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Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday

The setting is an Olongapo bar. Lolita Rodriguez is an ex-movie queen trying to earn a living for her son and herself. He is mortally embarrassed by her livelihood and sometimes refuses to acknowledge her as his mother. Bembol Roco is the son of a prostitute who has disappeared from his life. He is looking for his mother in the honky tonk bars. He meets Lolita Rodriguez whom he fancies as his lover. However, he thinks of her as a decent woman. But Lolita has financial problems. In order to pay for her debts, she is forced to perform a striptease. Bembol happens to be in the bar when she starts to gyrate, but she ignores his presence. This destroys his illusions. When they are alone together, she berates him and teaches him the value of survival and acceptance of one’s fate.

Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday

NR 1976
Air Raid

The strategy for recording and composing Air Raid was derived from sound rather than image. This produced some unusual juxtapositions between images found in the everyday: a lawnmower, the wrapping of fruit with tin foil, a cement mixer, record player, television, and among others, the eerie image of an air raid siren. A negative double of the image horizontally slides away every so often as if ruptured by the violence of the sound. The last image shows a butterfly opening and closing its wings as if it were tuning the only silent segment of the work.

Air Raid

NR 1974
Elaine: A Story of Lost Love

Adapted from an obscure Guy de Maupassant novella, lifted from a paperback bought by Meaney as an undergrad for 99 cents. What’s evident is Horn’s fascination for squared-off blocking and choreography, including a glimpse at a performance of Orpheus and Eurydice in minature. Star Adam Macadam brought on other members of Charles Ludlam’s Ridiculous Theater Company, many of whom would return to work on DOOMED LOVE. Featuring ancient costumes on loan from the Metropolitan Opera (repurposed from early twentieth century productions of Tosca and La Traviata), ELAINE aspires to high gothic on a shoestring budget. Horn and Meaney shot at locations including the Morris-Jumel Mansion in Washington Heights, the Frick, and the Carnegie Hall Cinema, then operated by Sid Geffen and Jackie Raynal – the programmers responsible for hosting the first-ever New York City screenings of films by Marguerite Duras, an influence on the filmmakers (alongside Daniel Schmid, Douglas Sirk and Alain Resnais.)

Elaine: A Story of Lost Love

NR 1976
The Booby Hatch

The creators of the original NIGHT OF THE LIVING DEAD bring you THE BOOBY HATCH, a zany comedy full of schlocky humor, nudity and sex! Sweet and innocent Cherry Jankowski (Sharon Joy Miller) is a product tester for Joyful Novelties, Inc., a manufacturer of erotic sex toys. She goes day-to-day, trying to find self-fulfillment in a crazy, erotic, sex-filled world. One of her friends at work, Marcello Fettucini (Rudy Ricci), is at risk of losing his job because he’s having trouble getting an erection. If he can’t get aroused, he can’t test out the new products! Can Marcello and Cherry work out their problems and live happy, or will they continue to just “lay down on the job”? Written and co-directed by NIGHT OF THE LIVING DEAD horror novelist John Russo, THE BOOBY HATCH satirizes the unbelievable sexual attitudes of the 1970s.

The Booby Hatch

4.6 1976
The Legend of Black Thunder Mountain

Separated from a wagon train, Mr. Parish and the children are attaced by armed men, forcing young Anna and Jamie to flee into the wilderness with their father's fate unknown. They don't realize they carry a secret treasure map, but with gold-hunting George and Buzz in pursuit and wild-eyed mountain man McTavish on the loose, there's plenty to fear. Yet help comes from the unlikeliest of places, including a ferocious wolf pack, the majestic wild eagle, Balderdash, and even a maternal grizzly, which they name after their friend Mrs. Mullen.

The Legend of Black Thunder Mountain

6.0 1979
Mahatma and the Mad Boy

In the time frame of a single day (from dawn to dust), the film records the wanderings of an Indian youth who sleeps on the beach, holds conversations with a statue of Mahatma Gandhi, and scavenges for food with his monkey. By afternoon, a little ceremony is held by well-to-do Gandhi-ites, at which a speaker delivers a sermon on "godly love"; but when the boy comes too close, he is told to move on by a guard, one of a series of exclusions of this onlooker-outcast.

Mahatma and the Mad Boy

10.0 1974
Christo: Works in Progress

“Christo: Works in Progress” takes us around the world on a showcase of the artist’s grand environmental installations. With both critique and praise from members of the communities that have hosted Christo and his works, the film takes a deep look into the process and outcome of pieces such as Wrapped Coast, Running Fence, and Wrapped Walkways. While discussing his inspirations and motives, Christo states, “The work of art is not the fabric, steel poles and cable, the work of art is the hills and the ocean, the sky, the gates, the rocks, the people, the light- this is the work of art.” (Christo Vladimirov Javacheff) Though his work may appear to be visually distracting from the landscapes he creates in, Christo’s aim is to bring attention to the land itself and encourage people to take note of their surroundings.

Christo: Works in Progress

NR 1974
Corrections

"Unavailable until recently, Corrections is Acconci's first single-channel video. Back to the camera, with only his head and bare shoulders visible, Acconci lights a match and brings it around to the nape of his neck. The lights dim as the flame nears his body hair, which briefly flares in the darkness, at which point Acconci shakes out the match. This action is repeated for the duration of the piece. Corrections introduces themes that typify Acconci's body-based performance work of the 1970's." - Electronic Arts Intermix

Corrections

NR 1970