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Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world.

An overview of Chiu Fu-sheng, a fundamental producer and promoter for Chinese cinema. He worked between China, Taiwan and Hong Kong producing the best films by authors of the caliber of Hou Hsiao-hsien and went through eras that are reflected in his work: the war in Vietnam, the Chiang Ching-kuo era of Taiwan, the reform and the opening up of mainland China, the dissolution of the Soviet Union, the handover of Hong Kong.

One day in the 70s, at the Northern New Territories.  Under the brazing sun, the sound of cicadas intertwined with the rotten smell near the train tracks. The five youngsters could not dismiss the summer blues. They pushed the weeds and stepped on the squirming maggots. They found a decaying dead body trapped under the burning sun. It was oozing a foul stench.  They covered their nose and vomited. Hearing the train whined, the youngsters made up their minds.  Even though they did not have much, they answered the call from the syrup and caffeine. They added colour to their lives with a pinch of salt onto the transparent White Cloud, and they dashed in full strength and leaped up.

This essay film is about Hong Kong as a place, or rather as a series of places, each with their own series of histories. Mak is after public and private histories, and the ways they commingle, intertwine and sometimes even obliterate each other. Her materials are multiple: she takes what she calls “appropriated archival footage and propaganda films from the 60s and 70s done by the British Hong Kong Government," and cuts, loops, zooms, slows and manipulates them to make striking distortions. To these “official” materials, made strange through video manipulation, Mak adds black-and-white Super 8 video of her own, digitally altered to sometimes look battered and archival, highly worked into a beautifully ghostly, grainy, evanescently visible texture. Images are juxtaposed promiscuously in double and quadruple frames, often paired images of intangibly related material, elegantly matched to be thought provoking as well as to offer visual delight.

We can see things differently when we see things from different angles.

Ngau Tau Kok Estate is one of the oldest and largest public housing projects in Hong Kong. Most of the residents are either elderly and live alone, or working class families. Since 2001, after the government announced its plan to redevelop the area, residents have been gradually relocated to new housing estates. Following two social workers who work with the residents as they deal with the relocation, the film offers is a glimpse of the lives of old people. It is a group portrait of our parents and grandparents.

Election is about the Legislative Council Election in 2004, focused on three geographical constituencies: Hong Kong Island, Kowloon East and the New Territories East. The film follows various activities, from the submission of candidacy, pledge ceremonies, interviews with candidates to lobbying, debate at forums, voting and vote counting, etc. The film reflects the problems Hong Kong faces on the road to democracy and different facets of Hong Kong politics.

A young boy’s erotic fixation with a classmate boasting breasts on her back.

Snuggle explores different generations' views on aging and death through the experiences of three families struggling with elderly caretaking and imminent loss. Commissioned by the Tung Wah Group of Hospitals, the moving documentary was shot over two years, bearing witness to the difficult journeys and decisions of life and death confronted by ordinary people. The Lees face multiple tragedies in a short period of time as the patriarch, himself tormented with illness, deals with the grief of losing his daughter and wife. His son hopes that he will soon find peace in heaven. The Chans live in an elderly home and rely on their unmarried middle-aged daughter who has long carried the financial and emotional pressure of caring for them. Lam Siu Ming duly carries out filial responsibilities for the only family he has left, the cancer-stricken mentally disabled mother who abandoned him as a child.

This is a film about Choi Yuen Village, documenting villagers’ lives in the summer and autumn of 2009. Suddenly, weekly meetings, guided tours, protests, and ambiguous government consultations entered their routines. They had to recount their personal histories and the meaning of life. The common belief that protests were only about money began to loosen. The word "agriculture" reemerged for Hongkongers. The timeline depicted in the film leads up to the peak of the anti-high-speed rail protests around the Legislative Council. In the end, the railway was decided to build. In spring and summer 2010, villagers searched for land and negotiated with the government to rebuild their homes and lifestyle, valuing community, and coexistence with nature. What sustains their deep connection to land and life?

