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The Cross and the Banner

In this uneven tragedy by director Philippe Ducrest, a misunderstanding brings out the murderous side of one of the protagonists. The popular Michel Galabru makes one of his early screen appearances as a thief who in his haste to escape from the law, stuffs a diamond necklace he has just stolen into a purse in a store. The woman who buys the handbag takes it home without inspecting its interior and leaves it where her husband notices it, opens it up, and sees the valuable necklace. Immediately jumping to the conclusion that his wife has been up to no good, his reaction leads to a separation -- and much worse.

The Cross and the Banner

8.0 1962
Juan Jimenez. Séquence d'un film

Paul Meyer, an archivist who was always fascinated by his contemporaries, dedicates 8 episodes of the television series Ce pain quotidien to the immigration of foreign workers into Belgium. This series endeavours to touch on all aspects of immigration. In it we discover, among other things, the story of Juan Jiménez, a young man from Andalucía who leaves for Belgium in search of work. The clip shown here is a montage made by Meyer to introduce the series. We find out about Juan's youth and his passage to adulthood on the back of a mule.

Juan Jimenez. Séquence d'un film

NR 1963
Transfer of Modulation

"Trasferimento" takes up the erotic theme of 8mm films and manipulates it using development techniques studied in early 16mm cinema. The regression that emerged only later in the re-reading of Macrozoom is here contemporary with the filming itself, which is in fact a re-interpretation of other cinematic material . The film’s process consists precisely in transferring, through technique, certain expired yet traumatic data into existence. The sexual act is explicit, and the material itself is a film. He seems concerned with reconnecting to the moment of his own conception, and here he is very close to it. (M. Bacigalupo)

Transfer of Modulation

NR 1969
Time to Live

The communist and resistance fighter Lorenz Reger, who after the war put all his efforts in the creation of a socialist German state, learns that he has only a short time left to live. Nevertheless, he wants to take on one last difficult new task: He wants to restructure a large firm which has run deep into the red numbers. In a short amount of time, Reger manages to establish mutual trust between the employees and the new management. Furthermore, he motivates the employees with his personal interest for their concerns.

Time to Live

6.3 1969
Trafics dans l'ombre

Codeine has been stolen from Philippe Calaro's pharmaceutical laboratory. The police are investigating and ask the young chemical engineer to remain at their disposal, as one of his direct employees is under suspicion. On his way home from an evening out with a friend, whom the case has forced him not to accompany on a trip, he discovers the corpse of an unknown man in the boot of his car. Distraught, and without thinking about his imprudence, he disposes of the cumbersome and inert passenger in the woods of St-Cloud. After the departure of his girlfriend's plane to Orly, he is accosted by a young girl who tells him she knows the dead man from the previous evening, and begs him to join her on the Air France bus, to disguise the fact that he is being followed.

Trafics dans l'ombre

NR 1964