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The Flight

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

The Flight

8.3 1977
You Light Up My Life

Laurie has been in show business since she was a child. Her dream is to be a singer, songwriter and actress. Her father wants her to be a comedian like him and Laurie only tries because it pleases her father. But she is a lousy comedian. She auditions for everything and is engaged to Ken, but Ken does not understand her needs. She has a one night stand with Chris, only to later find that he is a director. She has many emotions that have not yet been addressed and she must face them before she can get on with her life.

You Light Up My Life

5.4 1977
The Green Jade Statuette

Meng Fei stars as a fighter-for-hire who seeks the jade statuette for an unidentified employer. Hu Chin plays the sexy femme fatale, Madame Pearl, who runs the local brothel, seemingly the center of the town's commercial life. Chi Kuan-Chun plays Wu Kang, the town boss, who is involved romantically with Madame Pearl and protects the brothel. Madame Pearl is in league with the bandits who stole the jade and is waiting for them to arrive in town. The very pretty Kitty Meng Chui plays a prostitute who becomes an ally of Meng Fei. Mysterious characters abound, including one elegant fellow who has the habit of placing a single rose on the bodies of fight victims, saying, "Even the dead love roses." Many other familiar faces are on hand as well.

The Green Jade Statuette

4.8 1977
Mau Mau

In October 1952 the British government declared a State of Emergency in Kenya. Its object: the defeat of "Mau Mau." In the war that followed, fewer than 40 of Kenya's 40,000 white settlers were killed while more than 15,000 Africans lost their lives, and hundreds of thousands more were arrested and subjected to a humiliating and often brutal process of "rehabilitation." But what was Mau Mau? A movement based, according to the British Colonial Secretary, on a "perverted nationalism and a sort of nostalgia for barbarism"? Or the Land Freedom Army, an organized political and military response to repression and armed aggression? Using newsreel and previously inaccessible archive footage, and drawing on interviews with participants on both sides, Mau Mau examines the myth and the reality of Africa's first modern guerrilla war.

Mau Mau

5.0 1973
Normannerne

With "The Normans," painters Paul Gernes and Per Kirkeby wanted to make a film about the Viking Age, but not a traditional fiction film set in that period. Instead, the film has a contemporary setting, in which a guide shows various historical sites and tries to bring the past to life, even though she has only one interested listener. Within this framework, episodes from Danish mythology are brought to life: King Skjold, Rolf Krake, Regnar Lodbrog, the Battle of Svold, etc. The film mainly follows the account in Saxo's chronicle, but also dramatizes a story by the Arab author Ibn Fadlan. He described the cremation of a Viking chieftain in Russia around the year 900, where, among other things, a slave woman was sacrificed after ritual intercourse. The film is based on a number of historical and archaeological studies. The loose form is intended to emphasize how fragmentary our knowledge of the Viking Age actually is.

Normannerne

8.5 1976