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Fontamara

Fontamara is a village in the Marsica, forgotten by all but God and its inhabitants are called 'cafoni' (boors). Berardo Viola wants to marry Elvira but only after gaining enough money to buy some land and in order to reach his aim he has the idea of going to a great city. When Maria Grazia is raped by the fascists, Berardo and Antonio decide to leave Fontamara and go to Rome. Here they are swindled by a lawyer and afterwards they are invited by an antifascist to a restaurant where they are arrested by the police because of some subversive papers they had.

Fontamara

7.2 1980
Hand Gestures

A bronze foundry in Milan. Hands that shape, knead, model, mix, repair, sand and polish. Work carried out on matter and fire, out of which the bronze figure of a dog by artist Velasco Vitali will ultimately emerge. The Fonderia Artistica Battaglia was founded in 1913 and is one of the oldest and most important artistic foundries in Italy. It produces bronze sculptures using lost-wax casting, a founding technique that dates back to the 4th century BC and is still done in much the same way today. The film draws on a purely observational mode. It is the hands and their gestures that link us to the world and create a connecting line from the past to the present.

Hand Gestures

7.3 2015
I Prefer the Sound of the Sea

This is the story of Rosario and Matteo, two man from Southern Italy. Rosario is helped by Luigi to settle in the north. Luigi wants to give Rosario a chance to redeem himself and offer him, at the same time, an opportunity to confront his beliefs with the ones of his son Matteo. Rosario lives in a "commune" and Matteo in a beautiful, comfortable house. They're both introverted and shy and find a common ground: they meet, go out together, become friends and show each other a completely different way of living their lives as teenagers.

I Prefer the Sound of the Sea

6.2 2000
Westmoreland Naples

Allen Ginsberg is reading his poetry in the Trianon movie theater, which is a historical red light theater in Naples. At the same time, the hardcore film, Tutta una vita, is being projected. A member of the audience in his sixties drops off to sleep. His dream leads us to the edge of madness. There are readings of beat generation poetry, pop music trailers, impossible cinematographic screen tests, and special remakes of cinema-images by the most important exponents of the old and new "Neapolitan poetic".

Westmoreland Naples

NR 1996