Hong Kong, after the city's last social movement, whose end was accompanied by the arrival of the global pandemic. Despite its efforts, the social movement did not triumph, and the city saw its last ‘legal’ demonstration at the end of 2019. Years later, a traveller returns to her hometown, Hong Kong. During her 9-hour stopover in Istanbul, the meeting point between Europe and Asia, she explores the city and whispers her innermost thoughts. The film shows the adventure of uncertainty before coming face to face again with the concept of home.

I have lost my interest in any kind of social activities after my nose left me.

Essentially a remake of Robocop, with a less cohesive plot, a female Robocop, and more slapstick humor.

After releasing the album Wake Up Dreaming in late 2014, Jacky Cheung held a small concert at Beijing's National Olympic Sports Center on May 24, 2015. The Wake Up Dreaming Concert only hosted 8,000 audience members at the venue, while its livestream accumulated 50 million views. The concert is now released as a live video album featuring the pop king's impeccable performances of the songs on Wake Up Dreaming and other select hits and medleys.

documentary about Vietnamese boat people refuged to Hong Kong during the mid 70s to 80s

A little girl called Beibei goes to the seaside every day to gaze into the boundless sea, hoping to one day see her father return. Everything changes when she finds a seashell with a message from him engraved on it. From then on, she starts a journey with her dad from the sea to the universe.

A music video for a Hong Kong based pop song singer Juno Mak.

Tik, who was born with ADHD, is meticulously cared for by his single mother diagnosed with cancer. This early summer, he finally musters up his courage to step out of the motherly comfort zone and embarks on a journey of growth.

A Guan Gong Temple once occupied this Mongkok site where protestors had just been cleared, and it is now the police’s last line of defense. Hilarity ensues when the filmmaker with a tiny handheld camera appears, is stopped and promptly surrounded by the police.

"War of Perception" by Bo Choy meditates on Hong Kong life encompassing belief, family heritage and Western influence. A costumed spirit performs with mirrors, in addition to street musicians and dancing protestors. A sad, sombre tinge pervades their making of spectacle.

Filmed around March 1938, under the auspices of the China Wartime Film Research Association, but not publicly screened until 1941. Photographs of the Long March are very rare, as are those of its endpoint in Yan'An, the communist base of Northwest China in Shanxi province. Mao ZeDong may be seen along with other Chinese Communist leaders, including Liu Shao Qi, Ding Ling, Luo Rui Jing, and Kang Sheng.

"She will have to leave it all on the track." A short film created for the Babel 48 hour competition with the prompts, a ping pong ball, a 180º tracking shot around a character, and the line of dialogue, "The internet is never wrong."

A young girl, just released from a reform centre, finds nowhere to go.

When a group of four children discovers a mysterious phenomenon in the form of a claw machine that can grant wishes, they start to play around with it, unaware that everything comes at a steep price.

Seth is a scare actor at a haunted house he designed, but he is deeply dissatisfied with his work and finds himself deficient as an artist. One day, he realizes that his painter friend, Bek, is in love with him, only for Bek to die in a horrible freak accident during Seth’s show. Riddled with guilt, Seth finds Bek half-alive in his studio without the memory of dying… A film about how love can make anything art.

This portrait of a Chinese family centers on the paterfamilias, who at the age of 85 still works his land by hand every day, his wife, who feeds and slaughters the chickens, and one of their sons, who lives in an apartment in the city and spends his days keeping company with his television and a steady flow of alcohol.

The Ghost Festival takes place during the seventh lunar month. The gates of hell are opened to free the hungry ghosts who wander the world seeking food. During this month, Chinese pay tribute to their ancestors and offer food to the deceased to appease them and ward off bad luck. In Hong Kong, besides staging ceremonies to honor the dead, many Taoist organizations also give away rice to the elderly and the poor. The rice distribution depicted in this film was one of the largest events, and attracted over eight thousand people. The event was scheduled to last from nine in the morning to six in the evening. In order to ensure a place in the line, most of the participants arrived before dawn.

When their family's entire fortune is wiped out after making the wrong bet on the Hong Kong stock exchange, an investment financier forces his sons to commit suicide before following after them.

