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Michel Audiard : J'parle pas aux cons, ça les instruit

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.

Michel Audiard : J'parle pas aux cons, ça les instruit

8.7 2015
Cyborgs Among Us

In a few years, technology will merge with our bodies in ways that today seem unimaginable, and will redefine the limits of what is a human being. There are already people who, driven by the desire to experiment, have crossed the biological limits by introducing electronic devices that provide them with capabilities that go beyond what is "normal." They are the first hybrids, and they face the reaction of society, which goes from malignancy to enthusiasm. Today they are only a small minority, and many people consider them as disrupted experimenters, but in the near future we may recognize them as pioneers.

Cyborgs Among Us

7.0 2017
The Death of Hitler: The Story of a State Secret

On April 30, 1945, while the Russian Army surrounded Berlin, Hitler committed suicide in his bunker. His body was discovered a few days later by the Soviets. He would be positively identified after a top secret inquest in which Hitler's personal dentist would play a central role. And yet, at the same time, Stalin publicly declared that his army was unable to find the Führer's body, choosing to let the wildest rumors develop and going so far as to accuse some of his Allies of having aided the monster's probable escape. What secrets were hidden behind this dissimulation? What happened then to the two ladies involved in the identification of Hitler’s body?

The Death of Hitler: The Story of a State Secret

8.0 2017
Free Love

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.

Free Love

6.0 2017
Les Dragons n'existent pas

"Les dragons n’existent pas is a call to the dead in a stricken land, the Ardennes. The dead are not those of the last war, but the factories that have closed down one after the other: Cellatex, the Thomé-Génot foundries, Sopal Gascogne. All fallen foul of the game of musical chairs played by international financial capitalism. Stories of strikes, machine-tool auctions, angry words, lists of grievances and industrial ruins punctuate this funeral oration, where the worker, the source of all of capitalism’s value-added, refuses to be buried in the obscurity of the Ardennes forest, the fate that befell the Roman sanctuaries in the Medieval forest." (Yann Lardeau)

Les Dragons n'existent pas

NR 2010
Zvicra

With its massive immigrant population, Switzerland has consistently held a social identity that is far from cohesive. The film asks two questions. Firstly, how does the country’s continually evolving social structure assimilate with the prevailing national identity. Secondly, how do immigrants to Switzerland articulate their search for identity in the midst of uncertainty and the need for individual identity and ultimately citizenship. Zvicra, translates as Switzerland in Albanian, and highlights the complexity of lost and rediscovered identities in Switzerland, a country that is destined to adapt to ever-increasing population demands. The film tackles these questions through seven Albanian characters whose community plays a central role in the film.

Zvicra

10.0 2018
Prochainement nulle part

From the mid sixties to the late nineties, movie theaters of the Golden Age discreetly shut down by the hundreds, in one neighbourghood after another, in one village after another, ending their existence in showing blue movies and Z movies - Except for the reopening of a few, they all became, at best, garages, places of worship, discount stores and supermarkets. These ancient movie temples - huge cathedrals or tiny chapels - still stand out from present-day too common buildings. If this movie is a journey into the past, revealing a silent world that is lost at the very core of modern cities, it also sends all moviegoers back to their own memories and to their intimate relationship with the passing of time. Each deserted theater, each facade of old movie houses, keeps its very own untouched emotional power - NOWADAYS.

Prochainement nulle part

8.5 2015
Timelife

A poet chooses to give birth alone at home surrounded by characters pregnant with their dreams. How to let life make its way out of the maternal womb? How to build a family when you had to leave the motherland? How to keep hope alive when even birds are hiding from bombings? Timelife is a lifeline, an umbilical cord linking each of us, no matter the color of the skin, the mother tongue or the land of birth. Timelife «homebirthes» lives, hopes and love. The narrative takes root in each moment of reality. The truth, extracted from context, is fictionalized. A way of staging life.

Timelife

NR 2019