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Story of Night

It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.

Story of Night

6.8 1979
L'Île à ma dérive

This film takes place on the island of Sein and reflects an experience that happened to the director, Jeanne Labrune. Before her, film crews on the trail of the sailors who, in 1940, joined De Gaulle in England, had bored the islanders. The filmmaker found herself in a position of incrustee, in a state of non-communication bordering on exclusion. Unable to obtain anything from the inhabitants, but nevertheless involved in the environment of granite and mutism of the people, she filmed herself as a "wanderer not integrated" in an island, whose tendency to fossilization she thus reveals.

L'Île à ma dérive

NR 1979
Little Godard

The production of a film requires recording equipment and financial resources, if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology, and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.

Little Godard

10.0 1978
L'exil

Summoned by his bosses to broadcast only neutral information, Jean, a reporter, leaves town with his friend to go and collect testimonies from simple people, in the heart of the Laurentians, and reach out to them and outside society at genuine freedom, happiness. The departure is joyous, but the isolation in which they confine themselves does not bring either of them the results they expected. The adventure ends in failure. Would it be an illusion to believe that one can escape the community to which one belongs?

L'exil

8.0 1972
Love School

Disguising himself as a geisha and introducing himself as Madame Mufiko, a certain Max Fox opens a school in Paris where he proposes to teach the Japanese art of love. He recruits a few students, boys and girls, to whom he teaches to imitate the positions represented on old prints. The young people set themselves to it with such ardor that soon the girls are pregnant. In addition, the school is put under police surveillance and the false Mufiko sees her true identity revealed.

Love School

NR 1973
Come fu che Masuccio Salernitano, fuggendo con le brache in mano, riuscì a conservarlo sano

The characters are two ruffians in various disguises: as false priests, they sell a rotten arm pretending it to be a relic of St. Luke; they cheat a stingy friar who abuses of the confessional to get rich and, once he finds out he's been cheated, gives himself sacramental absolution. They help the noble Filippo, disguised as a woman, in the alcove of the innkeeper's wife; they save from despair Fra Martino who had forgotten his underwear in his lover's house (one of them disguised as a cardinal retrieve the garment and expose it as a relic to the devotion of the faithful). To live with their lovers, Brother Jeronimo strives exorcisms and frà Partenope pretends to fight with the devil

Come fu che Masuccio Salernitano, fuggendo con le brache in mano, riuscì a conservarlo sano

4.0 1972
Chantons sous l'occupation

This investigative documentary examines life in Nazi-occupied France, and features interviews with civilians who lived through World War II as well as stock footage of French entertainers performing for German soldiers. The filmmakers investigate the distinctions between collaboration, resistance and self-preservation by speaking with citizens who interacted closely with Nazis, who discuss their personal views about the ethical dilemmas they faced under occupation.

Chantons sous l'occupation

8.3 1976
...Remote..... Remote....

With sometimes painful directness, Valie Export conducts a psychological investigation of the body in this film performance, externalizes an internal state. In front of a police photo showing two children who were sexually abused by their parents, she tortuously cuts into her cuticles until blood drips into a bowl of milk on her lap. On top of the symbolic plane of blood and milk, the physical effect on the viewer of her destructive act of self-mutilation is extreme.

...Remote..... Remote....

6.3 1973
L'Esprit de famille

Charles Moreau, general practitioner, and Hélène, his wife, have four girls aged 11 to 20 years. The eldest, Claire, plays the piano when she does not let her mind indulge in solitary reverie. Bernadette has a real passion for horses, while Cecile, the youngest, plays from a young age to realize all her whims. As for Pauline, at the age of 17, she decided that she would become a novelist. So she writes a book telling the story of family life. One day, when she comes out of high school, she meets Pierre, a penniless painter, from whom she immediately falls.

L'Esprit de famille

6.0 1979
The Breath of Sheep

In Düsseldorf-based filmmaker Lutz Mommartz’s Das Atem des Schafes (The Breath of the Sheep, 1970) we see Scotland as an outsider. Recorded on a trip to the Highlands ahead of his participation in Strategy: Get Arts – a landmark exhibition at Edinburgh College of Art – Mommartz’s 8mm film testifies to the Scottish imaginary that preceded self-representation. Mist-wrapped mountains and a maggot-infested sheep carcass are soundtracked by stretched-out psychedelia, encoding this as a place of wildness." - Marcus Jack 8mm - b/w

The Breath of Sheep

NR 1970