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Nympha

Nympha begins and ends with a scene in the cemetery where a group of people are standing around a tomb under the rain. The movie as a whole is an exposition of the events in Nympha’s life that lead to this scene. Nympha is a young girl reared and morally sheltered by a hypocritically pious elder female relative. The girl’s blind piety, however, is ripped apart by her sudden awareness of the sexually-charged environment and by her own first love affair. Eventually, she goes from man to man, driven by her demonic desires. Her unwanted pregnancy finally leads to a gory, fatal abortion.

Nympha

7.0 1971
Beautiful Movie

"Beautiful Movie" is a filmic cameo during which a passage of blue film leader and clear film painted red introduces a lovely image of a woman, naked from the waist up, sitting on a brass bed, combing her hair. When we first see the woman, she is well out of focus, but during the following minute or so she slowly becomes clear. As soon as the image is completely clear, however, Huot dissolves to an image of himself sitting in a similar position, combing his own hair. This image quickly goes out of focus, and the viewer sees the original passage of leader and painted film, this time in reverse, forming the other half of a filmic frame. "Beautiful Movie" is a quietly feminist work; Huot revised the traditional tendency to worship female beauty by suggesting that, yes women are lovely, but there is no physical reason why men cannot be lovely in the same way.—Scott MacDonald, “The Films of Robert Huot: 1967 to 1972”, Quarterly Review of Film Studies, Summer 1980.

Beautiful Movie

NR 1974
Global Groove

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Global Groove

7.7 1973
Confessor

Confessor, a city-dweller who has “bugged” several telephone lines, hears the stories of: a woman who wishes for a white knight but realizes the man is sterile upon his arrival; a woman living with a mannequin that takes the place of a husband; and females who attend parties in the nude. A proxy for the Vietnam War is staged in a supermarket, and the Confessor, or one of the subjects he has surreptitiously monitored, dies amid an assault of mass media imagery. "...an American underground effort by Edward Bergman and Alan Soffin shown in the Film Market. Despite some portentous attempts at structure, this is closer to a collection of shorts than a feature, and often amateurish shorts at that, pivoted around the general theme of media overload (another version of Future Shock?)" - Jonathan Rosenbaum

Confessor

10.0 1974
Eric Clapton and His Rolling Hotel

Eric Clapton and his band toured Europe by train in 1978, and a documentary called "Eric Clapton and his Rolling Hotel" was filmed, but never released. Clapton put his band in a three-carriage train, originally at the disposal of Hermann Goering during the Nazi years in Germany, and traveled from town to town on the continent, from one concert to the next. It was an easy way to transport and house the band and equipment, and it offered ample opportunity for interviews, groups interactions, and filming. Clapton talks about his music and his works and peaks the viewers interest with stories about musicians like Hendrix and George Harrison. The interviews are supplemented with performances by Muddy waters, Elton John and George Harrison, as well as Clapton and his band. Tracks featured are Cocaine, Further On Up The Road, Lay Down Sally, Tulsa Time, Worried Life Blues, Early in the Morning, Badge, Wonderful Tonight, Key to the Highway, Double Trouble, Crossroads and Layla.

Eric Clapton and His Rolling Hotel

4.3 1978
Masters of Modern Sculpture Part III: The New World

The Masters of Modern Sculpture series concludes with a look at post- World War II America, where sculpture became a deeply innovative art form. Using the objects at their disposal and the inspiration surrounding them, artists such as George Rickey, Claes Oldenburg, and Louise Nevelson cast sculptor in a new light. The New World observes the sculptors creatively utilizing wood, metals, and junkyard finds, bringing forth lively and shocking work. America's remote spaces, discarded objects and abundant materials enabled them to add to the concepts of European modernism in daringly unique ways.

Masters of Modern Sculpture Part III: The New World

NR 1978