A quiet study of an afternoon. In the soft light of Room 1914, the film captures the gentle rhythms of a family: the hum of a fan, the pouring of water, and the dignity of daily labor. A poetic observation of life's textures.

This early video work by Anson Mak unfolds in four parts: found footage exploring gender ambiguity in Cantonese Opera, a dance sequence in Central, an interview with a lesbian woman, and commentary from a friend in the form of a reflexive documentary. Together, these segments probe the representation and subjectivity of femininity and queer identity in early 1990s Hong Kong.

When Zhou Mu encounters Yi Ran and his so-called 'girlfriend' meeting, feelings flare up and Zhou Mu is determined to make his way back into Yi Ran's life.

Two young men who try to steal the body of a rich man, who has no respect for others, with the intention of flogging the corpse for public consumption. Later, they realize that the coffin contains a large amount of treasure and decide to distribute it to the poor.

Responding to a curated cocktail of positive, harmonious keywords ("pacifism," "empathy," "sisterhood," etc.), Emily Dickinson's phrase "I many times thought Peace had come," and assorted other artistic input, this film is entirely co-created with artificial intelligence.

Hong Kong drama

Umbrella Revolution: History as Mirror Reflection" is a 100% crowd-sourced documentary using materials from 100+ content creators to tell the story of the 2015 Hong Kong 79-day mass protest occupy movement (coined by international media as Umbrella Revolution) as the people on the ground saw the massive street protest.

In a person’s life, what is most moving is often the indescribable feeling in one’s heart. Beyond has moved many people. More than a decade has passed, and people have changed, but fans still remember Beyond’s works. There is no gorgeous packaging or pretentious attitude, but every song can touch people’s hearts.

A film sixteen thousand splices in the making. E-Ticket is a frantic (re)cataloguing of a personal archive and an opportunity for rebirth to forgotten images. 35mm photographs and moving pictures are obsessively cut apart, reshuffled then tape spliced together inch by inch in rigid increments. My photographs may have all been cut up and mixed around, but at least they’re all in one place now. A retelling of Dante's Inferno for the streaming age; a freedom of movement reserved for the modern cloud.

Follows the story of a handicapped street musician, Maurice Chan, as he explains what life is like for him in Hong Kong. In the process we go on a journey back in time to the Walled City of Kowloon. Once dubbed the 'sleaziest' place in Hong Kong, it was an island of Chinese sovereignty within the British colony. As a result of a secret political compromise between the Chinese and British Governments the Walled City was destroyed in 1992. This decision resulted in the displacement of the Walled City's 40,000 residents. The documentary gives the story of modern day Hong Kong from a personal viewpoint and shows historical links to a place the authorities preferred to forget.

Hong Kong's massive and unprecedented public protests and demonstrations in early July 2003 are documented in July. The film shows individual and mass reactions to the proposed national security legislation. It preserves the speeches, songs, chants, posters, and banners, as well as the atmosphere, for those who were there, and introduces them to those who were not. As such, July is a record of events that could not occur anywhere else in China.

The salt deserts of the Argentine Andes are being disrupted by profound changes that impact the environment, entire communities, and individual lives. As corporations extract lithium from the soil, two young political leaders, activist Vanesa and miner Elbio, run for president in their respective indigenous communities. In Buenos Aires, teenager Milagros protests outside the parliament as it holds uncertain national elections.

Hong Kong horror film.

A father and a mother play a cruel game of hide-and-seek with their son, who does not enjoy it as much as his parents.

Known to spare no efforts when it comes to creating music, Hacken Lee was assisted by high-caliber musicians Huang Meng La, Huo Shi Jie, Tan Bao Shuo, and Long Xiang Rong whom his record company especially invited for him. Music lovers can look forward to such catchy tunes as "Korean Nights are Warm," a song that refers to how the Korea Wave has hit Hong Kong.

As Christmas 2021 neared, democracy symbols vanished from Hong Kong campuses. This visual diary reflects one person's quiet, selective witness at City University over three months.