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Django und die Tradition - Diskussion der Justizkampagne

In late 1968, the last SDS delegates' conference was held in Hanover. It had already been postponed by the Berlin Action Council in Frankfurt in September after the famous tomato throwing by the women. Now attempts are made once again to develop common criteria for the supra-regional context of the SDS, for an SDS whose organizational structures have been overturned by the revolt itself. Factions emerge, the Frankfurt Women's Council distributes its leaflet "Free the socialist eminences from their bourgeois tails", the wave of lawsuits looms. Joscha Schmierer as Django criticizes the student "shitty milieu that is out to satisfy immediate needs. Christian Semler calls for a strong central office. "Of course, I don't have a central office in mind, like the German Communist Party had a central office before '33". After all, the anti-authoritarians in the North region are attacking.

Django und die Tradition - Diskussion der Justizkampagne

NR 1968
The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny

"I did the takes for this film in the fall of 1966 and in the summer of 1967. I came to know and love the 'old woman' who gave her 'face' in one of the city-run dining halls in Zurich to the first part of the film. I was looking for poets for the film 'Robert Walser' and was hoping to find one in one of the places Robert Walser used to go to decades before, but it proved to be a complete failure. The woman who gave her 'face' attracted my attention because she bad something radiant about her and, despite her advanced age, still had a roguish way of looking at the world. She must have seen me several times before during test takes, because she told me later that she had seen me getting thrown out ('Filming not permitted') and that this had happened at another city-run dining hall. Because the woman appealed to me so much, I asked her on the spur of the moment if she would be willing to let herself be filmed, even though I did not actually know what I wanted to film." (HHK)

The Old Woman's Face, The Soup Tureen, Vreni Keller Speaks and Madame's Fanny

NR 1967
Menschen von Budapest

In spring 1957 Budapest, former lovers Sándor and Mónika reunite after 16 years at a street‐corner café. Their conversation flashes back to 1941, when Hungary joined WWII under Horthy and eight fresh teacher‐graduates, including Sándor and Mónika, vowed lifelong solidarity. War and shifting politics fracture their bond and force each to choose a path through turbulent decades. The drama echoes the 1956 uprising: participants seeking reform are branded “counter‐revolutionaries,” denounced by steadfast communists like László, who scorns defectors such as Béla for “dishonouring socialism and the people.”

Menschen von Budapest

NR 1960
The Heirs

Rival brother and sister Gaëtan and Chantal, the last heirs of the late billionaire financier Omar Porassis, use every trick in the book to try and claim his fabulous inheritance when two of Omar's natural sons, Roger and Marc, are found. The brother and sister try to manipulate Marc and Roger into stealing their inheritance. After discovering the deception, the two half-brothers join forces to escape the many traps set by Gaëtan and Chantal, who try to eliminate them by any means necessary.

The Heirs

7.0 1960
A Winter in Mallorca

The cigar-smoking French writer, George Sand (Lucia Bose) and her lover, the composer-pianist Chopin (Christopher Sandford) have rented a former monastery in Mallorca as a winter retreat. They have even shipped a piano to the site, so that Chopin can continue his work. However, what promised to be a warm, sunny vacation turns sour as the locals disapprove of Sand, the servants are surly and mysterious, and the monastery is cold. She has her revenge, however. She wrote the book A Winter in Mallorca about her miserable winter retreat. This film follows that book closely, with concern for historical accuracy, which did not increase the Spanish filmmakers' popularity with their countrymen.

A Winter in Mallorca

6.0 1969
Forward to First Principles

There have been railways in this country for over three hundred years. In the nineteenth century, railways spread across Britain and changed the geography, history, economy, and the life of a nation, but already there existed primitive railways for moving coal and other minerals from the pits and quarries to navigable water and roads. This film scans the present and the past to show those economic principles governing the early railways have been rediscovered as a basis for modern freight trains.

Forward to First Principles

NR 1966