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Kichijoji-Muei

Tobita, Osaka, a closed down drinking area. A sign announces the closure. She has left her broken home Yoshitada (Satomi Katsuji), who had abandoned his broken family and was living in an old drinking area in Osaka, received news that his father, Kazuyoshi (Takada Wataru) Yoshitada (Satomi Katsuji), who had abandoned his broken home and lived in an old bar in Osaka, returns to Kichijoji, Tokyo for the first time in thirteen years after receiving news that his father Kazuyoshi (Takada Wataru) is in critical condition. Yoshitada (Satomi Katsuji) returns to Kichijoji after 13 years. his younger brother, his aunt and uncle, his friends and the town where he grew up. The conflict in his mind. And confrontation. Eventually, Yoshitada makes peace with his father. One night, his father quietly One night, his father quietly passes away. Will Yoshitada stay in this town? After the death of his father, the photo shop is closed. A sign announcing the closure sways in the wind.

Kichijoji-Muei

NR 1991
1998 Sava Sava Tour

Chisato Moritaka 9th Live video 1 Opening 2 Utopia 3 Telephone 4 SWEET CANDY 5 {WATARASE BASHI} 6 {UMI-MADE GO-FUN}: [It is five minutes to the sea] 7 {ZARU-DE MIZU-KUMU KOI-GOKORO}: [Love feeling to draw up water with a colander] 8 Rock'n Roll {KENCHO-SHOZAICHI}: [Rock'n Roll prefectural capital] 9 {KIKEN-NA HODOU}: [Dangerous pavement] 10 {TSUMETAI TSUKI}: [A cold moon] 11 {TANPOPO-NO TANE}: [Seed of the dandelion] 12 La La Sunshine 13 {KONOMACHI}: [Hometown] 14 {NAGASARETE}: [I was influenced] 15 {ANATA-HA NINKIMONO}: [You are a popular person] 16 {WATASHI-GA OBASAN-NI NATTEMO}: [Even if I become a middle age lady] 17 SNOW AGAIN 18 {JUNANA-SAI}: [Seventeen] (Carnation Version) 19 {KIBUN-SOKAI}: [Fine feeling] 20 {AME} [Rain]

1998 Sava Sava Tour

5.0 1999
YaYaBaka Yuttari-San

A collection of indie short movies from indie movie group "Cinema Hihoukan" 1- Guroizo-- X Aishuu no Sayuri-chan Violent parody of the Manga/Anime "Obake no Q-Tarō" 2- Sakura no Ame, Itsuka Cutesy music video 3- Titanic-San Parody of Titanic 4- Poppo-Ya 4 Parody of the Ken Takakura movie "Poppo-ya" 5- Cho-Dokonjō Gaeru (Part 1) Parody of the Manga/Anime "Dokojo Gaeru", to be continued... 6- Munekyun Deka Parody of Japanese detective shows where the main detective can feel the presence of criminals nearby whenever her "Heart Flutters" 7- Koi no Wan Wan March One man monologue about a man pouring his heart out for a lady but then he gets shot and dies. 8- LoliCop Robocop parody where a Lolicon seeks revenge from his fellow Lolicon who betrayed him for reasons.

YaYaBaka Yuttari-San

NR 1999
知の解放 知の冒険 知の祝祭 東京大学 学問の過去・現在・未来

A university PR film produced on the occasion of film critic Shigehiko Hasumi’s appointment as president of the University of Tokyo. Natsume Sōseki’s Sanshirō, from which the Sanshirō Pond on the Hongo campus takes its name, intricately intersects with the contemporary university space. Scattered throughout are diverse cinematic techniques and motifs, while the enigmatic smile of a woman with a parasol lures viewers into a strange and uncanny world.

