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“when I think of all the things I’ve been thinking of I feel insane”

A young mouse in his late childhood lives a perfect life. He plays with his dolls, eats cookies and listens to fairy tales - until a sleepless night changes everything.

Surveillance cameras capture movements in diverse locations around the world between December 24, 25 and 26, 2020.

Through travel records I write a love letter.

Clayton and Junior are childhood friends. Born and raised in Ceilândia, their lives are transformed by an act of violence.

Identity conflict, loss of traditional ways of life and resistance. Past and present in current experiences. Documentary about the Iny people, who live in the village of Santa Isabel do Morro, on Bananal Island, Tocantins. Meanings and tensions between the recovery of the original traditions of leaders and elders and the incorporation of white culture by indigenous youth. Processes of experiences and memories: dismay and resistance in facing the Iny identity. Delicate record of different imagery views in the intertwining between indigenous filmmaker and the film's director.

A bird drowns in its own envy while in the bathroom smoking and coming to interesting conclusions.

Will, an illiterate young man in love with movies, works collecting the city's garbage until the day he finds something in the trash that may change his life forever.

Follows the story of Carla Sarni (Antônia Morais), a young woman who sold clothes as a bag seller to pay for dentistry school. After graduating, Carla starts working at a clinic, buys the office where she was an employee and opens her first business. To do this, she receives help from her husband Cléber (Sidney Sampaio), a former soldier who left the military to help her with the office's accounting and become a dentist.

The Sertão is reconstructed according to the memories of migrants who went to the interior of São Paulo a few years ago. Through the power of orality, 5 characters transport us to this space and tell us about the universal and singular of the youth lived in the region.

Deadly Gorgeous is a documentary about the importance of beauty even after death. Mixing fiction and reality, the film explores the world of corpse makeup artists, cemeteries and a couple that need to think about how their own funerals would be like.

After receiving a subpoena saying he has only five days to live, a man grapples with the stages of grief amid tape recordings of farewell, physical deterioration and a newfound passion.

“Esqueleto de Hierro” is an experimental short film that portrays my migration process (with all its burdens, pains, reflections, etc.) to Brazil, suffering from a new illness, and with an eternal longing for all my loved ones.

Fascinated by pop culture male figures, a man loses his identity in the search to replicate them

Recorded live in 2018 at Tom Brasil, Sao Paulo.

At Madame's 46th birthday party, one of the artists of the Noite das Estrelas, veterans and newcomers meet on a slab in the Maré favela. Between glamour, close-ups, performances and memories, they sew time and celebrate their bodies, which collectively live and resist through the arts. The short film is produced by Entidade Maré, a research project aimed at rescuing the narratives of LGBTI+ people from the favelas of Maré, in the North Zone of Rio de Janeiro.

What feeds you? “Bori” is an igbasil produced by the Ewé Group that focuses on the relationship between food and ritual dances. The name is a reference to the primordial ritual within Candomblé, Bori, a ritual in Yoruba that means “to feed the head”. Videodança is a tribute to the Ori entity, with which we celebrate all the contribution of knowledge generated from the cultural manifestations of blacks. “Bori” is a table of food provided by African matrices, their stories, bodies, religiosities, symbolic universes, philosophies, music and dances. Food for the eyes, ears, memories, for the past and for the present.

Virgil revives memories from the love of his life through a machine.

Between the arrival and departure of the train.

A group of journalists go in search of information about people who are disappearing in the Brazillian state of Rio Grande do Sul.

In the 2000s, Lorran Dias lives an unprecedented and unexpected experience: she travels by plane with her parents to the municipality of Tamboril, in Ceará (where her mother was born), leaving Favela da Maré. Tania Dias records in photographs the only time she has returned to her homeland since the 1980s and her son's only contact with the place. Twenty years later, in an essay on distance and its transformations, Lorran brings together her mother's memories with reports of the displacement of other northeastern people living in Favela da Maré.

For 19 minutes, as we watch a horse reflecting on fatherhood, space rockets, time and interpersonal relationships, his trail of thoughts hovers in the air in the form of ghostly colors.

The city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.

What soul is without flaws?

During the COVID-19 pandemic, Marília, Marcelo and Mateus travel from Rio de Janeiro to Pernambuco, their homeland. Unable to meet as many friends and family as before, what remains in the empty places is the memory from when they lived there. As they wander between past and present, their affection comes to light, for they know that soon the trip will come to an end and those places will remain only in their memories once again.

The feature-length documentary "Cavalo de Santo", based on the homonymous book by the photographer Mirian Fichtner, is the result of ten years of research among the terreiros of Rio Grande do Sul and portrays the Afro-Brazilian religious universe in Rio Grande do Sul.

Pedro and Rebeca are friends and study in Portugal. Rebeca is Brazilian and Pedro is Portuguese. During coexistence, the two young people deal with feelings of non-belonging, loneliness and long-distance relationships.

Wednesday, in Rio de Janeiro, is different from other days for having football at night. “Wednesday: Game Day” traces the journey of some workers through the Bafo de Onça radio station. But as not everything is about football, there are those who prefer to dance to cheesy music at Feira de São Cristóvão at the end of the day.

The fight for housing and the production of a great film. The memory of four women about a neighborhood in Vitória da Conquista and their encounter with the universe of cinema, in the 1990s.