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Islands Dropped from a Basket: A Letter from a Micronesian Daughter to Hawai'i

The original proposal for the installation was entitled, “Islands Dropped from a Basket.” This was taken out of a line from my poem, “Tell Them” which we were going to use originally for the video installation. Instead, I decided to write something new to respond to my fears about Trump, the resentment I have about our numerous issues with accessing health care in the US, and link it all to a legend about a giant who dropped islands from his basket. --Kathy Jetnil-Kijiner

Islands Dropped from a Basket: A Letter from a Micronesian Daughter to Hawai'i

NR 2017
Tri-Alogue #2

By presenting three filmmakers’ work simultaneously within a single 16mm frame, Tri-Alogue #2 offers a complexity of perspective that undermines the omniscient cinematic gaze and evokes a deeper relational mystery. Collaborating to subdivide a 16mm film frame into thirds, three lmmakers present their separately-shot segments simultaneously within one spatial plane. From the interplay of these three points of view emerges a cinematic conversation based on a horizontal compositional logic within the shared frame.

Tri-Alogue #2

10.0 2017
Is It Punk Music? A Year With Cassels

Jim and Loz Beck are brothers from Chipping Norton. They play rock'n'roll together since they're 8 years old. At 18, they leave the boring british countryside to live and work on their music in London. Jim starts working in a Cultural association while Loz discovers the pleasures of the student life. The film is driven by the raw punk music and the deeply political and emotional lyrics from their two piece band Cassels. In this intimate portrait, Jim and Loz will confront their strong artistic point of view and their DIY approach to the reality of the music industry and the social and economical London's life.

Is It Punk Music? A Year With Cassels

NR 2017
Edge of Obedience

Ahmad Zakii Anwar may well be Malaysia's best-known artist. He became famous for his photo-realistic animal pictures, still life paintings and expressive portraits, which offer a timeless reinterpretation of modern Asian society. This documentary looks at the way Zakii's art continues to defy convention in an increasingly radical Islamic world. Ahmad Zakii Anwar's paintings of naked male bodies are both provocative and fascinating, especially in a country like Malaysia, where Islamic Sharia law prevails. It is a society that still regards nakedness and even being different as taboo. The 63-year-old Anwar, who is one of Malaysia's most sought-after artists in Western countries, sees himself as an urban realist looking for confrontation. It is the first time a documentary has looked at the painter and his work in detail and examined its meaning in both a radicalizing society and a liberal one.

Edge of Obedience

NR 2017
Interregnum

The eyes of the world are watching after the death of a dictator. Albanian artist Adrian Paci constructed Interregnum using footage from official state and national television broadcast archives. Spanning an entire century, the film connects different Communist societies through the shared language of grief. Shifting from close-ups to wider views of the masses, the film makes us witness to a crescendo where the manipulation of these masses and the depersonalisation of individual identity become increasingly evident.

Interregnum

NR 2017
Toffs, Queers and Traitors: The Extraordinary Life of Guy Burgess

It was a scandal that shook the British establishment to its roots. In June 1951, the government was forced to admit that two Foreign Office diplomats had disappeared. One of them, Donald Maclean, had slipped through their fingers three days before he was due to be questioned for passing secrets to the Russians. The other, Guy Burgess, was a total surprise. He was a charming, clever Etonian, with powerful friends everywhere. And lovers too - at a time when homosexuality was illegal, Burgess made no secret of his sexual tastes. He turned out to be the most flamboyant of a ring of privileged Cambridge students who had secretly joined the Communists in the 1930s, disgusted by their own government's policy of appeasing Hitler. With the help of newly declassified documents, George Carey's film shows how the most celebrated spy ring of the 20th century grew out of the class system, sexual hypocrisy and the sheer incompetence of some people who then ran Britain.

Toffs, Queers and Traitors: The Extraordinary Life of Guy Burgess

NR 2017
Fishtown Soldier

In the heart of the rapidly gentrifying Fishtown neighborhood of Philadelphia three streets meet to form a bustling intersection of born-and-raised locals and dilettante millennials. Dennis Bowers falls in the former camp. He grew up playing handball on that intersection and although he can no longer afford to live there, he still comes back every week to play on the same wall at age 50 that he did at age 12. Even if he doesn’t live in the neighborhood, it’ll always be his corner.

