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The movie tells the story of how movie theatres can be an escape from the outside world.

On this first of May 1986, a strange dust floats in the air. Between yesterday and today, a stroll through Paris and the images, as strident as they are irradiated.

Camille cultivates flowers on 7000 meters square in Aveyron, France. During all year, « le Jardin de Veillac » structures itself : building a new greenhouse, preparing seedlings, collecting flowers, preparing bouquets and, finally, selling them on Rodez's marketplace, where flowers unveil their beauty and spread in the city.

Four friends escape reality and dance the night away.

Esther is a shy, introverted teenager who lives with her bad-tempered father in a smallvillage surrounded by forests. She is adored and idolized by the local community of believers because of the wounds she bears on her body (the wounds of Christ) and the frequent appearances of the Virgin Mary who seems to communicate through her.

A detective try to figure out a robbery and question a suspect. Until something happens he didn't expect...

Every February 2nd, the day of Candlemas, the LGBT community of Naples and nearby cities makes a pilgrimage to the Montevergine Abbey, to pay their respects to the Virgin Mary, locally called Mamma Schiavona (The slave mother). In the chapel where her icon resides, the femminielli, neither male nor female, are led by the songs of the performer and shaman, Marcello Colasurdo.

A film that brings two worlds into dialogue: that of the online game GeoGuessr and that of the filmography of Chris Marker, the filmmaker and multimedia artist, deeply fascinated by digital technology and travel.

In a large block of ice lost in the sea, the lonely Medea tries again and again to snatch her life without success, to escape the sentence imposed by Zeus: to be immortal in this agonising frozen wasteland.

In an underground setting, a young man is about to commit disgraceful acts when his older friend and mentor tries to steer him back onto the right path.

A animated short film that uses death and the afterlife to explore our relationship with technology, the duality of our identities online and off and the monetization of our personal memories of thoughts by Big Tech.

A precocious sculptor, famous at the age of 15, Joachim Badindamana was born in Congo Brazzaville in 1950. He began by working in wood in the style of Muta Mayola and very quickly won a first sculpture prize and then a scholarship. allowing him to study fine arts in Germany. He made his life between Berlin and Dusseldorf in the 1970s and then turned to creating monumental bronzes before returning to Congo at the invitation of President Sassou Ngesso in the early 1980s. Author of monumental bronze sculptures erected in the public squares of Brazzaville from the 1980s, his emblematic works of the Congolese capital disappeared during the events of 1997. The population recovered the bronze to make pots. For Gastineau Massamba, Les Demoiselles de Brazzaville is an important work for the history of contemporary Congolese sculpture.

Maeve Craddock returns home, pregnant to the south of Wales amidst the Mari Lywd folk tradition with the intention of rebuilding her relationship with her previously estranged family. Along with her is Liam, her boyfriend and the father of their unborn child. As the two try to settle in amongst the simmering tension, Maeve is gradually reminded of her family's dysfunction and begins to break down as her beacons of safety begin to vanish.

Yorkshire Vets Peter Wright and Shona Searson visit the set of the hit drama.

A childfree woman discovers to her horror that she is pregnant. Confronted by her family’s pressure to have children, she distorts reality to induce her own miscarriage and reject parenthood.

Get stuck into an hour of rap-infused comedy like you've never seen it.

An exploration through interviews with survivors and investigators of the 2017 bomb attack against German soccer team Borussia Dortmund, produced just before their Champions League quarter-final match against Monaco.

The first of a 7 part short anthology. This short movie handles the topic of overwhelm.

A man in a suit tries to distract himself after the passing of a loved one.

shoe salesman earl t. funk has an out-of-this-world pitch!

Two British artists: the lesbian portrait painter Sadie Lee and the non-binary writer Libro Levi Bridgeman happen to have been born on the same day. They meet to collaborate on a portrait of Libro and discuss their lives from the 1980s onwards. Now, after 3 years, Sadie is ready to uncover the painting. This short documentary follows Sadie and Libro's friendship and the collaboration's surprising reveal. The portrait is a first for art, important for queer politics and sensational to see. Showing a queerer side of queer we've never seen before.

