Discover Movies

15,361 Matches Found

The Devil’s Bride: A Mill Legend

The river that passes through the mill has dried out. The miller and his daughter are frantic: how can they deliver the huge amount of flour needed for the wedding at the castle? The devil promises to help, but only if the girl follows him to hell; but the girl’s true love chases the devil away and builds a levee. The devil is very angry and whips up a bad storm that destroys the mill… and then proposes to rebuild it in exchange for the girl. The miller accepts the offer, but keeps one nail hidden! Without the nail, the devil loses the bet and the girl celebrates marries her beloved. (Quelle: DEFA Film Library)

The Devil’s Bride: A Mill Legend

NR 1990
Les Mardis de Mallarmé

Every Tuesday, Mallarmé received guests, and people flocked to his house to hear him. Renoir, Gide, Claudel, Henri de Régnier, Barrès, Debussy and Valéry were among those who listened to these evenings. In their diaries or correspondence, the American poet Sadakitchi Hartman, Mallarmé's son-in-law Edmond Bonniot, and the French poet Jean de Tinan evoke the Master, standing in front of the tiled stove, recounting repartees, aphorisms, judgements, anecdotes, sentences and memories. A documentary mixing photos, objects, drawings, engravings and real shots attempts to restore the place, the small dining room, its furniture, and the ritual of the evenings with the chairs that are brought in, the punch that is offered, the tobacco that is smoked. Jean-Paul Fargier once again brings together these prestigious listeners in the setting he has reconstructed.

Les Mardis de Mallarmé

NR 1998
Quatr'un

With QUATRE UN we are in the presence of four images (from the film R) each of which reflects the adjacent one, horizontally and vertically. The notions of the development of a theme, of inversion, of mirror and retrograde inversion thus seem deployed, as if some of the figures of musical discourse were suddenly proposed visually. Moreover, the device of this installation makes the beams of the projectors cross two by two in order to constitute an image in the center of a given space. Two projectors, one above the other, face two others separated by a double-sided screen.

Quatr'un

NR 1991
Blood Sisters

Melanie can't stand her life anymore, a source of too much suffering. One day she decides to end it all and sets off in a stolen car on a suicidal race on the highway. But at a gas station, a somewhat eccentric old woman discreetly slips into the vehicle. Garance has a habit of randomly taking a seat in other people's cars, with only her suitcase and a binder bearing the title "The Flight Ceremony of the Northern Gannet". Melanie's suicidal plans are thwarted by this nuisance, whom she does not hesitate to inveigh against. But anger soon gives way to affection.

Blood Sisters

4.3 1997
Más se perdió en Cuba

Elpidio Valdés returns to the Cuban countryside to fight against the Spaniards. But they have a much more dangerous enemy: the Americans, who want to take over the island at any cost. Elpidio Valdés and his comrades-in-arms will try to prevent them from achieving their goal, with machetes in hand and bullets flying. It was conceived as a series for Spanish television and later shown as a feature film under the name Más se perdió en Cuba (More Was Lost in Cuba) in Spain and Elpidio Valdés contra el águila y el león (Elpidio Valdés Against the Eagle and the Lion) in Cuba.

Más se perdió en Cuba

NR 1995
Restrisiko oder Die Arroganz der Macht

The Bavarian Ministry for the Environment announces a hearing to discuss the final seal of approval for the Building of a nuclear power plant. 881000 people who have protested in writing against the building of this plant are "to be heard". The film documents the way in which, during this show of democracy, the last thread of genuine democracy is systematically debilitated and with it, the last remaining risk which could thwart the plans of the pro-atomic lobby.

Restrisiko oder Die Arroganz der Macht

7.0 1990
Les gens des baraques

In 1970, more than a hundred shanty towns still encircled Paris, and Saint-Denis then counted as one of the three largest Portuguese cities in Europe. At the time, Robert Bozzi was shooting a documentary film for the French Communist Party, viewing the inhabitants as "a social group that was particularly exploited by capital". With the years, the political force of the images has waned to reveal their human intensity and now what interests him are the people and what has become of them. His inquiry takes him into the Saint-Denis housing estates which have since replaced the shacks, and he listens to the accounts of the older generation Portuguese, who are brothers in hardship and the sons of poverty. Obsessed by the photograph of a new-born child, who becomes the symbolic through-line of the film, Robert Bozzi pursues his quest as far as Portugal and Switzerland...

Les gens des baraques

NR 1995
Maleficia

A family of 19th century nobles, traveling through the woods, comes across a satanic sect that is performing a ritual. Initially attracted by the strange phenomenon, all the members of the family begin to observe the development of the black mass. But they will soon bitterly regret their curiosity because the hooded priests begin to brutally sacrifice girls and through the ritual resurrect a myriad of hungry zombies. The family runs away to avoid being devoured and takes refuge in an old, apparently abandoned manor.

Maleficia

4.7 1998
Man from China

It charts the experiences of a young Chinese painter who comes to London soon after the Beijing massacre and decides to stay. His initial difficulties in adjusting and the misunderstandings are sketched succinctly, but the meat of the film is the account of the boy's psychological blocks: his determination to go it alone, and his almost pathological inability to accept help and affection. In other words, not the usual anecdotal guff, but an intense and demanding study of the 'inner wounds' that afflict so many Chinese from the PRC.

Man from China

10.0 1990