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The Right Candidate for Rosedale

This short documentary records Anne Cools’ 1978 run for the Liberal Party nomination in Rosedale, one of Toronto's largest and socially most diverse federal ridings. The film records her bid for political power, and explains the nomination contest, a basic step in the Canadian electoral process. Because she was competing against the Liberal Party's preferred candidate, the nomination battle in Rosedale turned into one of the most innovative and fascinating in the history of Canadian politics.

The Right Candidate for Rosedale

7.0 1979
Kevin Alec

In the mountainous country near Lillooet, British Columbia, eleven-year-old Kevin Alec of the Fountain Indian Reserve learns to make fishnets with his grandfather, and skin and tan hides with his aunt. He goes fishing with his grandmother and horseback riding with his brother. Life is full of wonderful things to do and to learn. Will Kevin eventually abandon his traditional way of life or will it be a source of continuing enrichment? This film is part of the Children of Canada series.

Kevin Alec

NR 1977
Où va la ville? (1re partie)

There's no point in fleeing the city, because the problems of the entire country are concentrated there. Montreal's future isn't entirely uncertain: one only has to look at the many American cities that have preceded us in this endeavor to discover the choices available. Thus, we know that bedroom communities are merely a temporary and illusory refuge. Sooner or later, we will have to confront the city head-on and address the very root of the cancer that is eating away at it, in order to transform it into an entity conducive to human happiness.

Où va la ville? (1re partie)

7.0 1972
60 Unit; Bruise

Wong's first colour videotape bears the influence of several artistic genres popular in the 1970s, including performance and body art. We see Kenneth Fletcher draw several millilitres of blood from his arm and inject the contents of the syringe into Paul Wong's back, just under the skin. The camera closes in on this, observing the slow response of the immune system as the skin turns red and purple. What was originally intended as a sort of ritual uniting the young men as blood brothers, with implicit reference to drug use, has become a disturbing and dangerous act, when AIDS evokes our deepest fears and anxieties.

60 Unit; Bruise

NR 1976
in ten sity

"The VAG exhibition space was staged with a four walled cube, 8’X 8’ which was padded internally. The four walls and the open ceiling were monitored by video cameras. Wong entered the gallery, climbed a ladder and disappeared into the blue cube. Personally I was very uneasy about the work at this time. Knowing that [Kenneth] Fletcher was a close friend of Wong’s who had only months before committed suicide. I felt perhaps Wong would attempt his own cathartic self-mutilation as we all watched. As Wong’s slow pacing and wall assaulting became more intense the audience picked up the momentum of his energies. The intensity of the performance became overpowering. Not knowing how far Wong has planned his own movements, one began to wonder if he was indeed going to bash himself into unconsciousness as some observers had predicted." - Arthur Perry, Vanguard Magazine 1979

in ten sity

NR 1978
Friday: About Cars

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

Friday: About Cars

10.0 1978
The Mob

Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.

The Mob

7.1 1975
The Finest Kind: A People's History of the Lockeport Lockout, 1939

In the fall of 1939, more than 600 fishermen and fish handlers in the tiny town of Lockeport, Nova Scotia walked the picket line in front of the town's only employers, Swim Brothers and the Lockeport Company. Both fishplants had locked their doors rather than recognize the Canadian Fishermen's Union as official bargaining agent. For eight weeks, as autumn turned to winter, the men, with their wives and families, held firm. It was a bread-and-butter struggle that made national headlines--one of the first major attempts by Nova Scotia fishermen and fishhandlers to win union recognition, and one of the first major tests of the N.S. Trade Union Act, passed in 1937.

The Finest Kind: A People's History of the Lockeport Lockout, 1939

NR 1979