知の解放 知の冒険 知の祝祭 東京大学 学問の過去・現在・未来

NR 1997
FILM THE PSYCHOMMUNITY REEL.1

The live concert movie centers around the last day at Yokohama Arena during his first tour "HIDE OUR PSYCHOMMUNITY - Hide no Heya e Yokoso". Hide's ideas and stage gimmicks were constantly changing and developing even during concert tours. Another surprise about this video is that in 1993, Hide already foresaw that there was going to be a hardware that allows viewers to enjoy films in multi-angle mode, and because of that idea, the clip for "Doubt" was filmed in multi-angle mode. That film footage was shelved till now that finally DVD carries that feature.

FILM THE PSYCHOMMUNITY REEL.1

4.8 1994
My Father, Burned

The film was born from discovering a Super 8 film shot by her deceased father during her childhood, and unfurls through a personal archive of images and reminiscences that patch together the life of this complex and reserved individual. In its quest to deconstruct the mundane, private appeal of family memories, Doi calls the film an “anti-home movie,” yet in keeping with the diaristic quality of her previous works, My father, burned paints its portrait of memory akin to a window onto a chamber or interior space, through which ambiguous emotions resonate and resound.

My Father, Burned

8.0 1994
An Initiation "Kut" for a Korean Shaman

In Korea, when things go wrong in the household, the housewife may consult a shaman to determine if the problem is caused by an angry god or ancestor. The occupation of shaman is female dominated and holds a dual reputation in contemporary Korean society. In one respect, shamans are considered lewd women who promote superstition; in another, they are seen as keeping alive the religious ideals of the past. The film follows one woman's trials from when she felt destined to be a shaman through her two-day initiation ceremony. The emotional impact of the ceremony, which is apparent throughout, reaches a climax during the ritual of the 'knife riding general' in which the initiate stands barefoot on knife blades in order to receive the spirits and speak in their voices.

An Initiation "Kut" for a Korean Shaman

NR 1991
The Village in the Cave

The story takes place in a Karst mountainous area in southwestern China. There is a karst cave called "Fengyan Cave" inhabited by a Han village of 56 households and more than 280 people. Eight generations have been extended here. In the cave village, there is a special relationship that brings the whole village together to face the sinister nature; here, each member of this cave "big family" shares a "big roof"; they share the same Gods; drink a pool together; walk a mountain road to the outside world together...

The Village in the Cave

NR 1996
22

Under a sweltering midsummer sky, two boys arrive in their uniforms. "I want to play baseball! But what awaits them is a completely empty field. A suspicious caretaker appears and tells them that the ground for the game has been changed, and invites them to go somewhere else. The unintelligible and absurd conversations between the protagonists and the labyrinthine countryside make you laugh. It is as if they have been thrown into a dream, and the mysterious world that unfolds on the screen will surely awaken in the audience nostalgia for summer that has been lying dormant in the depths of their hearts.

22

NR 1991
The Film is Alive

This is a compilation of Tezuka Osamu's classic animated film masterpieces. His uniqueness and love for animated films can be fully appreciated, ranging from his very first work to the work that marked the culmination of his career as an animated film writer, "The Legend of the Forest." This film was produced for the Tezuka Osamu Exhibition (held at the Tokyo National Museum of Modern Art) in the summer of 1990, and was then released in different parts of Japan. Some of Japan's leading cartoonists and animators who had been good friends with Tezuka Osamu wrote each of the 10 letters comprising the title.

The Film is Alive

NR 1990
Annie's Magic Raccoon

Annie and her family are spending the holidays with an old aunt at a remote mountain village. For this city girl, the big adventure begins at The Ching-Hsiow Villa! Here she learns of the old aunt\'s love story during the Japanese colonial era, meets a magic raccoon, and makes friends with the local Native Taiwanese. Full of surprises - and some minor dangers, too! - this is an unforgettable vacation for Annie and her family. One of the few outstanding Taiwanese animation productions in recent years and a nominee for Best Animated Features at the Golden Horse Award in 1997, ANNIE\'S MAGIC RACCOON is a simple and yet profound tale about the heart. It also reflects the emerging awareness of environmental and political issues in Taiwan in the early nineties.

Annie's Magic Raccoon

NR 1997