Anna... She doesn't know if that's her real name. Because apart from the vague memory of the sound of this name, she only associates one thing with her early childhood: horrible fear. Of doctors, of injections and the bitter-sweet taste of a piece of sugar on liberation day. Anna Strishkowa is a toddler when she stands on the ramp of Auschwitz on 4 December 1943. She neither knows the names of her parents nor where she was born. For Luigi Toscano, Anna Strishkowa is the first Auschwitz survivor he portrays for the exhibition of his project "Against Forgetting" in Kyiv.

Sierra Leonian artist Julianknxx uses his personal history as a prism to deconstruct dominant perspectives on African art, history, and culture. Rich with symbolism, his work conveys the Black experience of defining and redefining the self, rejecting labels to form new collective narratives. Offering song and music as forms of resistance, the exhibition invokes new understandings of what it means to be caught between, and to be of, multiple places. Choirs and musicians from cities across Europe give voice to a single refrain: ‘We are what’s left of us’, transforming the Curve into a collaborative space of communication. As the philosopher Édouard Glissant has written: ‘you can change with the Other while being yourself, you are not one, you are multiple, and you are yourself.’

A passage over the pregnant body through the prisms Territory, Terrain, Terra. A questioning of belonging. An attempt to sketch the polyphonic call of the mother, to draw the navel as the scar of the maternal presence

Looking for a place to spend the night, a young man stops by a countryside inn with no body around. As he looks through the building for assistance, he walks upon a gruesome scene.

Silence always surrounds the mine, first when it explodes and then when it eternally haunts its victims. The history of the silence of this fire hidden by Morocco in the sand of Western Sahara has left more than 4,000 victims in what is considered the largest minefield in the world. Daha and Fatimetu suffered the effect of the silence of the mines, their lives changed forever, like that of the Saharawi people who, after 14 years cleaning the desert of artifacts, the rupture of the ceasefire have left the future of the contamination of their territory.

A young man struggling with alcoholism moves through a strange seaside town, making trades with the locals for wine. In a bid to be cured, he pleads before a church minister, who agrees to save him.

Medieval time travelers on a flying visit to the future, the so-called present, and the not-so-distant past encounter burgers, SUVs, esotericists, and a mammoth, and then (spoiler alert) return to the past.

Divided into chapters like a memoir and punctuated by an alternation of natural stillness and special encounters, this film celebrates the subtle discoveries that define our identity. It highlights not the grand events of life, but the poetry found in simple moments, the everyday, and the shared intimacy of those we hold dear.

"Volti" uses archival i footage to explore the theme of police brutality and the dehumanization of victims. Through a process of visual transformation, the human faces shown undergo a sort of symbolic castration due to the abuse, losing their humanity and breaking down into expressions of pain. Each face becomes a tragic mask, symbolizing the loss of identity and dignity inflicted by a system that no longer recognizes people, but only objects to control and repress. The film ends with an eerie silence, accompanied by a sequence of images showing faces now dead and devoid of meaning. These faces, stripped of any distinguishing features, merge into a disturbing gallery that represents the final stage of dehumanization: the complete erasure of individuality.

Two friends are discussing a shocking revelation that another friend of theirs has just made.

A road movie from a post-migrant perspective at the fringes of Europe.

A radio DJ finds himself in a potentially career-ending situation following a breakup.

Kith is a short film directed and edited by Ruth Jones. It is the outcome of a participatory arts project run by Holy Hiatus that explored family, home, longing and belonging. What does it mean to be part of a ‘family’? How does one’s own identity change when the family shifts and changes – when people leave or arrive through birth, death or voluntary/involuntary separation? How does the passage of time alter our perception of family dynamics? What creative testaments could there be to powerful internal shifting processes, endurance and surrender to new realities? We worked in Welsh and English with thirteen participants from west Wales for who these themes resonated through creative writing.

A valuable object, or perhaps more, lost among the remains of a party. Trash, lots of trash, and two young people searching through it.