Fishtown Soldier

NR 2017
God is Not a Real Estate Agent, Trump's Zionist Ball & Chain

Real estate in NY and NJ is deeply entrenched in Organized Crime, and corrupt pay to play governments. Bribery and blackmail are just a normal part of state contracting. There exist a concentration of Zionist ideologues profiting from the gambit and using their wealth to assist a foreign government with its political aims. Crooks are using the state to enrich themselves and then using this wealth to further the interest of the Israeli regime and its grip over America money, media, and military power. President Trump himself and his extended family, with Charles and Jared Kushner in particular, are serving financial and ideological aims of the Israeli state. Expose their game, break the cycle.

God is Not a Real Estate Agent, Trump's Zionist Ball & Chain

NR 2017
Men in the Arena

A touching story of friendship, struggle and triumph, the film follows the journey of two Somali national soccer team friends chasing their dreams in the face of impossible odds. After surviving two decades of war, Saadiq, 17, and Sa’ad, 19, the team’s most promising stars, enter the only televised match of the year hoping scouts will be watching. With passports of no value on the world stage, soccer may be their only shot to escape a growing terror threat, persecution and poverty. Against the backdrop of fear and shared sacrifice, they embark on separate but equally improbable journeys. In the opportunity of a lifetime, Saadiq sets off for America with dreams of an education and a soccer career. Sa’ad continues his career in Mogadishu with the hopes of someday being reunited with his friend. Their biggest dream is shared – to be symbols of hope to generations who have only known war.

Men in the Arena

8.0 2017
Stranger

“Stranger” by Naama Tsabar, is a video work featuring two musicians, who negotiate the use of a new instrument comprised of two chromed plated electric guitars put together at their back. The act of multiplying serves almost as a handicap, imposing new movement and sound. Throughout the video the performers explore the use of the object both separately and together, resulting in a dance that moves at once through gentle and violent states. Establishing a new kind of intimacy, they explore the relationship between two bodies that hold one shared border.

Stranger

NR 2017
Discrepancy

The soundtrack of Discrepancy, read by the computer voice “Alex,” is adapted from the film Traité de bave et d’éternité (1951) by Isidore Isou. The film is Isou’s manifesto of cinéma discrepant. The fundamental principle of “discrepant cinema” is a disregard of the image in order to privilege written narration. There is no attempt to illustrate the text. The relation of sound and image can—indeed, should—be as arbitrary and opaque as possible. Furthermore, the images are often “chiseled,” i. e., scratched, dirtied, splattered with ink and distressed beyond recognition. Isou engaged in a perverse iconoclasm in a medium conventionally understood to be primarily visual. In his manifesto, he argued that he did violence to the image in order to renew the film medium. He also asserted that “any novelist can make a film without spending a penny.”

Discrepancy

NR 2017
Did you eat rice?

In Asian culture, the question 'did you eat rice?' means 'have you eaten?' (usually referring to a specific meal: breakfast, lunch or dinner). Moreover, this question could also function as a greeting and an expression of concern for someone; for example, a substitute for 'how have you been?', 'are you okay?', or 'is everything all right?' The experimental documentary film Did You Eat Rice? explores the sensitive relationships which exist between local farmers and their natural environments during the rice harvest in Omachi, Japan. In this production, various subjects, as well as the audience, are asked the question 'did you eat rice?'.

Did you eat rice?

NR 2017
Bound by Leather

In 1971, there was no Internet to connect people of like minds and provide safe distances to express ones unfiltered voice. Those on the fringe of society had to hold secret their thoughts, desires and inner workings. The DC Eagle opened in 1971 as a haven to gay men in the Leather/Levi community, giving a home, a brotherhood, and an active community to live and exist. This bar is unlike any other as the owners firmly believe the Eagle is bigger than any one person; it is the collective of the brotherhood. The Eagle still operates today upholding the traditions and philosophies that have served the community for over 40 years.

Bound by Leather

1.0 2017