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Sydney Harbour Bridge

“Tourists, postcards, different views of the same icon. The Bridge is a piece of geometry so I figured the film had to be geometric, too. The matte box allowed me to create postcards within postcards within postcards. It was all done in-camera…very demanding, it took all winter! The matting had to be carefully calculated and each image rewound by hand, then rephotographed, in the right position and at the right exposure. I surrounded the Bridge with a mass of water…vertically and horizontally. The water is by turns soft and then metallic as it reflects in the low winter sun. The movement, the steel and the water create an interplay as harbour sounds, wind chimes, boats…tinkle.” (Paul Winkler)

Sydney Harbour Bridge

NR 1977
No Measure of Health

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

No Measure of Health

NR N/A
Missing Pieces: The Curious Case of the Somerton Man

The Somerton Man mystery has baffled a global audience for over 70 years. A dead body found on Adelaide's Somerton Beach has never been identified. Now a new documentary, including interviews with friends, witnesses and detectives who worked on the case, some now in their 100's, reveals a fascinating first hand view of this extraordinary, enduring mystery. Was he murdered? Did he commit suicide? Why did he have a tiny piece of paper in his pocket with the words "Tamam Shud"? Missing Pieces examines the case in detail and cast new light on the woman he came to visit.

Missing Pieces: The Curious Case of the Somerton Man

NR 2018
To Never Forget

December 1941. A group of women and a 10-year-old girl named Sorella are photographed as they are ordered to take their clothes off in freezing temperatures on a beach in the Baltic Seas. 80 years later, filmmaker Peter Hegedüs creates a dramatic recreation based on the photograph using new immersive 360 technology. He is aided by Ethel Davis, a 92-year-old Jewish Australian whose family perished in the 1941 massacre, and by the powerful testimonial of his own Jewish grandmother who managed to survive the Holocaust. To Never Forget goes beyond the depiction of a filmmaker’s process, revealing how the Holocaust continues to affect lives, families, and geopolitics today.

To Never Forget

NR 2022
Thomson of Arnhem Land

In the 1930s tensions between the government and the Indigenous peoples of Australia's north were on a knife-edge. Donald Thomson, an anthropologist, volunteered to go to Arnhem Land to make peace. For over two years, he lived with the Aboriginal people, forging strong bonds, learning and recording their way of life. His report to the government outlined a vision of land rights and other measures to protect a unique yet fragile culture - it was ignored. Ostracised by politicians and fellow academics, Thomson never gave up the struggle for Aboriginal rights. Now, his extraordinary photographs, field notes and artefacts are considered one of the most significant ethnographic collections in the world.

Thomson of Arnhem Land

9.0 2000
Printer Light Play

One of the main “mysteries” of working with the lab involves grading the print: adjusting or “correcting” the color balance for overexposures, underexposures, or unwanted color shifts in the original. Grading is done by adding or removing degrees of red, green, or blue light on the copier: the standard setting for an average exposure in our lab is 30 Red, 30 Green, and 30 Blue. Filmmakers often leave this work to the lab technician, and they only have a general understanding of the process. In our case, we wanted to use this film to learn more about it. We filmed a scene, under the light, of our son Ivor holding a Kodak Colour Patch Card (a male version of the "Kodak Lady" often spliced ​​for quality control purposes on a print). This normally exposed scene is subject to a range of 84 different print light settings out of 132,651 possible combinations. The soundtrack consists of a voice announcing the print light variations used. (Arthur Cantrill & Corinne Cantrill)

Printer Light Play

NR 1978
Lady O'Loughlin

A documentary about a recovering alcoholic and addict – especially one whose story we're already broadly familiar with – doesn't sound like a great night's entertainment. But this compact and moving film made by Fiona O'Loughlin's mate, Sam Petersen, is not just thoughtful, it's also often very funny. Petersen follows O'Loughlin from the time she leaves rehab in 2016 (she spent seven days in a coma following an epic binge) to her return to the Melbourne Comedy Festival in 2018 – including a relapse that put her back in hospital again. As you might expect, many gags are cracked. Truths are told. But this is also an exploration of the way the live-comedy scene is a natural home to excess, and the dangers of the misguided but entrenched association between creativity, and drugs and alcohol. Source: The Age newspaper (https://www.theage.com.au/culture/tv-and-radio/twisting-british-thriller-is-the-stuff-of-any-parent-s-nightmares-and-it-s-really-really-good-20200504-p54po9.html)

Lady O'Loughlin

NR 2020
Return to Sandakan

During World War II there were nearly 2,500 Allied prisoners held in Sandakan POW camp in British North Borneo. Along with the ravages of war and the struggle to survive abject conditions, only six of these POW's were found alive when the war finally ended. In the years that followed, the horror stories of human depravity and the atrocities committed by the Japanese at Sandakan POW camp would come to light, considered by many as one of the most devastating chapters of the Pacific War.

Return to Sandakan

NR 1995
Wabi Sabi Rendezvous

After a year studying music abroad, Monika returns home to Australia, eager to reunite with her boyfriend after months apart. When he doesn’t show up, Monika instead happens upon her childhood friend, Yael, who she hasn’t seen for years. Yael is an amateur photographer who walks through the Adelaide Botanic Gardens every day, taking photos of the subtle differences she sees. This chance rendezvous sparks a series of conversations which explore love, breakups, photography and dirty socks.

Wabi Sabi Rendezvous

NR 2024