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Everyone thinks Mildred is the laziest cat in the world – but when the gallery closes for the day, Mildred actually explores the empty galleries and imagines her life as an artist.

An eight-year-old girl is found dead, killed by her parents. The investigation reveals a life of abuse. The filmmaker reads Frédéric Boyer’s eponymous book dedicated to this true crime story. From the story of an infanticide unfolds a meditation on our relationship with evil.

On February 24th, 2022, Russia invades Ukraine. The news reaches the director, Rostislav Kirpicenko, in Paris, where he has been living for many years. The war raises questions about exile... In search of answers, Rostislav travels to Lithuania, where his grandfather settled, before returning to Dnipro, the Ukrainian town where he grew up.

A sound designer hears a child scream in pain while recording in the forest.

A girl, Ping, faces conflict with her girlfriend Lala’s homophobic and aggressive father, The Man. As tensions escalate, Ping is forced to take drastic action to save herself and kills The Man.

At DIFAJE, the Family and Youth Affairs Division of the Bobigny Court, the duties of young prosecutors are the same, with one exception: they deal with minors who are either victims or perpetrators of crimes. For the latter, the prosecutor is the first person they deal with in the legal system, their first point of contact. He or she is the one who gives society's initial response to a young person whose future is already uncertain. Between prevention and punishment, the magistrate's role is a delicate one. He or she must combine authority with education. He or she must deal with the reality of a complex environment and with the differences and vulnerabilities of each individual.

While her grandmother Elsa climbs down into a mysterious hole every day, her granddaughter Maditha can only walk over it. As the hole gets bigger and bigger, she has to find out what is down there.

An unravelling of the extreme lengths that Dr Thomas Kwan went to obliterate anyone who may prevent him from what he thought was rightfully his - his mother's inheritance.

In 1987, Isabelle perceives the invisible-a mysterious gift she eventually embraces.

On board the Soviet Union’s space station, the newly arrived astronaut immerses himself in Russian iconography, listens to music and plays chess with robot Katerina. After an accident, the solution is to seek help from the Americans

Julia, Lé, Hadir, and Cecil are four young queer people from Montpellier who resist conformity and heteronormativity through their creativity. They gather at Madrediosa, a queer bar turned activist space, where they challenge gender norms, love, and sexuality in their search for identity and their desire to transform the established order.

Badri is a 13-year-old boy who lives in a remote village in the countryside of the Samtredia region of Georgia. His home, the places where he grew up become the set of a film. In the loneliness of the village, destined to become more and more depopulated, Badri’s movie is a horror movie.

Sisters Zaynab and Maryam are two Afghan soccer players who play for the Herat women's team. When the Taliban return to power in Afghanistan, they decide to flee the regime. Maryam manages to board a flight to Italy, while Zaynab is left behind. The film follows their parallel and separate lives between Afghanistan and Europe.

A young man has a rare gift, he can go back in time. One day, he meets a woman on the street and decides to talk to her. But every attempt turns to fiasco: bad phrase, clumsiness, misunderstandings... Every time he fails, he tries a new approach, convinced that he will eventually find the right one. But by trying to control everything, does it not run the risk of missing the main thing ?

The Ukrainian Freedom Orchestra brings together refugee musicians and Ukrainian members of leading European orchestras. One day after the third anniversary of the Russian attack on Ukraine, they perform Beethoven's 9th Symphony - a masterpiece and symbol of freedom and humanity - under the direction of Keri-Lynn Wilson in Warsaw's Teatr Wielki.

Through a photographic project, Xenia, a deaf activist raised in a hearing environment, enters into a dialogue with other hearing aid users. Together, they explore questions of dependence and belonging to one world or the other.

Exhausted by his work and routine, a person decides to suddenly break his daily life and wander in unknown places, in which he gradually sinks and gets lost. Essai 21 is a film project of a certain magnitude in which I wanted to explore horror from another angle. The idea was to free myself from the codes of the genre by bringing something original, in particular through a specific choice of staging, a constantly disturbing atmosphere and an omnipresent contemplative aspect. One of the ambitions of this film was also to tell a story by following the protagonist's journey without ever making him appear, so as to arouse the imagination of the viewer as well as the different possible interpretations that result from it.

María finds a letter from her recently deceased grandfather in which he recounts that he was imprisoned in a Francoist concentration camp in the province of Córdoba, in his village: Los Blázquez. She was unaware of the existence of the concentration camp and decides to investigate the matter.

A comedic micro short about a man's increasingly desperate attempts to open a stubborn parcel, only to find his worst nightmare.

A girl drives a car into a forest. We follow the farewell journey to her beloved.

Pianist Thomas Enhco takes Jazz sous les Pommiers on a two-part concert: first a solo inspired by Mozart, then a two-piano duet with American jazzman Kevin Hays.

