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Fadila

Fadila is a short film shot in the Casbah of Algiers during the Algerian War by a young French army conscript with the young Fadila Tizraoui and Djamel Bendeddouche who would become filmmakers after independence. The film depicts the friendship of two children in the streets of the Casbah and their encounter one day in December with Santa Claus... Fadila won the Grand Prix du Cinéma at the 1959 Children's Fair, was awarded a prize by the National Center for Cinematography (CNC) and was successfully exported.

Fadila

10.0 1960
The Heart of Apartheid

First transmitted in 1968, Black, Coloured and Asian South Africans are interviewed in this eye-opening documentary about their views on apartheid. Included with the many dissenting views on apartheid are opinions on why different racial groups should live separately. Film footage that often shows the shocking racial exploitation allowed by apartheid accompanies the interviews. This documentary shows a protest by Church leaders against the Group Areas Act and features an interview with Desmond Tutu.

The Heart of Apartheid

NR 1968
Kein Ärger mit Cleopatra

The black cooperative Cornwall boar achieves single-handedly, so to speak, what the LPG functionaries in Bolbitz fail to do. He takes away the individual farmers' fear of the LPG by secretly covering their sows at night. The black piglets frighten the farmers at first, because black litters mean bad luck and presuppose a sin. Collectivization is seen as a sin by the superstitious, especially Grandma Kahlow. But when even the priest's sow is not spared and they find out who the "culprit" is, the superstition dissolves into laughter and the fear of the LPG is banished.

Kein Ärger mit Cleopatra

8.0 1960
Laugh with Max Linder

Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.

Laugh with Max Linder

7.4 1963
Mord ohne Sühne

Based on an authentic case from the 1920s. The head country constable Heinz Lippert arrests the Polish farm worker Jakubowski on suspicion of murdering a child - his adopted son. Although he has insufficient evidence, public prosecutor Becker takes the case to court. Jakubowski is sentenced to death, the "Polish murderer" fits in with the propaganda of the time. Lippert, encouraged by the communist editor Hartmann, tries to prevent the sentence from being carried out and even investigates the real perpetrator. In vain, the death sentence was carried out prematurely. After the Nazis seized power, the public prosecutor, now an SS leader, had the men who had uncovered the true facts arrested. Lippert joins the underground resistance.

Mord ohne Sühne

7.0 1962
Alibi pour un meurtre

Married to a businessman who neglects her, Laurence cheats on him with Mauliaire, a young actor. Letters and photos of the young woman addressed to her lover are stolen by a blackmailer who demands a large sum in exchange. Distraught, Laurence goes to see Maître Tom Savier and displays such persuasive charm that the lawyer gives in to her demands and decides to get her out of this predicament. But he is soon spotted by the blackmailer. Meanwhile, Laurence disappears. Following a visit to Mauliaire, Tom discovers that the woman he has met is not Laurance, but Lydie Audry, the industrialist's mistress. As for Laurence, her mutilated corpse is discovered at a level crossing. Was it a crime? Accident? Suicide? Inspector Muller is put in charge of the investigation, and his suspicions turn to the blackmailer. After many twists and turns, the real culprit is unmasked.

Alibi pour un meurtre

NR 1961
Drei Liebesbriefe aus Tirol

Martin Hinterkirchner, dissatisfied with his position, sends the hits he has secretly composed to a manager. One of them would be ideal for the famous singer Linda Borg, but her manager refuses. Unfortunately, Martin now blames Linda and has nothing good to say about her - in contrast to his grandfather Leopold, who met Linda at a dog show. When Martin stands in for his untalented friend Peter as a singer at a hit song competition and mistakenly believes he has failed, he returns to his Tyrolean home village of Himmelberg. Peter, on the other hand, accepts a contract even though he cannot sing the required duet with Linda Borg and looks for excuses. Linda travels to Tyrol in a bad mood because she has received love letters from there. She has no idea that Martin's grandfather Leopold is the secret sender who wants to get her to sing Martin's hits.

Drei Liebesbriefe aus Tirol

7.5 1962
Harlem Theater

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.

Harlem Theater

7.0 1969