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Lobster for Breakfast

Marco is married to Carla, a rich businesswoman. She's off to Geneva for two days; he has a tryst with Monique, a Swedish air hostess. Carla's flight is canceled, so she heads home about to catch Mario en flagrant. Mario's salvation is Enrico, an old school mate and hapless salesman who shows up to beg Mario to buy toilets so he won't lose his job. Mario signs an order in exchange for Enrico's posing as Monique's husband. Carla invites them to stay overnight and join a business dinner party catered by Enrico's wife, Matilde. Enrico spends the evening trying to avoid her, Mario spends it chasing the willing Monique, and Carla wants to close a deal. Can this farce end happily?

Lobster for Breakfast

5.5 1979
Manny's Orphans

Manny coaches soccer for the fashionable Creighton Hall school, but is relieved of duty because he is 'not a good match' for the school. He finds a job at a Catholic home for orphans, where he forms a new soccer team, with the help of one very good player Pepe who turns out to be a girl. 'Pepe' is the sister of one of the orphans, who comes to the all-boy orphanage posing as a boy, because her former foster home was an abusive environment. Along the way, Manny has incurred a gambling debt, his creditors begin to lean on him, and the boys find out. They set up a soccer game and stake the outcome against Manny's debt. If they win, the debt will be forgiven.

Manny's Orphans

7.5 1978
Black Bart

A television series titled Black Bart was produced for CBS based on Andrew Bergman's original story for Blazing Saddles (Black Bart was the movie's original title). It featured Lou Gossett, Jr. as Bart and Steve Landesberg as his drunkard sidekick, a former Confederate officer named "Reb Jordan". The Humour was much more toned down than it's feature film predecessor Other cast members included Millie Slavin and Noble Willingham. Bergman is listed as the sole creator. CBS aired the pilot once on April 4, 1975 as a CBS Special Presentation. The pilot featured guest appearances by Gerrit Graham and Brooke Adams and was written by Michael Elias and Rich Eustis. Elias and Eutis later created and executive produced the ABC sitcom Head of the Class (1986-1991).

Black Bart

3.8 1975
Shantung Man in Hong Kong

When Shan Tung comes to Hong Kong for the first time, wanting to seek help from his countryman Lo San, however, Lo San refuses to give him a hand. Shan Tung has no choice but to sell amphetamine in the street for living. A honest guy like him with pronunciation problem often causes embarrassing situations. He is laughed at by others because of his queer ideas. In later days, he makes a lot of friends because he never hesitate to do what is righteous. Therefore he has a better life than before.....

Shantung Man in Hong Kong

7.0 1975
Numéro zéro

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

Numéro zéro

8.5 1971
Black Goddess

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Black Goddess

10.0 1978