In "What's your name?" handwriting, drawings, personal and family archives merge into an intimate work about the importance of remembering and recording. The short film unfolds through the pages of various diaries, spanning from childhood to early adulthood. As thoughts evolve and the style of writing shifts, the film weaves in family archive footage captured by the director's father: recently rediscovered video cassettes that, magically, come to life in a new form.

A short animated film combining artist illustrations with footage of real actors in the theater, treated in post-production with a watercolor effect, which tells the true story of Polish nurse Irena Sendler, who saved almost 3,000 Jewish children from the Warsaw ghetto.

Maya is a young woman who moves to a new city, leaving her home and childhood behind. At the train station, shortly before her departure, she looks back and remembers all the beautiful and difficult moments of her childhood.

Two young adults become increasingly run-down whilst going about their usual routines in a busy city environment, until they are presented with an opportunity to deepen their connection to nature.

A young woman’s quiet evening turn into fear when strange noises disturb her bedtime routine.

Facing one of humanity’s biggest questions, ‘what is left of us after our death?’, this haunting documentary covers the author’s thought process on the idea of what might remains of us after we die, supported by the vision of an artist who decided to come back in Italy after spending forty-seven years in New York and turn his little apartment into a mausoleom where his death-filled artworks will lay along with his ashes. Raising questions like ‘are the things we create in our lifetime the mark of our existance?’ and ‘can the artist escape death trough the art objects?’ the documentary touches a vast variety of themes and ideas as well as paying a visit to one of the oldest mausoleums in ancient mythology, the Acheron River.

A man escapes to a bar late at night to avoid being alone. But when more and more partying people come into the bar and start encouraging him to join in, he is faced with the question: fit in or remain himself.

A family story built upon what cannot be spoken: the open wound of the Basque people. A portrait of the contemporary Basque Country, exploring the bidirectional relationships between past and present.

A remote location. A missing woman. And a satanic cult that targets its victims for cruel rituals and snuff films. As investigator Jörg Reuther follows the trail of horror, the case suddenly becomes personal: his own daughter and grandson disappear without a trace. In a race against time, Reuther delves deeper and deeper into the abyss...

When Seb goes to read his younger brother Luke 'The Giving Tree' as a bedtime story, he is forced to accept the horrible truth that Luke is dead. Seb is consequently forced to begin his journey of acceptance, visiting his grave, and having a consoling conversation with the local Priest.

On the wild banks of a river in the Cévennes, Philip and Tristan restore the irrigation system of a 17th-century water mill. Following the water’s path, they work together, pausing, resting, and sharing moments of calm.

Ava, an Iranian-born sound artist, lives in Germany far from her family. While she is recording sounds of nature, she hears a strange sound from the vastness of the forest, a sound that becomes impossible to ignore.

In the video, we see an African man breaking eggs with a knife, one after another, in a repetitive, obsessive, and monomaniacal act. He repeatedly says out loud, 'An egg, the white is gone but the yellow remains.' The video clearly shows the impossible reconciliation between the colonizer and the colonized. Inside an egg, the white and the yellow coexist harmoniously and naturally, even though they don't have the same texture, color, shape, or smell. But when there is a fracture, a break, or a rupture between them, each follows its own nature. The egg is a prison; it is the symbol of both creativity and fertility, hope and a promise of life, a new birth, and regeneration. With the broken egg, horror takes over. It's the paradox of the egg: on one side, there are broken shells, a shattered life, and on the other, the hope of a return to life and rebirth.

Pau, a young man trapped in the monotony of his daily routine, spends his days daydreaming and questioning the purpose of his life. Inspired by a conversation with a friend, he decides to change course and embark on a trip to the mountains, something he had always wanted to do. There, he discovers the beauty of connecting with nature and with himself, understanding that change depends on his actions.

The in medias res monologue of Margarete during her stay in Buenos Aires questions to what extent, having thoughts in a loop reveals truths or obstructs paths of forgetting. A process which is so essential for the survival of human emotions, just as much as not forgetting.

It's late. Valerio needs to sleep, but his teeth don't agree.

Gluttony is a haunting exploration of the devouring mother archetype, embodied by two twin dancers locked in an eternal cycle of consumption and dependency. Through visceral contemporary movement, the film unravels the tension between nourishment and destruction, love and suffocation. Inspired by the Ouroboros, the choreography unfolds in a labyrinthine setting, where the daughter desperately seeks escape, only to find herself inevitably drawn back. The visual language plays with the abject—orange gelatin evoking amniotic fluid, fractured reflections, and tactile imagery that blurs the boundaries between bodies. It is not just about gluttony; it is about inheritance, identity, and the inescapable hunger for connection.