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Thank You

Thank You is a 2013 Malayalam drama thriller film written by Arun Lal and directed by V. K. Prakash, starring Jayasurya, Honey Rose and Sethu. The film is produced by Shahul Hameed Marikar under the banner of Marikar Films and features music composed by Bijibal, whilst cinematography is handled by Arvind Krishna and is edited by Babu Rathnam.[1] Although the film earned back it's revenue from satellite rights, it did not run well in theatres. The film is shown to be a reflection of the current socio-political system, based on the violence against women. It revolves around a person who arrives in Trivandrum city who takes a ride from place to place in an Autorickshaw. His name or whereabouts are not revealed, and he just travels from place to place in the auto rickshaw. The questions about his whereabouts form the rest of the story.

Thank You

5.5 2013
Two

This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute). Preserved by the Academy Film Archive in 2006.

Two

7.6 1965
Their Story

Shibnath is released from prison after serving eleven years for assaulting a British officer. His family has now become refugees, with his homeland, following Partition, belonging to a new nation. His wife urges him to make ally with his friend Bipin who is willing to capitalize on Shibnath's legendary reputation for patriotism, by asking to accompany him in electoral campaigns. In exchange, Bipin is ready to arrange Shibnath the job of a school master. However, Shibnath remains disillusioned and mystified by the life that now lies before him away from his beloved—and irretrievably lost—homeland.

Their Story

6.4 1992
Janaki Weds Sriram

It is one of those hide-and-seek dramas — childhood friends get separated, and as grown-ups fall in love with each other unknowingly. With some needed twists that lend a feel-good touch, apart from a love triangle, the movie makes a bid to impress the audience. Director Sreenu, who has had some directorial experience before, takes the credit for shaping the story in such a way that it looks different. The film can be termed musical, for it deals with lots of inter-college music competitions. -- Jeevi @ Idlebrain.com

Janaki Weds Sriram

7.0 2003
Burma

Sampath is an expert in car, seizing, and works for Atul Kulkarni, who is a financier in North Madras. Burma aka Parandhaman works under Sampath for peanuts and the moment he comes to know the true colors of his boss; he makes his crooked intelligence to show the jail for Sampath and eventually gains the trust from Atul after creating his own brand for siezing cars. Sampath comes back from the jail and secretly plans the downfall of Burma. Burma gets an opportunity to seize 28 cars and he has completed 99% of his job without any fuss only to get stuck on the last car. What happens to Burma and to the rest of lead characters forms the rest of the story with parallel stories layered like a double decker sandwich.

Burma

3.8 2014
Maaya Rambha

Narada, sensing Rambha’s attempt to disrupt a rishi’s penance, provokes her vanity and orchestrates events that humiliate her on Krishna’s birthday by honoring Kalavathi and Vidyadhara as a dance pair. Though bound by rivalry and jealousy, Vidyadhara and Kalavathi fall in love and meet secretly. Nalacoobra, driven by desire, spies on them, deceives both through disguises, and causes Vidyadhara to believe Kalavathi is unfaithful. Heartbroken, Vidyadhara leaves Dwaraka, and Kalavathi sets out alone to find him. Nalacoobra repeatedly pursues and tries to violate her, while Rambha, cursed by Indra and blinded by jealousy, plots Kalavathi’s death. Kalavathi endures storms, deception, and exile, yet remains devoted. Ultimately, Rambha manipulates Kalpalika, a fanatic devotee, into preparing Kalavathi’s sacrifice at the Bhubaneshwar temple in pursuit of divine power.

Maaya Rambha

7.0 1950