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Black Rusks

The November Revolution of 1918 in Germany, famine and social upheaval evoke a response from the young Soviet government in Russia. To provide food assistance, trains with bread are being formed. One of them, on the personal instructions of V.I. Lenin is accompanied by the young revolutionary Tatyana . On the way, she meets a former German prisoner of war, Kurt . A romantic relationship arises between them. The train with bread, despite all the difficulties, was delivered. In a clash with a detachment of counter-revolutionary German troops, Tatyana was wounded. She returns to Moscow, and Kurt goes to Berlin to continue the revolutionary struggle.

Black Rusks

8.0 1972
Traumatografo

Traumatografo is a film, the principal purpose of which is to comfort those who fear death by the gallows or scaffold. It is divided into three parts: in the first, slaughter by automobile is shown; in the third, by military engagements; in the center section children pantomime syncopated movements from top to bottom. The secret, twilight imaginings of a wreckless character in the horrifying motion of falling or ejection in triplicate from an auto-trauma-mobile, the alternation—through the manipulation—of his original motion, offers us, as a source of comfort, the bicorporeal vision of him as he travels along the parabola of his fall from a residual sequence of a most personal and fatal leap.

Traumatografo

NR 1973
Der Pfingstausflug

A melancholic enjoyable journey by an old couple who escape the dreary everyday life of a Berlin retirement home for a day: at Pentecost, Margarete and Heinrich come up with the idea of visiting their nephew, whom they believe to have invited them to dinner. So they set off on their own, and although they don't always know where they are or why they have actually set off, they have a wonderful day. Even if the police find them and bring them back before they reach their destination.

Der Pfingstausflug

8.0 1978
Abîmes

Mountaineers Roberto Sorgato and Ignazio Piussi relive their 1961 adventure: the first winter ascent of the north face of Cima Ovest di Lavaredo, a formidable Dolomite wall reaching 2,973 meters. During this expedition, Sorgato accidentally fell 60 meters while the climbers were preparing their third bivouac and found himself suspended in mid-air by a rope. Through sheer perseverance, ingenuity, and courage, he managed to pull himself back to his partner. The film, shot eleven years later, is a reenactment with the protagonists playing themselves. The difficulties this climb presents, even for the most experienced climbers, are irrefutably highlighted. The film received the Genziana d'Oro award at the Trento Film Festival in 1973.

Abîmes

10.0 1972
No Trifling with Love

Perdican, his studies completed, returns to his family castle at the same time as Camille, returning from the convent where she was raised. The two young people are promised to each other, but the young girl appears distant. Out of spite, Perdican courts Rosette, a peasant girl, Camille's foster sister who, for her part, announces her plan to take the veil. Perdican announces his marriage to Rosette. On the eve of the wedding, Camille and Perdican finally confess their love to each other. But Rosette, who heard everything, commits suicide, which separates the two lovers forever.

No Trifling with Love

8.0 1977
Your Hands on My Body

Andrea, the only son of a rich publisher, is a neurotic young man obsessed by his mother. He is dominated by uncontrollable impulses and suicidal fantasies, while his regressive behaviour makes him lonely and frustrated. Incapable of having normal sexual relationships, he spies on his stepmother's adulterous affairs and is obsessed by Carol, a young American girl he secretly films (even when she's making love with her boyfriend), and whom he clumsily courts. Finally, Andrea wins Carol over but is still tormented by the fear of losing his own private world of memories and macabre games...

Your Hands on My Body

4.0 1970
Double Pisces, Scorpio Rising

One of the human trio is Dick Fontaine, the director, a thin, long-haired youth who has put together this highly personal exercise on something or other that runs, mercifully, for 58 minutes and comes from an English group of movie folk called the Tattooists. The second visitor to the animal abattoir is a pretty girl. The third is a porky, middle-aged man addicted to the expression, "Ya know?" The two men carry on a running argument about whether they should make a picture about pigs. "Are we making a movie, ya know?" says Fatso. "Where is it, ya know?" Then a bit later: "I'm making a movie about pigs, ya know?"

Double Pisces, Scorpio Rising

NR 1970