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Three Wise Boys

It's almost Christmas and three boys are discussing various aspects of the big day, such as Santa Claus and the positioning of the figures in the manger scene beneath the tree, all in typical children's fashion. The next day, still excited by Christmas they go into town with their parents hoping to catch a glimpses of Santa in the store. Their parents tell them that Christmas isn't just about presents but also the birth of Jesus, but the boys are too excited about Santa.

Three Wise Boys

NR 1963
Cross-Cut–A Blue Movie

In CROSS-CUT--A BLUE MOVIE, Huot presents a minimal passage of intercutting between found footage of a hoochy-coochy dancer and a blue leader, organized as a pair of inversely related geometric progressions. The resulting film is amusing (because of the pun in the title, the speed of the editing, and the funny fast-motion shimmy of the dancer); highly rhythmic (both because of the intercutting itself, and because of the rhythms added by the dancer's movements, the flutter of dust particles on the blue leader, and the waver of scratch marks on the footage of the dancer); and formally interesting because of Huot's creation of a montage which so energetically goes nowhere.

Cross-Cut–A Blue Movie

NR 1969
Hopscotch

Kenji Kanesaka’s Hopscotch was presented as an event at Sogetsu Art Center in 1967, in order to create the sound recording for the film. Participants included filmmakers, musicians, and artists such as Yasunao Tone (composer), Yosuke Yamashita (jazz pianist), Jiro Takamatsu (artist), Shigechika Sato (film critic), Nobuhiko Obayashi (filmmaker), Rikyro Miyai, and others. Tone gave instructions to “hiku" (to play), a Japanese verb with multiple meanings which performers interpreted to play Majong, subtract numbers on a black board, pull the trigger of an air gun, saw a block of wood, draw a bow, etc.

Hopscotch

NR 1967
Carl Ruggles' Christmas Breakfast

In her earliest film, which has been newly transferred to video, Schneemann presents an abstracted portrait of the American composer Carl Ruggles, known for his irascible personality and finely-crafted atonal music. Ruggles is seen enjoying pie a la mode and ruminating on subjects ranging from Christmas to his incomplete opera The Sunken Bell. The hand-painted film stock heightens the impressionistic vitality of this snapshot of the 84-year-old composer, who is heard paraphrasing Freud: "Everything that you do is a matter of sex. That is the great passion of life."

Carl Ruggles' Christmas Breakfast

6.0 1963
Last Summer Won't Happen

A critical yet sympathetic examination of the anti-war movement in New York City, shot in 1968, one year after the Summer of Love. The film traces the development group of activists on the Lower East Side. We see their growth from isolated, alienated individuals to a politically empowered community. Filmed between the protests at the Pentagon and the demonstrations at the Democratic Convention in Chicago, it includes portraits of Abbie Hoffman, editor Paul Krassner, folksinger Phil Ochs and anarchist Tom "Osha" Neumann.

Last Summer Won't Happen

NR 1968
People Near Here

"Do something for the camera!" In the late twenties, 16mm home movie cameras became available and the well-off used them through the 1930s. Then the 8mm camera increased participation in the very events it recorded, drawing out the facts of who we are or play at being. In this film, Americans – across stages of life, across decades, in backyards, at a graduation picnic, on a beach and in other ordinary places – reveal silly, happy, intense and sad things about themselves, mostly with exuberance and dignity. The film is arranged without internal editing of the found sequences.

People Near Here

NR 1969
The Doll's House

Black and White 16mm UCLA Student Film, Preserved by the UCLA Film and Television Archive. When the Bendell girls receive a Doll's House as a gift, they share in the pleasures of the miniatures with their classmates. Yet, The Doll's House reveals the class divides between the Bendell girls' upper-class friends and the poor Kelvie Children, who are forbidden to play with the other girls. Set in the early 1900s, the film captures class divisions though the lens of girlhood and play.

The Doll's House

NR 1960
Slow Run

After 14 months of living a Bohemian life in New York City, a young Canadian becomes anxious that he is "settling down." To quell this fear, he impulsively buys a plane ticket for an unspecified destination. About a week before his scheduled departure, he wakes up musing as to whether or not he will inform his friends and his landlord. When he suddenly becomes nostalgic about the city, he is angered by his own sentimentality. Nevertheless, he lapses into a reverie in which he recalls his stay in Manhattan--working at an unspecified job, establishing a relationship with a long-haired intellectual, and having brief affairs with a number of women.

Slow Run

9.0 1968
The Elms

"THE ELMS was my first sound film, in 1964, made after the assassination of JFK. I hoped that the title might bring to mind the American Elm tree, which was seen to be doomed by way of disease. The assassination of Kennedy in 1963 was a tremendously emotional blow and omen of things to come. The whole country watched the funeral ceremonies play out on TV, and I taped everything I could of those events – music, words, prayers, the killing of Lee Harvey Oswald , and more. I needed to make a film that would incorporate some of those sounds, but I also wanted to introduce other components. Some people assumed I was making an homage to JFK. That is not the case. I think it should be clear that what I was concerned about was the evolving state of our nation." –Abbott Meader

The Elms

NR 1964